8/ ART GALLERY/ Tomio Koyama Gallery is pleased to announce an exhibition presenting the gallery’s collections, along with selected works of the gallery’s artists.
Midori Sato was born in 1984 in Aichi Prefecture. She graduated from Oil Painting Course, School of Art, Nagoya University of Arts in 2008, and studied at Ecole nationale des beaux arts de Dijion, France as an exchange student. She received M.F.A from Graduate School of Tokyo Zokei University in 2010. She studied in Paris as a recipient of the POLA Art Foundation award for overseas research in 2017.
A closet packed full of colorful dresses, an array of high-heeled shoes on shelves, vividly colored flowers: Midori Sato shows us things that every one yearns to see. Yet if we turn our attention to the details of her work, bold brushstrokes and an intentionally uneven paint coating tinge her subject matter with the contours of abstraction. This abstraction demonstrates the force of the power that draws the viewer into the picture plane.
Her major solo exhibitions include “Floating Drapery” (Tomio Koyama Gallery, Tokyo, 2022), “Diaphanous petals” (The Pola Art Museum, Atrium Gallery, Kanagawa, 2019), “Bouquet” (8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, 2019), “Orange Glow” (Green Art Flowers Gallery, Paris, France, 2018) and “Reflections” (Roppongi Hills A/D Gallery, Tokyo, 2017). She participated in group exhibitions such as “Aichi Triennale 2016 rainbow caravan” (Aichi, 2016) and “Embracing for Painting” (Shiseido Gallery, Tokyo, 2015). In 2013, she received the Ohara Museum of Art Prize at “VOCA 2013″(The Ueno Royal Museum, Tokyo) and the artwork was housed in the Museum.
Rieko Hidaka was born in 1958 in Tokyo. In 1983, she graduated from the Department of Japanese Painting College of Art and Design (BFA) and completed the Graduate School of Art and Design (MFA) in 1985 both at Musashino Art University.
For one year from 1995, she studied in Germany under Japanese Government Oversea Study Program for Artists by the Agency for Cultural Affairs, Japan.
Her major solo exhibitions include “Recent Works 22” (The National Museum of Art, Osaka, Japan,1998), “The Space of Trees” (Art Kite Museum, Detmold, Germany, 2003) and “Sky, Trees and In Between” (Vangi Sculpture Garden Museum, Shizuoka, Japan, 2017). Her major group exhibitions include “Chikaku: Time and Memory in Japan” (Kunsthaus Graz & Camera Austria, Graz [traveled to Museum of Contemporary Art, Vigo, Spain / Taro Okamoto Museum of Art, Kawasaki, Kanagawa, Japan]) and “Rising Sun, Melting Moon -Contemporary Art in Japan” (The Israel Museum, Jerusalem, 2005-2006) and “Kami. Silence -Action” (Staatliche Kunstsammlungen Dresden, Germany, 2009-2010).
Hideaki Kawashima was born in Aichi, Japan in 1969. After graduating from Tokyo Zokei University in 1991, Kawashima undertook two years of training in Buddhism at the Hieizan Enryakuji Temple from 1995, thereafter commencing his career as an artist in 2001. Kawashima has presented his work in numerous exhibitions internationally and domestically. His major exhibitions include, “Japanese Experience Inevitable” (Museum der Moderne Salzburg, Austria, 2004), “LIFE” (Art Tower Mito, Ibaraki, Japan, 2006), “Idol!” (Yokohama Museum of Art, Kanagawa, Japan, 2006), and “Little Boy” (curated by Takashi Murakami, Japan Society, New York, 2006). In 2007 he took part in the “Pocheon Asia Biennale,” followed by a solo exhibition at the Kukje Gallery (Seoul, South Korea) in 2009, and two solo exhibitions at the Richard Heller Gallery (Santa Monica, USA) respectively in 2011 and 2014.
Khvay Samnang is one of Cambodia’s most important artists amongst the new generation. Using many approaches such as photography, video, installation, sculpture and performance, he explores new perspectives and interpretations of history, culture and current affairs. He often deals with themes related to the Cambodian context, which, in his humanistic approach also reflects on universal themes. Fluidity, historical significance, and ongoing social and political issues around land have fascinated Khvay for many years. “If you want to learn, you must spend time, and really enjoy!” said Khvay, whose work is often filled with sense of humor. To offer signals, symbolism, and questions in many layers engaging seemingly absurd act of performance lies in the core of his artistic practice.
Khvay Samang was born in 1982 in Cambodia, and graduated from Royal Academy of Fine Arts in Phnom Penh in 2006. He has held solo exhibitions at Haus Der Kunst, Munich (2019), Museum of Contemporary Art, Santa Barbara, CA (2016), Jeu de Paume, Paris and CAPC, Bordeaux, Orange County Museum of Art, CA (2015), SA SA BASSAC, Phnom Penh (2011, 2012, 2014), and Tomio Koyama Gallery Singapore (2014). His group exhibitions include documenta 14 (2017), the Asia Pacific Triennial 8, Brisbane, Australia (2015), 4th Singapore Biennale (2013-2014), “Sights and Sounds: Global Video Art”, The Jewish Museum, NYC (2013) among many others. His residencies include TWS Creators in Residence program, Tokyo Wonder Site (2010, 2011), and Künstlerhaus Bethanien, Berlin (2014-2015).
Born in Malaysia in 1973, Shooshie Sulaiman is currently recognized as one of the most important contemporary artists of Southeast Asia. Of both Malay and Chinese origin, the history of Southeast Asia, the culture of her homeland of Malaysia, as well as her personal memories and her own identity, serve as significant themes within her work. An almost mystical air permeates Sulaiman’s oeuvre, with works produced through diverse approaches such as drawings, collages, installations, and performances that at times appropriate natural elements from trees, soil, to water that are native to the land. Through them, the works inform viewers of the complex and inextricably connected relationship between human beings, nature, and art.
She has presented in many important international exhibitions including Documenta 12 (2007), Asia-Pacific Triennial (2009- 10), Singapore Biennale (2011), and Gwangju Biennale (2014). Following the Art Unlimited section at Art Basel in 2014, she has presented a large scale installation at the Encounter section at Art Basel Honk Kong curated by Alexie Glass-Kantor in 2015. The recent solo exhibitions include “Malay Mawar” at Kadist Art Foundation, Paris in 2016 and “Shooshie Sulaiman Drawings” at 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo in 2018. Her work is collected by Kadist Foundation, Paris, Singapore Art Museum and the National Museum of Modern Art, Tokyo.
Richard Tuttle was born in Rahway, New Jersey, USA, in 1941. He currently lives and works in New York City, and New Mexico. In 1963 he completed his BA in philosophy and literature at Trinity College, Hartford, USA. He held his first solo exhibition at Betty Parsons Gallery, New York, in 1965 when he was 24 years old, and an exhibition at the Whitney Museum of American Art in 1975 when he was 34 years old. Such exhibitions attracted significant attention, and had given rise to various topics of public discussion. Tuttle has further participated in international exhibitions such as La Biennale di Venezia (1976, 1997, 2001), Documenta (1972, 1977, 1987), “Skulptur Projekte in Münster” (1987), and the Whitney Biennial (1977, 1987, 2000). Richard Tuttle is thus not only a leading figure in post minimalism, but can also be described as an artist who has constantly stimulated the art scene while transcending conventions of categorization, historical contexts, and genres.
His recent exhibitions include The Art of Richard Tuttle, a large-scale retrospective that was held at the San Francisco Museum of Modern Art and the Whitney Museum of American Art, and then traveled across various venues within the USA from 2005 to 2007. In 2014, Tuttle held a major exhibition I Don’t Know, Or The Weave of Textile Language at the Tate Modern and Whitechapel Gallery, garnering much interest for his monumental winged sculpture with textiles that was installed in the Turbine Hall. Tuttle’s works are housed in the collections of numerous museums throughout the world including the Museum of Modern Art, New York and the Metropolitan Museum among other prestigious museums in the USA, as well as the Tate Modern, Centre Pompidou, and Museum Ludwig. In Japan, his work is a part of the collection of the National Museum of Art, Osaka.
Nana Funo was born in 1983 in Shizuoka Prefecture. She graduated from Osaka University of Arts, Japan (BFA) in 2006 and completed the Graduate Kyoto City University of Arts, Kyoto, Japan (MFA) in 2008. She currently lives and works in Shizuoka. Her major solo exhibitions include “Nana Funo” (Roppongi Hills A/D GALLERY, Tokyo, Japan, 2010), “howl of green” (Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan, 2012). She has held 8 solo exhibitions with Tomio Koyama Gallery.
Her major group exhibitions include “VOCA 2009 The Vision of Contemporary Art” (The Ueno Royal Museum, Tokyo, Japan, 2009) and “The Way of Painting” (Tokyo Opera City Art Gallery, Tokyo, Japan, 2014). Funo’s works are housed in the collections of Aman Tokyo, The JAPIGOZZI Collection, MONTBLANC and GBU Japan, Takahashi Collection and Takamatsu City Museum of Art.