Pich was born in Cambodia in 1971, and grew up under the harsh and tragic Khmer Rouge regime. In 1979 his family stayed in refugee camps along the border of Thailand to escape from political instability. During that time Pich participated in an art school run by NGOs and became interested in painting. His family was able to migrate to the United States in 1984. In 1990 he entered the University of Massachusetts to study medicine, later transferring to the Department of Art, graduating in 1995. Subsequently he received an MFA in painting from the School of the Art Institute of Chicago in 1999.
Pich’s work has been featured in numerous international museum exhibitions and biennials such as his solo exhibition at The Metropolitan Museum of Art in 2013 and Documenta 13. This year he is featured in the Venice Biennale, Viva Arte Viva (until November 26), and “Sunshower: Contemporary Art from Southeast Asia 1980s to Now” at Mori Art Museum (until October 23). His work is included in such major collections as Metropolitan Museum of Art, Solomon R. Guggenheim Museum, Centre Georges Pompidou, M+ (Hong Kong), Singapore Art Museum, and San Francisco Museum of Modern Art.
Khvay Samnang is one of Cambodia’s most important artists amongst the new generation. Using many approaches such as photography, video, installation, sculpture and performance, he explores new perspectives and interpretations of history, culture and current affairs. He often deals with themes related to the Cambodian context, which, in his humanistic approach also reflects on universal themes.
Khvay Samang was born in 1982 in Cambodia, and graduated from Royal Academy of Fine Arts in Phnom Penh in 2006. He has held solo exhibitions at Haus Der Kunst, Munich (2019), Museum of Contemporary Art, Santa Barbara, CA (2016), Jeu de Paume, Paris and CAPC, Bordeaux, Orange County Museum of Art, CA (2015), SA SA BASSAC, Phnom Penh (2011, 2012, 2014), and Tomio Koyama Gallery Singapore (2014). His group exhibitions include documenta 14 (2017), the Asia Pacific Triennial 8, Brisbane, Australia (2015), 4th Singapore Biennale (2013-2014), “Sights and Sounds: Global Video Art”, The Jewish Museum, NYC (2013) among many others. His residencies include TWS Creators in Residence program, Tokyo Wonder Site (2010, 2011), and Künstlerhaus Bethanien, Berlin (2014-2015).
Born in Malaysia in 1973, Shooshie Sulaiman is currently recognized as one of the most important contemporary artists of Southeast Asia. Of both Malay and Chinese origin, the history of Southeast Asia, the culture of her homeland of Malaysia, as well as her personal memories and her own identity, serve as significant themes within her work. An almost mystical air permeates Sulaiman’s oeuvre, with works produced through diverse approaches such as drawings, collages, installations, and performances that at times appropriate natural elements from trees, soil, to water that are native to the land. Through them, the works inform viewers of the complex and inextricably connected relationship between human beings, nature, and art.
She has presented in many important international exhibitions including Documenta 12 (2007), Asia-Pacific Triennial (2009- 10), Singapore Biennale (2011), and Gwangju Biennale (2014). Following the Art Unlimited section at Art Basel in 2014, she has presented a large scale installation at the Encounter section at Art Basel Honk Kong curated by Alexie Glass-Kantor in 2015. The recent solo exhibitions include “Malay Mawar” at Kadist Art Foundation, Paris in 2016 and “Shooshie Sulaiman Drawings” at 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo in 2018. Her work is collected by Kadist Foundation, Paris, Singapore Art Museum and the National Museum of Modern Art, Tokyo.