Shooshie Sulaiman

  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from “NEW LANDSKAP shooshie sulaiman” at Onomichi City Museum of Art, Hiroshima, Japan, 2023 ©shooshie sulaiman photo by Kenji Takahashi
  • Installation view from Singapore Biennale 2022 ©Shooshie Sulaiman photo by Aida Arosoaie
  • Installation view from Singapore Biennale 2022 ©Shooshie Sulaiman photo by Aida Arosoaie
  • Tadika Getah 2019 Mixed media 396 x 610 x 457 cm, Installation view at The Museum of Modern and Contemporary Art in Nusantara (Museum MACAN), Jakarta, Indonesia, Photo courtesy of Museum MACAN
  • Tadika Getah 2019 Mixed media 396 x 610 x 457 cm Installation view at The Museum of Modern and Contemporary Art in Nusantara (Museum MACAN), Jakarta, Indonesia, Photo courtesy of Museum MACAN
  • Tadika Getah 2019 Mixed media 396 x 610 x 457 cm, Installation view at The Museum of Modern and Contemporary Art in Nusantara (Museum MACAN), Jakarta, Indonesia, Photo courtesy of Museum MACAN
  • Installation view of Main Getah/Rubberscape at UOB Museum MACAN Children’s Art Space by Shooshie Sulaiman, 2019. Image courtesy Museum MACAN
  • Installation view of Main Getah/Rubberscape at UOB Museum MACAN Children’s Art Space by Shooshie Sulaiman, 2019. Image courtesy Museum MACAN
  • installation view at S.E.A. FOCUS, Singapore, 2019 Photo by Ahmad Iskandar Photography ©Shooshie Sulaiman
  • installation view at S.E.A. FOCUS, Singapore, 2019 Photo by Ahmad Iskandar Photography ©Shooshie Sulaiman
  • installation view at S.E.A. FOCUS, Singapore, 2019 Photo by Ahmad Iskandar Photography ©Shooshie Sulaiman
  • installation view at S.E.A. FOCUS, Singapore, 2019 Photo by Ahmad Iskandar Photography ©Shooshie Sulaiman
  • installation view at S.E.A. FOCUS, Singapore, 2019 Photo by Ahmad Iskandar Photography ©Shooshie Sulaiman
  • installation view at S.E.A. FOCUS, Singapore, 2019 Photo by Ahmad Iskandar Photography ©Shooshie Sulaiman
  • Production process of "white washing"
  • Production process of "white washing"
  • Production process of "white washing"
  • Photo by TANAKA Yuichiro Photo courtesy of Organizing Committee for Yokohama Triennale Installation view of Yokohama Triennale 2017 ©Shooshie Sulaiman
  • Photo by KATO Ken Photo courtesy of Organizing Committee for Yokohama Triennale Installation view of Yokohama Triennale 2017 ©Shooshie Sulaiman
  • Photo by ERIC Photo courtesy of Organizing Committee for Yokohama Triennale Installation view of Yokohama Triennale 2017 ©Shooshie Sulaiman
  • Photo by ERIC Photo courtesy of Organizing Committee for Yokohama Triennale Installation view of Yokohama Triennale 2017 ©Shooshie Sulaiman
  • Photo by ERIC Photo courtesy of Organizing Committee for Yokohama Triennale Installation view of Yokohama Triennale 2017 ©Shooshie Sulaiman
  • Installation view from "Malay Mawar" Kadist Art Foundation, Paris, 2016 ©Shooshie Sulaiman
  • Installation view from "Malay Mawar" Kadist Art Foundation, Paris, 2016 ©Shooshie Sulaiman
  • Installation view from "Malay Mawar" Kadist Art Foundation, Paris, 2016 ©Shooshie Sulaiman
  • Installation view from "Malay Mawar" Kadist Art Foundation, Paris, 2016 ©Shooshie Sulaiman
  • Installation view from "Malay Mawar" Kadist Art Foundation, Paris, 2016 ©Shooshie Sulaiman
  • Muar 2016 soil from Muar (Malaysia), water based paint and Malaysian flags 290 x 456 cm (3 panels)
  • Floating Versailles 2016 ink stamped, watercolor, color pencil & pencil 32.0 x 28.0 cm (image)/ 49.0 x 44.0 cm (frame) © Shooshie Sulaiman
  • Colors of Planting Drawings “#0 Orang 2016 Soil from Montmartre & Versailles, watercolor 26.3 x 27.2 cm © Shooshie Sulaiman photo by Aurélien Mole
  • Installation view from "Encounters (curated by Alexie Glass-Kantor)" at Basel Hong Kong 2015, Hong Kong, 2015 ©Shooshie Sulaiman photo by George Waldren
  • Installation view from "Encounters (curated by Alexie Glass-Kantor)" at Basel Hong Kong 2015, Hong Kong, 2015 ©Shooshie Sulaiman photo by George Waldren
  • High Red Center 2014-2015 acylic, water color, marker pen on canvas 30.3 x 24 cm each, a set of three pieces photo by © Shooshie Sulaiman, Courtesy of Tomio Koyama Gallery SS-Pa-
  • Kepercayaan Kepada Tuhan / Believe in God 2014 mixed media (Malaysian flag and soil) 100 x 120 cm
  • Kesopanan dan Kesusilaan / Good Behaviour and 2014 mixed media - Malaysian flag and found hair at women’s salon 100 x 120 cm
  • Kesetiaan Kepada Raja dan Negara /Loyalty To King 2014 mixed media - Malaysian flag and found hair at barber shop 100 x 120 cm
  • negara kecil #2 ( A small country #2) 2013 mixed media image: 61 x 51.5 cm ©Shooshie Sulaiman
  • Sulaiman bought a home, installation view from "Sulaiman itu Melayu / Sulaiman was Malay" at Tomio Koyama Gallery Singapore, Singapore, 2013 ©Shooshie Sulaiman, photo by Wong Jing Wei
  • Sulaiman bought a home, installation view from "Sulaiman itu Melayu / Sulaiman was Malay" at Tomio Koyama Gallery Singapore, Singapore, 2013 ©Shooshie Sulaiman, photo by Wong Jing Wei
  • Sulaiman bought a home, installation view from "Sulaiman itu Melayu / Sulaiman was Malay" at Tomio Koyama Gallery Singapore, Singapore, 2013 ©Shooshie Sulaiman, photo by Wong Jing Wei
  • installation view from "Sulaiman itu Melayu / Sulaiman was Malay" at Tomio Koyama Gallery Singapore, Singapore, 2013 ©Shooshie Sulaiman, photo by Wong Jing Wei
  • installation view from "Sulaiman itu Melayu / Sulaiman was Malay" at Tomio Koyama Gallery Singapore, Singapore, 2013 ©Shooshie Sulaiman, photo by Wong Jing Wei
  • Sulaiman bought a home, installation view from "Sulaiman itu Melayu / Sulaiman was Malay" at Tomio Koyama Gallery Singapore, Singapore, 2013 ©Shooshie Sulaiman, photo by Wong Jing Wei
  • Sulaiman bought a home, installation view from "Sulaiman itu Melayu / Sulaiman was Malay" at Tomio Koyama Gallery Singapore, Singapore, 2013 ©Shooshie Sulaiman, photo by Wong Jing Wei
  • installation view from "Sulaiman itu Melayu / Sulaiman was Malay" at Tomio Koyama Gallery Singapore, Singapore, 2013 ©Shooshie Sulaiman, photo by Wong Jing Wei
  • Sulaiman bought a home, installation view from "Sulaiman itu Melayu / Sulaiman was Malay" at Tomio Koyama Gallery Singapore, Singapore, 2013 ©Shooshie Sulaiman, photo by Wong Jing Wei
  • Mentari dan Hujan (The sun and the rain), 2013 mixed media 30.0 x 38.5 cm ©Shooshie Sulaiman
  • Negara, 2012-13 mixed media 183.0 x 244.0 cm ©Shooshie Sulaiman
  • egon, faleq and my homeland, 2012 mixed media on paper and Malaysian flag 158.0 x 189.0 (with frame) ©Shooshie Sulaiman
  • Chin Tu, 2012 image transfer and graphite 9.0 x15.0cm ©Shooshie Sulaiman
  • , 2013 image transfer and graphite 9.0 x 15.0cm ©Shooshie Sulaiman
  • Institusi Langsat (Langsat Institution), 2013 image transfer and graphite 9.0 x 15.0 cm ©Shooshie Sulaiman
  • Dari Tanah dia Kembali #6 (From the land he emerged #6), 2013 mixed media 38.5 x 28.0 cm ©Shooshie Sulaiman
  • Dari Tanah dia Kembali #3 (From the land she emerged #3), 2013 mixed media 38.5 x 28.0 cm ©Shooshie Sulaiman
  • Berjepun - Sultan Melayu dalam MOMAT, 2011 mixed media 16.0 x 27.0 cm ©Shooshie Sulaiman
  • Muar Art Kindergarten, Johor, 2012-2013 installation at Tomio Koyama Gallery booth, Art Stage Singapore 2013 ©Shooshie Sulaiman, Photo by Chua Cherhim
  • Muar Art Kindergarten, Johor, 2012-2013 installation at Tomio Koyama Gallery booth, Art Stage Singapore 2013 ©Shooshie Sulaiman, Photo by Chua Cherhim
  • KEDAI GAMBAR GOLDIE NO. 12, 2012, facade of photo studio installation at Art Stage Singapore, 2012 ©Shooshie Sulaiman, Photo by 12 Collective
  • LET’S LEARN PROPAGANDA I (detail), 2012 oil paint on photo print 29.7 x 42.0 cm included in photo studio installation Kedai Gambar Goldie No. 12, 2012 created for Art Stage Singapore, 2012, in collaboration with 12 Collective ©Shooshie Sulaiman
  • Swastika2, 2011, included in photo studio installation Kedai Gambar Goldie No. 12, 2012 created for Art Stage Singapore, 2012, in collaboration with 12 Collective ©Shooshie Sulaiman
  • Installation view from "Kedai Runcit No.12" at Project Booth, Art Stage Singapore held at Marina Bay Sands Exhibition and Convention Centre, Singapore 2011 ©Shooshie Sulaiman
  • Installation view from "Kedai Runcit No.12" at Project Booth, Art Stage Singapore held at Marina Bay Sands Exhibition and Convention Centre, Singapore 2011 ©Shooshie Sulaiman
  • Installation view from "Singapore Biennale 2011: Open House" at 8Q of Singapore Art Museum, Singapore, 2011 ©Shooshie Sulaiman
  • Installation view from "Singapore Biennale 2011: Open House" at 8Q of Singapore Art Museum, Singapore, 2011 ©Shooshie Sulaiman
  • Emotional Baggage, 2008-2009, Situations, performances and baggage ©Shooshie Sulaiman
  • Darkroom, 2007, Mixed-media installation, Kuala Lumpur, Malaysia ©Shooshie Sulaiman
  • Aminah Baba, Bee, Pva Glue, Hibiscus Petal, Wild Flower, Old photograph, 84.0 x 69.0 cm (framed size) ©Shooshie Sulaiman
  • Darkroom, 2007-2009/ 2014, Mixed-media installation: 50 collaged old photographs, dimensions variable ©Shooshie Sulaiman
  • Indian Father + Indian Mother = Chinese Daughter, 2009 Lily Petal, Ink, Old Photograph 24.0 x 18.4 (photograph size) ; 35.5 x 29.3 cm (framed size) ©Shooshie Sulaiman
  • Maculine Moth's Eye, 2009, Paper, Oil paint, photograph 8.9 x 6.8 cm (photograph) ; 25.3 x 18.0 cm (framed size) ©Shooshie Sulaiman
  • Darkroom, 2007-2009, Mixed-media installation: 50 collaged old photographs Installation view at Asia Pacific Triennial (Queensland Art Gallery, 2009-2010) ©Shooshie Sulaiman
  • Darkroom, 2007-2009, Mixed-media installation: 50 collaged old photographs Installation view at Asia Pacific Triennial (Queensland Art Gallery, 2009-2010) ©Shooshie Sulaiman
  • Emotional Library, Documenta 12, Kassel, Germany 2007 ©Shooshie Sulaiman
  • Emotional Library, Documenta 12, Kassel, Germany 2007 ©Shooshie Sulaiman
  • Emotional Library, Documenta 12, Kassel, Germany 2007 ©Shooshie Sulaiman
  • Dulu atas pedestal, sekarang dalampedestal / Before on pedestal, now inside pedestal 2005 Ball point pen and charcoal on paper 20 × 15 cm ©︎Shooshie Sulaiman

Born in Malaysia in 1973, Shooshie Sulaiman is currently recognized as one of the most important contemporary artists of Southeast Asia. Of both Malay and Chinese origin, the history of Southeast Asia, the culture of her homeland of Malaysia, as well as her personal memories and her own identity, serve as significant themes within her work. An almost mystical air permeates Sulaiman’s oeuvre, with works produced through diverse approaches such as drawings, collages, installations, and performances that at times appropriate natural elements from trees, soil, to water that are native to the land. Through them, the works inform viewers of the complex and inextricably connected relationship between human beings, nature, and art.

She has presented in many important international exhibitions including Documenta 12 (2007), Asia-Pacific Triennial (2009- 10), Singapore Biennale (2011), and Gwangju Biennale (2014). Following the Art Unlimited section at Art Basel in 2014, she has presented a large scale installation at the Encounter section at Art Basel Honk Kong curated by Alexie Glass-Kantor in 2015. The recent solo exhibitions include “Malay Mawar” at Kadist Art Foundation, Paris in 2016 and “Shooshie Sulaiman Drawings” at 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo in 2018. Her work is collected by Kadist Foundation, Paris, Singapore Art Museum and the National Museum of Modern Art, Tokyo.

Solo Exhibitions

2023 “NEW LANDSKAP shooshie sulaiman” Onomichi City Museum of Art, Hiroshima, Japan
fake M.” Tomio Koyama Gallery, Tokyo, Japan
2022 “Higanbana Studio” Komyoji-kaikan 2F Gallery, Hiroshima, Japan
2021 Lore of Equator” Tomio Koyama Gallery, Tokyo, Japan
2019 “Main Getah / Rubberscape” Museum MACAN, Children's Art Space, Jakarta, Indonesia
2018 “Drawings” 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, Japan
2016 “Malay Mawar” Kadist Art Foundation, Paris, France
2013 “Sulaiman itu Melayu/ Sulaiman was Malay” Tomio Koyama Gallery Singapore, Singapore
2006 “Rumah” 64A Jalan Beserah, Off Jalan Kuantan, Kuala Lumpur, Malaysia

Group Exhibitions

2024 “Diriyah Contemporary Art Biennale 2024 AFTER RAIN” JAX District, Riyadh, Saudi Arabia
2022 “Singapore Biennale 2022” Tanjong Pagar Distripark and various locations, Singapore
2020 “Face” Tomio Koyama Gallery, Tokyo, Japan
2019 “Matter and Place” Musem MACAN, Jakarta, Indonesia
“ONLY CONNECT OSKA” Creative Center OSAKA, Osaka, Japan
2018 “SOPHEAP PICH / KHVAY SAMNANG / SHOOSHIE SULAIMAN” Tomio Koyama Gallery, Tokyo, Japan
“Painters” Nakata Museum, Hiroshima, Japan
“MOMAT Collection” The National Museum of Modern Art, Tokyo, Japan
“Tomio Koyama Gallery: Works from the Gallery Artists and the Collection 3” 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, Japan
2017 “FLOATING URBAN SLIME / SUBLIME” ART GALLERY miyauchi, Hiroshima, Japan
“ONOMICHI ART CROSSROADS” Komyoji-Kaikan, Hiroshima, Japan 
“SUNSHOWER Contemporary Art from Southeast Asia 1980s to Now” The National Art Center, Tokyo x Mori Art Museum, Japan
“Yokohama Triennale 2017 'Islands, Constellations & Galapagos'” Yokohama Museum of Art and others, Kanagawa, Japan
“Le Secret by polynome” Galerie Ygrec, Paris, France
2016 “Anywhere But Here” Bétonsalon - Center for Art and Research, Paris, France
“Magical House” Maison de la culture du Japon à Paris, France
2015 “Encounters (curated by Alexie Glass-Kantor)” Art Basel Hong Kong
“A Journal of the Plague Year” Kadist Art Foundation, San Francisco, CA
“A Luxury We Cannot Afford” Para Site, Hong Kong
2014 “The 10th Gwangju Biennale: Burning Down the House” Biennale Hall, Gwangju Museum of Art, Gwangju, South Korea

Art Basel Unlimited, Basel, Switzerland
2013 “Muar Art Kindergarten” Tomio Koyama Gallery Booth, Art Stage Singapore 2013, Marina Bay Sands, Singapore
2012 “Kedai Gambar Goldie No.12” Art Stage Singapore 2012, Marina Bay Sands Exhibition and Convention Centre, Singapore
2011 “Kedai Runcit No.12” Art Stage Singapore 2011, Marina Bay Sands Exhibition and Convention Centre, Singapore
“The 3rd Singapore Biennale: Open House” Singapore Art Museum, Singapore
2010 “Happening Art ‘Apa ini, Apa itu” Djagat Art House, Bali, Indonesia

“CUT2010” Valentine Willie Fine Art, Kuala Lumpur, Malaysia/ Valentine Willie Fine Art, Singapore/ Sangkring Art Space, Yogyakarta, Indonesia/ Manila Contemporary, Manila, Philippine
2009 “Iskandar Malaysia Contemporary Art Show 2009 (IMCAS09)” Johor Bahru, Malaysia

“Home” ARC House, Selangor, Malaysia

“Emotional Drawing” SOMA Museum of Art, Seoul, South Korea
“The 6th Asia Pacific Triennial of Contemporary Art” Queensland Art Gallery and Gallery of Modern Art, Brisbane, Australia
2008 “Susur Masa / Timelines” National Art Gallery, Kuala Lumpur, Malaysia
“German Connection-Art” Pelita Hati House of Art and Goethe Institute Malaysia, Kuala Lumpur, Malaysia

“Independence Project – Part 2” Gertrude Contemporary Art Spaces, Melbourne, Australia

“Emotional Drawing” The National Museum of Modern Art Tokyo/ The National Museum of Modern Art Kyoto, Japan
2007 “Documenta 12” Kassel, Germany
“Between Generations (50 Years Across Modern Art In Malysia)” Museum of Asian Arts, University of Malaya, Kuala Lumpur/ Tuanku Fauziah Museum and Art Gallery, University of Science Malaysia, Penang, Malaysia

“50 Ways To Live In Malaysia (A Heartfelt View Of Life Through The Eyes of 50 Malaysian Artists)” Petronas Gallery, Kuala Lumpur, Malaysia
“Independence Project – Part 1” Petronas Gallery, Kuala Lumpur, Malaysia
2006 “Artistic Harmony: Malaysia – Jordan” Shah Alam Gallery, Selangor, Malaysia, Malaysia
“Miniature Show” Maya Gallery, Kuala Lumpur, Malaysia

“Young Contemporaries Anniversary” Valentine Willie Fine Art, Kuala Lumpur
, Malaysia
“Signed and Dated” Valentine Willie Fine Art, Kuala Lumpur
, Malaysia
“Kata di Kota: A Malaysian Exhibition of Contemporary Art in Cuba” in Conjunction with the 9th Havana Biennale 2006, Havana, Cuba
2005 “How Does An Artist See The World” KLIP Biennale, Art Space Gallery, Kuala Lumpur, Malaysia
2004 “Paradise Lost” (curated by Laura Fan) Art for Nature, Rimbun Dahan, Selangor, Malaysia

“Continuities: Contemporary Art of Malaysia At The Turn Of The 21st Century” Guangdong Museum of Art, Guangzhou, China
2003 “Thinking >< Space” (Installation Art Exhibition) Soka Gakkai, Kuala Lumpur, Malaysia

“ALAMI II PUNCAK: A Post Science Inspired Arts Camp Exhibition” National Art Gallery, Kuala Lumpur, Malaysia

“The Florence International Contemporary Biennale 2003” Fortezza Da Basso, Firenze, Italy
“Games People Play” (curated by Laura Fan) Art for Nature, Rimbun Dahan, Selangor, Malaysia

“Wahana” Collaboration of Singapore and Malaysia Exhibition, National Art Gallery, Kuala Lumpur, Malaysia
2002 “Touch” (curated by Laura Fan) Art for Nature, Rimbun Dahan, Selangor, Malaysia
2001 “Still Life” Valentine Willie Fine Art, Kuala Lumpur, Malaysia
2000 “KeAMANan” Petronas Gallery, Petronas Twin Towers, Kuala Lumpur
, Malaysia
“Three Young Contemporaries” Valentine Willie Fine Art, Kuala Lumpur, Malaysia
“LIFA” (Langkawi International Festival of Arts) Ibrahim Hussein Museum & Cultural Foundation, Langkawi Island, Malaysia
1999 “Kembara Tenggara: Young Contemporary Art Grant Exhibition” (curated by Tengku Sabri Ibrahim) National Art Gallery, Kuala Lumpur, Malaysia

“Imbasan Bakat Muda” National Art Gallery, Kuala Lumpur, Malaysia
1998 “GEMA: Resonance: A Malaysia Exhibition of Contemporary Art” Manes Gallery, Prague, Republic of Czech

“Mandala” ASEAN COCI, Manila, Philippine
“Sushi, tea or me? I like beef ball…” Command N Gallery, Tokyo
, Japan
“Surat” Installation Art, ARCUS-Open Studio Exhibition, Manabi-no-Sato, Moriya Machi, Ibaraki, Japan

1997 “Crates Classified” (curated by Wong Hoy Cheong ) Gallery Wan, Kuala Lumpur, Malaysia

“Philip Morris Art Exhibition” National Art Gallery, Kuala Lumpur, Malaysia

“Young Contemporaries” National Art Gallery, Kuala Lumpur, Malaysia

Awards

2009 National Art Award (Young Curator)
The 8th National Art Award
 The Ministry of Information, Communication and Culture Malaysia
1997 Major Award (Young Contemporary Competition 97, National Art Gallery, Malaysia)
1996 Minor Award (Young Talent Competition 96, Johore State)

Public Collections

Kadist Art Foundation, Paris
Singapore Art Museum
The National Museum of Modern Art, Tokyo