Installation view from "8, or Hachi" at Tomio Koyama Gallery, Tokyo, 2018 ©Richard Tuttle photo by Kenji Takahashi
Installation view from "8, or Hachi" at Tomio Koyama Gallery, Tokyo, 2018 ©Richard Tuttle photo by Kenji Takahashi
Installation view from "8, or Hachi" at Tomio Koyama Gallery, Tokyo, 2018 ©Richard Tuttle photo by Kenji Takahashi
Installation view from "8, or Hachi" at Tomio Koyama Gallery, Tokyo, 2018 ©Richard Tuttle photo by Kenji Takahashi
Installation view from "8, or Hachi" at Tomio Koyama Gallery, Tokyo, 2018 ©Richard Tuttle photo by Kenji Takahashi
Installation view from "8, or Hachi" at Tomio Koyama Gallery, Tokyo, 2018 ©Richard Tuttle photo by Kenji Takahashi
Installation view from "8, or Hachi" at Tomio Koyama Gallery, Tokyo, 2018 ©Richard Tuttle photo by Kenji Takahashi
Installation view from "8, or Hachi" at Tomio Koyama Gallery, Tokyo, 2018 ©Richard Tuttle photo by Kenji Takahashi
Presently, if there's nothing to do いま、もし何もすることがないのなら 2018 fabric, acrylic, wire 25.5 × 30.5 cm ©Richard Tuttle
The one in the family 家族のひとり 2018 wood, fabric, acrylic, wire, rope 51 × 38 cm ©Richard Tuttle
I'm just going to talk about myself 2018 fabric, acrylic, wire, pin h.23.5 × w.24.5 × d.3.0 cm ©︎Richard Tuttle
Installation view from "Prints" at 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, 2015 ©Richard Tuttle photo by Kenji Takahashi
Installation view from "Prints" at 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, 2015 ©Richard Tuttle photo by Kenji Takahashi
Installation view from "Prints" at 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, 2015 ©Richard Tuttle photo by Kenji Takahashi
Installation view from "Prints" at 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, 2015 ©Richard Tuttle photo by Kenji Takahashi
Installation view from "The Place in the Window" at Tomio Koyama Gallery Kyoto, 2013 ©Richard Tuttle photo by Yasushi Ichikawa
Installation view from "The Place in the Window" at Tomio Koyama Gallery Kyoto, 2013 ©Richard Tuttle photo by Yasushi Ichikawa
Installation view from "The Place in the Window" at Tomio Koyama Gallery Kyoto, 2013 ©Richard Tuttle photo by Yasushi Ichikawa
Installation view from "The Place in the Window" at Tomio Koyama Gallery Kyoto, 2013 ©Richard Tuttle photo by Yasushi Ichikawa
Place, two 2013  cotton fiber and wire mesh h.61.0 × w.29.0 × d.12.5 cm ©Richard Tuttle
Place, three 2013  cotton fiber and wire mesh  h.55.0 × w.38.0 × d.12.0 cm ©Richard Tuttle
Place, six 2013  cotton fiber and wire mesh h. 59.0 × w.36.0 × d.8.0 cm ©Richard Tuttle
Place, eleven 2013  cotton fiber and wire mesh h.66.5 × w.32.0 × d.9.5 cm ©Richard Tuttle
Place, nineteen 2013  cotton fiber and wire mesh  h.64.0 × w.41.0 × d.29.0 cm  ©Richard Tuttle
Place, twenty 2013  cotton fiber and wire mesh  h.57.0 × w.40.0 × d.17.0 cm ©Richard Tuttle
Installation view at Tomio Koyama Gallery, Tokyo, 2007 ©Richard Tuttle
Installation view at Tomio Koyama Gallery, Tokyo, 2007 ©Richard Tuttle
Installation view at Tomio Koyama Gallery, Tokyo, 2007 ©Richard Tuttle
Installation view at Tomio Koyama Gallery, Tokyo, 2007 ©Richard Tuttle
Dark Extension 2007  mixed media (card board, wire, pigment, paper mache, hot glue)  h.30.5 × w.17.0 × d.9.0 cm  ©Richard Tuttle
Dark Extension 2007  mixed media (balsa wood, aluminum, acrylic, screws, graphite)  h.18.5 × w.6.5 × d.8.0 cm  ©Richard Tuttle
Dark Extension 2007  mixed media (saw dust,pigment, sand paper, hot glue)  h.18.5 × w.10.7 × d.9.5 cm  ©Richard Tuttle
Dark Extension 2007  mixed media (wire, bottons, thread, card board, hot glue) h.20.3 × w.7.5 × d.9.6 cm  ©Richard Tuttle
Dark Extension 2007  mixed media (cardboard, acrylic)  h.18.5 × w.7.7 × d.8.3 cm ©Richard Tuttle
Dark Extension 2007  mixed media (plastic, hot glue, acrylic, Gouache)  h.20.8 × w.10.3 × d.10.0 cm  ©Richard Tuttle
Installation view at Tomio Koyama Gallery, Tokyo, 2002  ©Richard Tuttle
Between Two Point, #6 2001  acrylic on pine ply, wood  h.40.0 × w.40.6 × d.1.3 cm  ©Richard Tuttle
Between Two Point, #8 2001  acrylic on pine plywood h. 7.5 × w.12.7 × d.1.3 cm  ©Richard Tuttle

Richard Tuttle was born in Rahway, New Jersey, USA, in 1941. He currently lives and works in New York City, and New Mexico. In 1963 he completed his BA in philosophy and literature at Trinity College, Hartford, USA. He held his first solo exhibition at Betty Parsons Gallery, New York, in 1965 when he was 24 years old, and an exhibition at the Whitney Museum of American Art in 1975 when he was 34 years old. Such exhibitions attracted significant attention, and had given rise to various topics of public discussion.　Tuttle has further participated in international exhibitions such as La Biennale di Venezia (1976, 1997, 2001), Documenta (1972, 1977, 1987), “Skulptur Projekte in Münster” (1987), and the Whitney Biennial (1977, 1987, 2000). Richard Tuttle is thus not only a leading figure in post minimalism, but can also be described as an artist who has constantly stimulated the art scene while transcending conventions of categorization, historical contexts, and genres.

His recent exhibitions include The Art of Richard Tuttle, a large-scale retrospective that was held at the San Francisco Museum of Modern Art and the Whitney Museum of American Art, and then traveled across various venues within the USA from 2005 to 2007. In 2014, Tuttle held a major exhibition I Don’t Know, Or The Weave of Textile Language at the Tate Modern and Whitechapel Gallery, garnering much interest for his monumental winged sculpture with textiles that was installed in the Turbine Hall. Tuttle’s works are housed in the collections of numerous museums throughout the world including the Museum of Modern Art, New York and the Metropolitan Museum among other prestigious museums in the USA, as well as the Tate Modern, Centre Pompidou, and Museum Ludwig. In Japan, his work is a part of the collection of the National Museum of Art, Osaka.

Solo Exhibition

2024	“Richard Tuttle” Keijiban, Ishikawa, Japan
2022	“Particles” Pace Gallery, New York, NY, USA “Notebooks” Pace Gallery（Online） “Richard Tuttle: What Is the Object?” Bard Graduate Center Gallery, New York, NY, USA
2021	“Nine Stepping Stones” David Kordansky Gallery, Los Angeles, CA, USA
2020	“TheStars” Modern Art, London, UK
2019	“Days, Muses and Stars” Pace Gallery, New York, NY, USA “basis, 70s Drawings” Pace Gallery, New York, NY, USA “Richard Tuttle: Introduction to Practice” M WOODS, Beijing, China “Double Corners and Colored Wood“ Pace Gallery, Beijing, China
2018	“For Ourselves As Well As For Others” Pace Gallery, Geneva, Switzerland “8, or Hachi” Tomio Koyama Gallery, Tokyo, Japan “Intersections: Richard Tuttle. It Seems Like It’s Going To Be” The Phillips Collection, Washington D. C., USA “Thoughts of Trees” Pace Gallery, Seoul, Korea
2017	“100 Epigrams” Pace Prints, New York, NY, USA “Light and Color” Kunst museum aan Zee, Oostend, Belgium “Books, Multiples, Prints, Writings and New Projects” Galerie Christian Lethert, Cologne, Germany “The Critical Edge” Pace Gallery, London, UK “My Birthday Puzzle” Modern Art, London, UK “Richard Tuttle” De Hallen Haarlem, Netherlands
2016	“al Cielo de Noche de Lima / To the Night Sky of Lima” Proyecto AMIL and Museo de Arte de Lima, Peru “26” Pace Gallery, New York, NY, USA “The Critical Edge” The Met Fifth Avenue, New York, NY, USA “καλλίρροος kallirroos schön-fliessend” Kunstmuseum Winterthur, Switzerland
2015	“Both/And Richard Tuttle Print and Cloth” Fabric Workshop & Museum, Philadelphia, PA, USA “Richard Tuttle: Separation” Modern Art, London, UK “Richard Tuttle: Wire Pieces” Pulitzer Arts Foundation, St. Louis, MO, USA (Catalogue) “Prints” 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, Japan
2014	“Richard Tuttle” Hauser & Wirth, Somerset, UK “Looking for the Map” Pace Gallery, New York, NY, USA “A Print Retrospective” Brunswick, ME, USA “Richard Tuttle: 1, 2, 3,” Galerie Nicolai Wallner, Copenhagen, Denmark “I Don't Know, Or The Weave of Textile Language” Tate Modern and White Chapel Gallery, London, UK
2013	“The Thrill of the Ideal: Richard Tuttle: The Reinhart Project” Pocket Utopia, New York, NY, USA “Walking in Air” TAI Gallery, Santa Fe, NM, USA “The Place in the Window” Tomio Koyama Gallery, Kyoto, Japan “Matter” Galerie Marian Goodman, Paris, France
2012	“Slide” Bergen Kunsthall, Norway, Pinakothek der Moderne, Munich, Germany “Hello The Roses” with Mei-mei Berssenbrugge, Kunstverein Munich, Germany “Systems VIII–XII” The Pace Gallery, New York, NY, USA “Paper” Annemarie Verna Gallery, Zurich, Switzerland
2011	“Light & Colour” Stuart Shave/Modern Art, London, UK “What's the Wind” The Pace Gallery, New York, NY, USA
2010–2011	“Triumphs” Dublin City Gallery The Hugh Lane, Ireland
2010	“Seeing Intimacy on Paper” Craig F. Starr Gallery, New York, NY, USA “Metal Shoes” Gemini G.E.L. at Joni Moisant Weyl, New York, NY, USA “Metal Shoes” Dunn and Brown Contemporary, Dallas, TX, USA “Village V” 2004, Sperone Westwater, New York, NY, USA “Source of Imagery, 1995-2010” Galleri Nicolai Wallner, Copenhagen, Denmark “A Drawing Retrospective” Annemarie Verna Gallery, Zurich, Switzerland
2009–2010	“Renaissance Unframed 1995” Carolina Nitsch Project Room, New York, NY, USA
2009	“L’nger than Life” Stuart Shave/Modern Art, London, UK “Walking on Air” PaceWildenstein, New York, NY, USA
2008	“The Use of Time” Kunsthaus Zug, Zug, Switzerland “Craft” Annemarie Verna Gallery, Zurich, Switzerland
2007	“Memory Comes From Dark Extension” Sperone Westwater, New York, NY, USA Tomio Koyama Gallery, Tokyo, Japan “5 x 5 x 5” Galleri Nicolai Wallner, Copenhagen, Denmark
2006–2007	“Half-Light Alphabet” Galerie Ulrike Schmela, Düsseldorf, Germany “Dragon’s Breath” Galerie Lena Bruning, Berlin, Germany
2006	“The Kreutzer Sonata：Historical Work by Richard Tuttle” Zwirner & Wirth and Nyehaus, New York, NY, USA “ReflectionIn the Pool” Sperone Westwater, New York, NY, USA “Unfold” FRAC, Auvergne, France [Traveled to: Domaine de Kerguehennec, Bignan, France, Haute Normandie, Sotteville les Rouen, France] “Talks, Looks, Walks—Three Windows” Annemarie Verna Gallery, Zurich, Switzerland Jürgen Becker Galerie, Hamburg, Germany
2005–2007	“The Art of Richard Tuttle” San Francisco Museum of Modern Art, San Francisco, CA, USA [Traveled to: Whitney Museum of American Art, New York, NY, USA; Des Moines Art Center, Des Moines, IA, USA; Dallas Museum of Art, Dallas, TX, USA; Museum of Contemporary Art, Chicago, IL, USA; Museum of Contemporary Art, Los Angeles, CA, USA]
2005–2006	“Prints 1973–2005” Brooke Alexander, New York, NY, USA “Constructed Relief Paintings, 1964–65” Peter Freeman, Inc., New York, NY, USA
2005	“Lonesome Cowboy” Griffin Contemporary, Santa Monica, CA, USA Anthony Meier Fine Arts, San Francisco, CA, USA “Wire Pieces” CAPC Musée d’art contemporain, Bordeaux, France
2004–2006	“It's a Room for 3 People” Drawing Center, New York, NY, USA [Traveled to: Aspen Art Museum, Aspen, CO, USA]
2004–2005	“Dogs in a Hurry” De Kanselarij (organized by Foundation VHDG), Leewarden, Netherlands
2004	“Neue Arbeiten” Galerie Schmela, Düsseldorf, Germany “Type” Crown Point Press, San Francisco, CA, USA
2003	“20 Pearls” Sperone Westwater, New York, NY, USA “Costume” Crown Point Press, San Francisco, CA, USA “Celebration” Annemarie Verna Gallery, Zurich, Switzerland
2002	Tomio Koyama Gallery, Tokyo, Japan “When We Were at Home” Galerie Schmela, Düsseldorf, Germany “cENTER” Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain “Memento” Museu de Serralves de Arte Contemporánea, Porto, Portugal “swift confirmation” Dwight Hackett Projects, Santa Fe, NM, USA
2001–2002	“In Parts, 1998–2001” Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, USA
2001	Anthony Meier Fine Arts, San Francisco, CA, USA Galerie Yvon Lambert, Paris, France “New Books and Portfolios” Annemarie Verna Gallery, Zurich, Switzerland “Werken op Papier uit de Verzameling van Museum Overholland / Works from the Museum Overholland Collection, Kabinet Overholland” Stedelijk Museum, Amsterdam, Netherlands
2000–2001	“Perceived Obstacles” Stiftung Schleswig-Holsteinische Landesmuseum, Schloss Gottorf, Schleswig, Germany [Traveled to: Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany; Akademie der Künste, Berlin, Germany]
2000	“Two With Any To” Sperone Westwater, New York, NY, USA A/D, New York, NY, USA “White Sails” Annemarie Verna Gallery, Zurich, Switzerland “Richard Tuttle, 1981–1999” Galerie Meert Rihoux (Galerie Greta Meert), Brussels, Belgium “Reservations” BAWAG Foundation, Vienna, Austria
1999–2000	Projekt Sammlung “Replace the Abstract Picture Plane (1996–1999)”, Kunsthaus Zug, Zug, Switzerland
1999	“Mandevilla—Aquatints from Crown Point Press” Greg Kucera Gallery, Seattle, WA, USA “New Work” Galleria Marilena Bonomo, Bari, Italy “Community” Arts Club of Chicago, IL, USA “70s Drawings” Jürgen Becker Galerie, Hamburg, Germany “The Dust When You Come Over the Hill (Morocco)” Rhona Hoffman Gallery, Chicago, IL, USA Galleria Cardi, Milan, Italy “Once Voice in Four Parts” Cencebaugh Contemporary, New York, NY, USA
1998–1999	“Replace the Abstract Picture Plane, Books and New Works. The Kamm Collection of the Kunsthaus, A Selection by the Artist” Kunsthaus Zug, Zug, Switzerland “Die Konjunktion der Farbe” Ludwig Forum für Internationale Kunst, Aachen, Germany
1998	“New Mexico, New York” Sperone Westwater, New York, NY, USA “The Thinking Cap” Fabric Workshop and Museum, Philadelphia, PA, USA “Chandeliers” A/D, New York, NY, USA “Small Sculptures of the 70s” Annemarie Verna Gallery, Zurich, Switzerland “New Etchings” Crown Point Press, San Francisco, CA, USA “Here and Now” Church of Saint Paulinus, Brough Park, Catterick, North Yorkshire, England (in collaboration with the Henry Moore Sculpture Trust)
1997	Brooke Alexander, New York, NY, USA California State Long Beach Art Museum, Long Beach, CA, USA “Symbol” Galerie Limmer, Cologne, Germany “New and Early Work” Art Gallery of York University, North York, Ontario, Canada
1996–1997	“Books and Prints” Widener Gallery, Trinity College, Hartford, CT, USA [Traveled to: New York Public Library, New York, NY, USA] “Source of Imagery” Galleria Bonomo, Rome, Italy [Traveled to: Galleria Marilena Bonomo, Bari, Italy] Galerie Volker Diehl, Berlin, Germany Mies van der Rohe Haus, Berlin, Germany “Grey Walls Work” Camden Arts Centre, London, England [Traveled to: Douglas Hyde Garden, Dublin, Ireland; Inverleith House, Royal Botanic Garden, Edinburgh, Scotland]
1996	Galleria Eva Menzio, Turin, Italy “A Chair, a Table, a Book” Brian Kish Office for Architecture & Art, New York, NY, USA “Renaissance Unframed 1–26” Contemporary Art Museum, University of South Florida, Tampa, FL, USA [Traveled to: University Art Museum, California State University, Long Beach, CA, USA] “Replace the Abstract Picture Plane” Kunsthaus Zug, Zug, Switzerland, “Gold and Silver on Easy Pieces” Galerie Yvon Lambert, Paris, France “New and Early Work” Sperone Westwater, New York, NY, USA
1995	“Lampen” Sotel, Carin Delcourt van Krimpen, Amsterdam, Netherlands Mary Boone Gallery. New York, NY, USA “Verbal Windows” Galleria Marilena Bonomo, Bari, Italy “North/South Axis” Museum of Fine Arts, Santa Fe, NM, USA Anders Tornberg Gallery, Lund, Sweden “Neue Arbeiten” Galerie Fahnemann, Berlin, Germany “Selected Works” 1964–1994, Sezon Museum of Art, Tokyo, Japan “Time/Line” Daniel Weinberg Gallery, San Francisco, CA, USA “Europe Wired, 1–10, 1994, and Mesa Pieces, 1995” Kohn Turner Gallery, Los Angeles, CA, USA “Source of Imagery” Rhona Hoffman Gallery, Chicago, IL, USA
1994–1995	“Discontinuous Space” Burnett Miller Gallery, Santa Monica, CA, USA Texas Gallery, Houston, TX, USA
1994	“Le Temps Retrouvé” Galerie Yvon Lambert, Paris, France “Prints and Related Works” Brooke Alexander Editions, New York, NY, USA Jürgen Becker Galerie, Hamburg, Germany Second Floor Exhibition Space, Reykjavik, Iceland Galerie Meert Rihoux (Galerie Greta Meert), Brussels, Belgium Annemarie Verna Gallery, Zurich, Switzerland “A Lamp, a Chair, a Chandelier” A/D, New York, NY, USA
1993–1994	“Matrix” Space/Sculpture, University Art Museum, University of California, Berkeley, CA, USA
1993	“Small…edition!” Wassermann Galerie, Munich, Germany “Arbeiten auf Papier” Galerie Karsten Greve, Cologne, Germany “Chaos, the Form” Staatliche Kunsthalle Baden-Baden, Germany Galleria Marilena Bonomo, Bari, Italy Crown Point Press, San Francisco, CA, USA “Drawing Works” Jack Tilton Gallery, New York, NY, USA Mary Boone Gallery, New York, NY, USA
1992–1993	“Oxyderood / Red Oxide” Museum Boymans-van Beuningen, Rotterdam, Netherlands
1992	Studio la Cittá 2, Verona, Italy “New Work” Annemarie Verna Gallery, Zurich, Switzerland Galerie Yvon Lambert, Paris, France Mary Boone Gallery, New York, NY, USA “Early Drawings” Lawrence Markey Gallery, New York, NY, USA “New Work” Laura Carpenter Fine Arts, Santa Fe, NM, USA
1991–1992	“New Works” Victoria Miro Gallery, London, England
1991–1995	Institute of Contemporary Art, Amsterdam, Netherlands [Traveled to: as Time to Do Everything—Floor Drawings and Recent Work, Kunstmuseum Winterthur, Winterthur, Switzerland; as The Poetry of Form, Drawings from the Vogel Collection, Institut Valencià d'Art Modern, Valencia, Spain; Indianapolis Museum of Art, Indianapolis, IN, USA, Museum of Fine Arts, Santa Fe, New Mexico, USA]
1991	Rhona Hoffman Gallery, Chicago, IL, USA “Crickets” Sala d'exposiciones de la Fundació “La Caixa,” Carrer de Montcada, Barcelona, Spain “Sculptures et aquarelles” Galerie Pierre Hubert, Geneva, Switzerland Galerie Weber, Alexander, y Cobo, Madrid, Spain Oboes and Clarinets, Feuerle, Cologne, Germany
1990–1991	“Inside the Still Pure Form” Blum Helman Gallery, New York, NY, USA “Octavio for Annemarie” Annemarie Verna Gallery, Zurich, Switzerland “Slats 1974” Lawrence Markey Gallery, New York, NY, USA
1990	“Einleitung” Galeria Schmela, Düsseldorf, Germany “70s Drawings” Brooke Alexander, New York, NY, USA Yvon Lambert, Paris, France “New Mexico Silver / Firenze Gold” Galleria Victoria Miro, Florence, Italy [Traveled to: Galerie Hubert Winter, Vienna, Austria] “In Memory of Writing” Sprengel Museum Hannover, Germany “The Nature of the Gun” A/D, New York, NY, USA
1989	“The Point from the Corner of the Room, 1973–74” Galerie Hubert Winter, Vienna, Austria “Vienna Gotico” Galeria Alessandra Bonomo, Rome, Italy “Lonesome Cowboy Styrofoam” Gallery Casa sin Nombre, Santa Fe, NM, USA
1988	“Space in Finland” Galerie Schmela, Düsseldorf, Germany “Portland Works” Galerie Karsten Greve, Cologne, Germany [Traveled to: Thomas Segal Gallery, Boston, MA, USA] Galerie Meert Rihoux (Galerie Greta Meert), Brussels, Belgium “Richard Tuttle Installations: Early Works” Blum Helman Gallery, New York, NY, USA “XX Blocks” Galleria Marilena Bonomo, Bari, Italy “There's No Reason a Good Man is Hard to Find” Blum Helman Warehouse, New York, NY, USA “5 Pieces Richard Tuttle 1987” Annemarie Verna Gallery, Zurich, Switzerland
1987–1988	“New Work” Blum Helman Gallery, Los Angeles, CA, USA
1987	“New Work” Annemarie Verna Gallery, Zurich, Switzerland “The Baroque and Color / Das Barocke und die Farbe” Neue Galerie am Landesmuseum Joanneum, Graz, Austria “Nimes au printemps” Galerie des Arènes, Nîmes, France Galerie Yvon Lambert, Paris, France “Early & Recent Works” Anders Tornberg Gallery, Lund, Sweden Victoria Miro Gallery, London, UK
1986–1987	“Painted Sculpture” Blum Helman Gallery, New York, NY, USA “I See in France” ARC Musée d'art moderne de la ville de Paris, France
1986	“New Work” Victoria Miro Gallery, London, England Galerie Onnasch, Berlin, Germany “Locus Solus IV” Galerie Hubert Winter, Vienna, Austria “Wire Pieces” CAPC Musée d'art contemporain, Bordeaux, France
1985–1986	“Works 1964–84” Institute of Contemporary Art, London, England, [Traveled to: Fruitmarket Gallery, Edinburgh, England]
1985	“Vienna Works” Indonesian Works, Monkey's Recovery for a Darkened Room, Galerie Schmela, Düsseldorf, Germany “Neve / Snow” Galleria Marilena Bonomo, Bari, Italy Galleria Toselli, Milan, Italy Städtisches Museum Abteiberg, Mönchengladbach, Germany Galerie Yvon Lambert, Paris, France
1984	Studio La Città, Verona, Italy Galerie Yvon Lambert, Paris, France “Wandobjekte” Galerie Schmela, Düsseldorf, Germany “16 Works from India 1980” Galleriet, Lund, Sweden Galleria Ugo Ferranti, Rome, Italy “Recent Work” Daniel Weinberg Gallery, Los Angeles, CA, USA Annemarie Verna Gallery, Zurich, Switzerland “Engineer” Portland Center for the Visual Arts, Portland, OR, USA “New Sculpture, Blum Helman Gallery, New York, NY, USA
1983–1984	“Zeichnungen 1968–1974” Städtisches Museum Abteiberg, Mönchengladbach, Germany
1983	Taidemariliiton Galleria, Helsinki, Finland Galleria Ugo Ferranti, Rome, Italy “Recent Sculpture” Blum Helman, New York, NY, USA Galerie Hubert Winter, Vienna, Austria
1982–1983	“Pairs” Musée de Calais, Calais, France
1982	Nigel Greenwood Gallery, London, UK Gallerie Ugo Ferranti, Rome, Italy “New Work” Betty Parsons Gallery, New York, NY, USA
1981–1982	Annemarie Verna Gallery, Zurich, Switzerland
1981	Galerie Yvon Lambert, Paris, France Gallerie Ugo Ferranti, Rome, Italy Galerie Baronian-Lambert, Ghent, Belgium
1980	“Pairs 1973” Centre d'art contemporain, Geneva, Switzerland “12 Drahtoktogonale, 1971, und 25 Wasserfarbenblätter, 1980” Museum Haus Lange, Krefeld, Germany “From 210 Collage-Drawings” Georgia State University Art Gallery, Atlanta, Georgia, USA, [Traveled to: Baxter Art Gallery, California Institute of Technology, Pasadena, CA, USA]
1979–1980	“Dallas Exercises” Gallerie Ugo Ferranti, Rome, Italy
1979	“Title 1–6, Title I–IV, Title A–N, Title I1–I6, Titre 1–8, Titolo 1–8” Stedelijk Museum, Amsterdam, Netherlands Annemarie Verna Gallery, Zurich, Switzerland “48 1/2” Center-Point Works", Brooke Alexander, New York, NY, USA “Presentation of the BookList of Drawing Material of Richard Tuttle and Appendices” G. & A. Verna, R. Krauhammer, A. Gutzwiller, Zurich, Switzerland “Yale Pieces, 6” x 4” Notebook” Truman Gallery, New York, USA　 “An Exhibition of the Works of Richard Tuttle” College of Creative Studies, University of California, Santa Barbara, CA, USA Galleria Marilena Bonomo, Spoleto, Italy CAPC Centre d'Arts Plastiques Contemporaine, Bordeaux, France
1978	“New Work at Betty Parsons Gallery” Betty Parsons Gallery, New York, NY, USA “New York” Young Hoffman Gallery, Chicago, IL, USA “An Exhibition of the Work of Richard Tuttle” College of Creative Studies, University of California, Santa Barbara, CA, USA David Winton Bell Gallery, Brown University, Providence, RI, USA “Sticks” Françoise Lambert, Milan, Italy Museum Van Hedendaagse Kunst, Ghent, Belgium Daniel Weinberg Gallery, San Francisco, CA, USA Galerie Yvon Lambert, Paris, France “Drawings” Jean Marie Antone Gallery, Annapolis, MD, USA “Zeichnungen” Galerie Schmela, Düusseldorf, Germany Galleria Ugo Ferranti, Rome, Italy
1977–1978	“Gesamte Grafiken” Ilustrierte Bücher, Galerie Thomas Borgmann, Cologne, Germany
1977	Hopkins Hall Gallery, Ohio State University, Columbus, OH, USA “Undici carte de Richard Tuttle” Galleria Marilena Bonomo, Bari, Italy Galleria Ugo Ferranti, Rome, Italy “New York, Zeichnungen und Aquarelle, 1968–1976” Kunsthalle Basel, Basel, Switzerland “Zwei mit Zwei / Two with Any Two” Kunstraum München, Munich, Germany “Die Gesamte Druckgraphik und alle Bücher” Galerie Heiner Friedrich, Munich, Germany “Maine Works” Two with Any Two, Nigel Greenwood Inc. Ltd., London, UK
1976–1977	McIntosh Gallery, University of Western Ontario, London, England, Ontario, Canada
1976	“Books and Prints, 1964–1976” Brooke Alexander, New York, NY, USA “2 Days” Galerie Yvon Lambert, Paris, France Northwest Artists Workshop, Portland, OR, USA “The Cincinnati Pieces” Julian Pretto, New York, NY, USA Graeme Murray Gallery, Edinburgh, Scotland “Grafiek—Typologische Symmetrieen. Richard Tuttle en Maria Van Elk” Galerie Swart, Amsterdam, Netherlands
1975–1976	Whitney Museum of American Art, New York, NY, USA [Traveled to: Otis Art Institute Gallery of Los Angeles County, CA, USA]
1975	D'Alessandro-Ferranti, Rome, Italy “Thirteen Spiral Drawings by Richard Tuttle” Parsons-Truman Gallery, New York, NY, USA “Matrix 10” Wadsworth Atheneum, Hartford, CT, USA “Richard Tuttle“Paper Strips",” Barbara Cusack Gallery, Houston, TX, USA
1974-1975	“Forty October Drawings + Interlude” Nigel Greenwood Inc. Ltd, London, England
1974	“New Work” Betty Parsons Gallery, New York, NY, USA “New Works” Galleria Toselli, Milan, Italy Galleria Marilena Bonomo, Bari, Italy Annemarie Verna Gallery, Zurich, Switzerland Galerie Yvon Lambert, Paris, France Artpark, Lewiston State Park, Lewiston, New York, NY, USA “A Group of Very Small Colored Metal Plates Set at Various Distances from the Wall in the Different Rooms of the Gallery” Barbara Cusack Gallery, Houston, TX, USA
1973	Clocktower Gallery, Institute for Art and Urban Resources, New York, NY, USA “Das 11. Papierachteck und Wandmalereien / The 11th Paper Octogonal and Paintings for the Wall” Kunstraum München, Munich, Germany Galerie Heiner Friedrich, Munich, Germany “Ten Kinds of Memory and Memory Itself” Daniel Weinberg Gallery, San Francisco, CA, USA “Drawings” Galleria Françoise Lambert, Milan, Italy
1972	“Richard Tuttle Will Show New” Betty Parsons Gallery, New York, NY, USA “Projects (with David Movros)” The Museum of Modern Art, New York, NY, USA “Drahtstucke 1971–1972” Galerie Rudolf Zwirner, Cologne, Germany “New Work by Richard Tuttle” Galerie Yvon Lambert, Paris, France
1971	Dallas Museum of Fine Arts, Dallas, TX, USA Helman Gallery, St. Louis, MO, USA
1970	“New Work by Richard Tuttle” Betty Parsons Gallery, New York, NY, USA “Neue Arbeiten von Richard Tuttle” Galerie Rudolf Zwirner, Cologne, Germany “Member's Gallery” Albright-Knox Art Gallery, Buffalo, NY, USA
1969	Nicholas Wilder Gallery, New York, NY, USA
1968	Galerie Schmela, Düsseldorf, Germany “Ten Works by Richard Tuttle” Betty Parsons Gallery, New York, NY, USA
1967	Betty Parsons Gallery, New York, NY, USA
1965	“Constructed Paintings” Betty Parsons Gallery, New York, NY, USA

Group Exhibition

2019	“Tomio Koyama Gallery: Works from the Gallery Artists and the Collection 4” 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, Japan
2018	“Clues for Art Appreciation” Fukuoka Prefectural Museum of Art, Japan “The Myriad Forms of Visual Art: 196 Works with 19 Themes” The National Museum of Art, Osaka, Japan
2014	“Group exhibition by Tomio Koyama Gallery” TOLOT/heuristic SHINONOME, Tokyo, Japan “Collection Ⅱ” National Museum of Art, Osaka, Japan
2012–2013	“ACCROCHAGE X” Galerie Greta Meert, Brussels, Belgium
2012	”Tracing the Century: Drawing from Tate Collection” Tate Liverpool, Liverpool, UK ”Lines of Thought” Parasol unit foundation for contemporry art, London, UK
2011–2012	“Beijing Voice 2011: Leaving Realism Behind” Pace Beijing, China
2011	“Painting Show” Eastside Projects, Birmingham “Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists” Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA “Drawn / Taped / Burned: Abstraction on Paper” The Katonah Museum of Art, Katonah, NY, USA “The Judith Neisser Collection of Minimal and Conceptual Work” Art Institute of Chicago, Chicago, IL, USA “Paper A–Z” Sue Scott Gallery, New York, NY, USA “Provisional Painting” Stuart Shave/Modern Art, , London, UK
2010–2011	“25th Anniversary Show: 1985–2010” Michael Kohn Gallery, Los Angeles, CA, USA “On-Line: Drawing through the Twentieth Century” Museum of Modern Art, New York, NY, USA
2010	“Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection” Albright-Knox Art Gallery, Buffalo, New York, NY, USA “＼(LEAN)” Nicole Klagsbrun Gallery, New York, NY, USA “1968” Locks Gallery, Philadelphia, Pennsilvania, USA “Contemporary Collecting: Selections from the Donna and Howard Stone Collection” Art Institute of Chicago, IL, USA “Grass Grows By Itself” Marlborough Gallery, New York, NY, USA “Thrice Upon A Time” Magasin 3 Stockholm Konsthall, Stockholm, Sweden “Everynight, I go to Sleep” Stuart Shave/Modern Art, London, UK “50 Years at Pace:Minimalist, Conceptual, and Post-Modern Art” The Pace Gallery, New York, NY, USA “Artpark: 1974–1984” University at Buffalo Art Gallery, Center for the Arts, Buffalo, NY, USA “Love in Vein: Editions Fawbush projects & artists 2005–2010” Gering and López Gallery, New York, NY, USA
2009–2010	“Stillness into Color: Inframince of Moonlight” Kawamura Memorial Museum of Art, Chiba, Japan “If We Could Imagine” Glenstone Foundation, Potomac, MD, USA “Sans-Titre #1: Peintures des années 1970–1980” OEuvres de la Collection Lambert, Collection Lambert, Avignon, France “Almost” Nicelle Beauchene Gallery, New York, NY, USA
2009	“New York/New Drawings 1946–2007” Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain “The Third Mind: American Artists Contemplate Asia, 1860–1989” The Solomon R. Guggenheim Museum, New York, NY, USA “Unfolding Process: Conceptual and Material Practice on Paper” The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA “Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection” The Museum of Modern Art, New York, NY “Works On Paper” William Shearburn Gallery, Santa Fe, NM, USA “Target Practice: Painting Under Attack 1949–78” Seattle Art Museum, WA, USA “25 for 25: A Tribute to Ron Warren” Mary Boone Gallery, New York, NY, USA Tetsumi Kudo, Richard Tuttle, Andrea Rosen Gallery, New York, NY, USA “Zig Zag” Sperone Westwater, New York, NY, USA “Materialien” Muenzsalon, Berlin, Germany (Curated by Birte Kleemann)
2008	“Collecting Collections: Highlights of the Permanent Collection” Museum of Contemporary Art, Los Angeles, CA, USA “Air Kissing: An Exhibition of Contemporary Art About the Art World” Arcadia University Art Gallery, Philadelphia, PA, USA “Styrofoam” The Museum of Art, Rhode Island School of Design, Providence, RI, USA “Sculpture” Texas Gallery, Houston, TX, USA “Sparks! The William T. Kemper Collection Initiative” Nelson-Atkins Museum of Art, Kansas City, MO, USA “Action/Abstraction: Pollock, De Kooning, and American Art, 1940–1976” The Jewish Museum, New York, NY, USA “Selections from the Collection of Helga and Walther Lauffs” Zwirner & Wirth and David Zwirner, New York, NY, USA [Traveled to: Hauser & Wirth, Zürich, Switzerland] “Summer in the City 2008” John Berggruen Gallery, San Francisco, CA, USA “15 Year Anniversary Exhibition” Galleri Nicolai Wallner, Copenhagen, Denmark “Abstract Mash-up: Anne Appleby” Pia Fries, Mary Heilmann, Sol LeWitt, Dorothy Napangardi, Laurie Reid, Amy Sillman, and Crown Point Press, San Francisco, CA, USA
2007–2008	“All for Art! Great Private Collections Among Us” Museé des beaux-arts de Montréal, Canada “Mask” James Cohan Gallery, New York, NY, USA
2007	“Not For Sale” P.S. 1 Contemporary Art Center, Long Island City, New York, NY, USA
2006–2008	“High Times, Hard Times: New York Painting 1967–1975” organized by Independent Curators International, New York, NY, USA [Traveled to: Weatherspoon Art Museum, Greensboro, NC, USA; Katzen Arts Center, American University, Washington, D.C., USA; National Academy Museum, New York, NY, USA, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico; Neue Galerie Graz, Graz, Austria; ZKM \| Museum of Contemporary Art, Karlsruhe, Germany]
2006	“The Mediated Gesture” Brooke Alexander Editions, New York, NY, USA “Contemporary Masterworks: Saint Louis Collects” Contemporary Art Museum, St. Louis, Missouri, USA “The Last Time They Met” Stephen Friedman Gallery, London, UK “Chers Amis” Domaine de Kerguehennec, Bignan, France “New York New York: Fifty Years of Art” Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco “Nothing and Everything” Peter Freeman, Inc., New York ,NY, USA “Freeze! A Selection of Works from a New York Collection” Ronilant + Voena + Sperone, London, UK
2005–2006	“Minimalism and Beyond” Pulitzer Foundation for the Arts, St. Louis, MO, USA “Eccentric Modern” Foundation To-Life, Inc., Mount Kisco, New York, NY, USA “Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper” Andrea Rosen Gallery, New York, NY, USA
2005	“A Little Romance: Highlights from the Permanent Collection” Museum of Contemporary Art, North Miami, FL, USA “Drawings from the Modern: 1945–1975” The Museum of Modern Art, New York, NY, USA “Greater than the Sun: Selections from the Craig Robins Collection of Contemporary Art” University Gallery, University of Florida, Gainesville, FL, USA
2004–2005	“Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread” Cooper Hewitt National Design Museum, New York, NY, USA [Traveled to: Museum of Design, Atlanta, GA, USA; Aspen Art Museum, Aspen, CO, USA] “Beauty-in-Advertising” Wolfsonian, Florida International University, Miami, FL, USA (Curated by Richard Tuttle)
2004	“Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art” New York, Neue Nationalgalerie, Berlin, Germany “ULAE: The Print Show” Oklahoma City Museum of Art, Oklahoma City, OK, USA “Transmit + Transform” Santa Fe Art Institute, Santa Fe, NM, USA “Indonesian Textiles” Tai Gallery / Textile Arts, Santa Fe, NM, USA “Artists' Books: No Reading Required” Selections from the Walker Art Center Library Collection, Tribune Gallery, Minnesota Center for Book Arts, Minneapolis, MN, USA
2003–2004	“Recent Acquisitions of Contemporary Artists Books” California Palace of the Legion of Honor, San Francisco, CA, USA “International Abstraction: Making Painting Real” Part II, Seattle Art Museum, Seattle, WA, USA “The Heroic Century: Masterpieces from The Museum of Modern Art—200 Paintings and Sculptures” Museum of Fine Arts, Houston, TX, USA “Flirting with Rodchenko, Henry art Gallery” University of Washington, Seattle, WA, USA “Primary Matters: The Minimalist Sensibility, 1959 to the Present” San Francisco Museum of Modern Art, San Francisco, CA, USA “Assemblage” Zwirner & Wirth, New York, USA Dwight Hackett Projects, Santa Fe, NM, USA Brent Sikkema(Sikkema Jenkins & Co.), New York, NY, USA “Thinking about Sculpture” The Rachofsky House, Dallas, TX, USA
2003	“American Academy Invitational Exhibition of Painting and Sculpture” American Academy of Arts and Letters, New York, NY, USA “Spring Fever V: Group Exhibition” Crown Point Press, San Francisco, CA, USA “Divergent” Galerie Lelong, New York, NY, USA “Back to the Present: Minimalist Works from the Museum's Collection” Rhode Island School of Design Museum, Providence, RI, USA “In Full View” Andrea Rosen Gallery, New York, NY, USA “Centro Galego de Arte Contemporanea” Santiago de Compostela, Spain “American Cutout” New York Studio School, New York, NY, USA “Arp Artschwager Tuttle” Kent Gallery, New York, NY, USA
2002–2003	“Drawings of Choice from a New York Collection” Krannert Art Museum, University of Illinois, Urbana–Champaign, IL, USA [Traveled to: Arkansas Art Center, Little Rock, AR, USA; Georgia Museum of Art, Athens, GA, USA; Cincinnati Museum of Art, Cincinnati, OH, USA] “Works on Paper” Lawrence Markey, New York, NY, USA “The Fall Line: Intuition and Necessity in Contemporary Abstract Drawing” Open Studio Press, Boston, MA, USA
2002	“Watercolor: In the Abstract” Michael C. Rockefeller Arts Center Gallery, Fredonia State College, Buffalo, NY, USA “To Be Looked At: Painting and Sculpture from the Collection” The Museum of Modern Art, Queens, New York, NY, USA “netWork” Annemarie Verna Gallery, Zurich, Switzerland
2001–2002	“Extra Art: A Survey of Artists' Ephemera, 1960–1999” Logan Galleries, California College of the Arts, San Francisco, CA, USA [Traveled to: Institute of Contemporary Art, London, England, 2002.] “The Onnasch Collection: Aspects of Contemporary Art” Museum d'Art Contemporani de Barcelona, Barcelona, Spain [Traveled to: Museu Serralves , Museu de Arte Contemporânea, Porto, Portugal] “Letters, Signs and Symbols” Brooke Alexander Editions, New York, NY, USA “A Century of Drawing: Works on Paper from Degas to LeWitt” National Gallery of Art, Washington, D.C., USA “Extreme Connoisseurship” Sert Gallery, Carpenter Center for Visual Arts and Fogg Art Museum, Harvard University, Cambridge, MA, USA
2001	“A contretemps” FRAC Picardie, Paris, France “Peaks” Kagan Martos Gallery, New York, NY, USA “Objective Color” Yale University Art Gallery, New Haven, CT, USA “Poetry Plastique” Marianne Boesky Gallery, New York, NY, USA “Eye of Modernism” Georgia O'Keeffe Museum, Santa Fe, NM, USA “Measure/Mass” Annemarie Verna Gallery, Zurich, Switzerland “wall>sculpture” Margarete Roeder Gallery, New York, NY, USA “Art Express: Art minimal et conceptual américain” ètat d'une collection, Cabinet des estampes au Musée d'art moderne et contemporain, Geneva, Switzerland “Selections from the Permanent Collection” Museum of Contemporary Art, North Miami, FL, USA “La Biennale di Venezia: Plateau of Humankind” Venice, Italy Brooke Alexander, New York, NY, USA “Green on Greene” Sperone Westwater, New York, NY, USA “Tramas y Ensamblajas” Museo de Arte Contemporaneo de Oaxaca, Oaxaca, Mexico “The Devil is in the Details” Allston Skirt Gallery, Boston, MA, USA
2000–2001	“Da Warhol al 2000: Gian Enzo Sperone 35 anni di mostre fra Europa e America” Palazzo Cavour, Turin, Italy “Hard Pressed: 600 Years of Prints and Process” AXA Gallery, New York, NY, USA [Traveled to: Boise Art Museum, Boise, ID, USA; Museum of Fine Arts, Santa Fe, NM, USA; Naples Museum of Fine Art, FL, USA] “The Contemporary Illustrated Book: A Collaboration Between Artist and Author” 1960 to the Present, Garcia Street Books, Santa Fe, NM, USA “Soft Core” Joseph Helman Gallery, New York, NY, USA “Brand New Prints” Karen McCready Gallery, New York, NY, USA “Horizon 2000: Artist Woodturners” Brookfield Craft Center, Brookfield. New York, NY, USA
2000	“2000 Biennial Exhibition” Whitney Museum of American Art, New York, NY, USA “Soft White: Lighting Design by Artists” University Gallery, Fine Arts Center, University of Massachusetts, Amherst, MA, USA “Arte Americana: Ultimo decennio” Loggetta lombardesca, Ravenna, Italy “Cosmologies” Sperone Westwater, New York, NY, USA “The ‘70s at Crown Point Press and New Releases by Tom Marioni and Richard Tuttle” Crown Point Press, San Francisco, CA, USA “Pintura” FRAC Auvergne, France “Food for the Mind: Die Sammlung Udo und Anette Brandhorst” Bayerische Staatsgemäldesammlungen / Staatsgalerie moderner Kunst München, Munich, Germany “In Depth: Recent Acquisitions in Prints” Whitney Museum of American Art, New York, NY, USA “Times are Changing” Auf dem Wege! Aus dem 20. Jahrhundert! Eine Auswahl von Werken Kunsthalle Bremen 1950–2000, Kunsthalle Bremen, Bremen, Germany “Group Show” Grant Selwyn Fine Art, New York, NY, USA “To Infinity and Beyond: Editions for the Year 2000” Brooke Alexander, New York, NY, USA “Process/Reprocess: Japan and the West” Leslie Tonkonow, New York, NY, USA
1999–2000	“The American Century: Art and Culture 1900–2000; Part II, 1950–2000” Whitney Museum of American Art, New York, NY, USA “Size Immaterial, Department of Coins and Medals” British Museum, London, UK
1999	“twistfoldlayerflake” Institute for Contemporary Arts, California College of Arts and Crafts, Oakland, CA, USA “Deutsch-amerikanischer Dialog” Galerie Fahnemann, Berlin, Germany “ITINERE 2” Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy “Afterimage: Drawing through Process” Museum of Contemporary Art, Los Angeles, CA, USA [Traveled to: Contemporary Arts Museum, Houston, TX, USA; Henry Art Gallery, Seattle, WA, USA] “White Fire, Flying Man: Amerikanische Kunst 1959–1999 in Basel” Werke aus Öffenliche Kunstsammlung Basel und der Emanuel Hoffman-Stiftung, Museum für Gegenwartskunst, Basel, Switzerland “Circa 1968” Museu Serralves, Museu de Arte Contemporânea, Porto, Portugal “That Certain Look: The Minimalist Tradition in New Mexico” University Art Museum, University of New Mexico, Albuquerque, NM, USA “Mixed Bag: Summer Group Show” Schmidt Contemporary Art, St. Louis, MO, USA “Twenty Years of the Grenfell Press” Paul Morris Gallery, New York, NY, USA “The Rocket Four: Artist Books of the Turkey Press” Julie Cencebaugh Gallery, New York, NY, USA “The Great Drawing Show” Kohn Turner Gallery, Los Angeles, CA, USA “Drawings from the 1970s by Mel Bochner, Sol LeWitt, Robert mangold, Sylvia Plimack Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle” Lawrence Markey, New York, NY, USA “Drawings from the 1960s” Curt Marcus Gallery, New York, NY, USA
1998–1999	“Next to Nothing: Minimalist Works from the Albright-Knox Art Gallery” Anderson Gallery, State University of New York, Buffalo, NY, USA “Art Wares” Numark Gallery, Washington, D.C., USA
1998	“Original Scale” Apex Art, New York, NY, USA “The Edward R. Broida Collection: A Selection of Works” Orlando Museum of Art, Orlando, FL, USA “Agnes Martin/Richard Tuttle” Modern Art Museum of Fort Worth, Fort Worth, TX, USA [Traveled to: SITE, Santa Fe, NM, USA] “Drawing the Question” Dorsky Gallery, New York, NY, USA “Sculpture” Rhona Hoffman Gallery, Chicago, IL, USA “Art in New Mexico, Part 1: Works by Agnes Martin, Bruce Nauman, Susan Rothenberg, Richard Tuttle” James Kelly Contemporary, Santa Fe, NM, USA Jürgen Becker Galerie, Hamburg, Germany “Spatiotemporal” Magasin 3 Stockholm Konsthall, Stockholm, Sweden
1997–1999	“Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection” Arthur M. Sackler Museum, Harvard University, Cambridge, MA, USA [Traveled to: Kupferstichkabinett Academy of Fine Arts, Vienna, Austria; Kunstmuseum Winterthur, Winterthur, Switzerland; Kunst-Museum Ahlen, Ahlen, Germany; Akademie der Künste, Berlin, Germany; Fonds regional d'art contemporain de Picardie and Musée de Picardie, Amiens, France; Parrish Art Museum, Southampton, New York, NY, USA; Lyman Allyn Art Museum, New London, CT, USA; Northwestern University, Evanston, IL, USA; Contemporary Museum, Honolulu, HI, USA]
1997–1998	“At the Threshold of the Visible: Minuscule and Small-Scale Art, 1964–1996” Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA [Traveled to: Meyerhoff Galleries, Maryland Institute of Art, Baltimore, MD, USA; Art Gallery of Ontario, Toronto, Canada; Art Gallery of Windsor, Ontario, Canada; Virginia Beach Center for the Arts, Virginia Beach, VA, USA; Santa Monica Museum of Art, Santa Monica, CA, USA; Edmonton Art Gallery, Alberta, Canada, Center on Contemporary Art, Seattle, WA, USA]
1997	“Die Sammlung Anne-Marie und Ernst Vischer-Walder: Ein Vermächtnis” Öffentliche Kunstsammlung Basel, Basel, Switzerland “New York on Paper” Baumgartner Galleries, Washington, D.C., USA “Works on Paper” Lawrence Markey, New York, NY, USA “Wood not Wood: Work not Work” A/D, New York, NY, USA Galerie Bismarck, Bremen, Germany La Biennale di Venezia, 47th Esposizione Internazionale d'Arte, Venice, Italy “Papierskulptur” Oberösterreichisches Landsmuseum, Landsgalerie Linz, Austria “About Context” Annemarie Verna Gallery, Zurich, Switzerland “Obsession + Devotion” Haines Gallery, San Francisco, CA, USA
1996–1997	“Schwere-los Skulpturen” Oberösterreichisches Landesmuseum, Landesgalerie Linz, Austria
1996	“Retrospktiv II: Sol LeWitt und Richard Tuttle” Annemarie Verna Gallery, Zurich, Switzerland “On Paper II” Schmidt Contemporary Art, St. Louis, MO, USA “West Meets East: Works on Paper” Numark Gallery, Washington, D.C., USA
1995–1996	“52nd Carnegie International” Carnegie Museum of Art, Pittsburgh, PA, USA
1995	“Works on Paper” Jürgen Becker Galerie, Hamburg, Germany “Abstrakt” Galerie Klein, Bad Münstereifel-Mutscheid, Germany
1994–1998	“From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection” National Gallery of Art, Washington, D.C [Traveled to: Portland Museum of Art, Portland, OR, USA; Archer M. Huntington Art Gallery, University of Texas, Austin, TX, USA; Wäinö Aaltonen Museum of Art, Turku, Finland; Tel Aviv Museum of Art, Tel Aviv, Israel]
1994–1995	“Amerikanische Zeichnungen und Graphik: Von Sol LeWitt bis Bruce Nauman” Kunsthaus Zurich, Zurich, Switzerland
1994	“Western Artists/African Art” Museum for African Art, New York, NY, USA “Evolutions in Expression: Minimalism and Post-Minimalism from the Permanent Collection of the Whitney Museum of American Art” Whitney Museum of American Art, Champion Branch, Stamford, Connecticut, USA “Zimmer in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst” Museum für Gegenwartskunst, Öffenliche Kunstsammlung, Basel, Switzerland “Printed in the 1970s” Brooke Alexander, New York, NY, USA “Praticamente argento/Basically Silver” Studio La Città, Verona, Italy “Ethereal Materialism” Apex Art, New York, NY, USA
1993–1994	“Das Einfache ist das Schwierige” Kunsthaus Zug, Zug, Switzerland
1993	“Sculpture & Multiples” Brooke Alexander, New York, NY, USA “The Contemporary Artist's Book: The Book as Art” 871 Fine Arts, San Francisco, CA, USA
1992	“Arte Americana, 1930–1970” Fiat-Lingotto, Turin, Italy “15th Anniversary Exhibition” RHona Hoffman Gallery, Chicago, IL, USA “Gifts and Acquisitions in Context” Whitney Museum of American Art, New York, NY, USA “Paolo Uccello: Battaglie nell'arte del XX secolo” La Salerniana, Erice, Italy
1991–1992	“Stubborn Painting: Now and Then” Max Protetch Gallery, New York, NY, USA “Drawings” Brooke Alexander, New York, NY, USA
1991	“Masterworks of Contemporary Sculpture” Blum Helman Gallery, New York, NY, USA sBrooke Alexander, New York, NY, USA “Poets/Painters Collaborations” Brooke Alexander, New York, NY, USA Blum Helman Gallery, New York, NY, USA “Drawing by Sculptors” Greenberg Gallery, St. Louis, MO, USA “Essentially Raw” Sue Spaid Fine Art, Los Angeles, CA, USA “Karl August Burckhardt-Koechlin-Fonds: Zeichnungen des 20. Jahrhunderts” Kunstmuseum Basel, Switzerland “Den Gedanken auf der Spur blieben” Museum Haus Lange and Museum Haus Esters, Krefeld, Germany “Discarded” Emerson Gallery, Rockland Center for the Arts, West Nyack, NY, USA
1990–1991	“Contemporary Illustrated Books: Word and Image, 1967–1988” Franklin Furnace Archive, New York, NY, USA [Traveled to: Nelson-Atkins Museum of Art, Kansas City, MO, USA; University of Iowa Museum of Art, Iowa City, IA, USA] “The New Sculpture 1965–75: Between Geometry and Gesture” Whitney Museum of American Art, New York, NY, USA [Traveled to: Museum of Contemporary Art, Los Angeles, CA, USA] “Quotations, Part III” Annemarie Verna Gallery, Zurich, Switzerland
1990	“Minimal Art” Blum Helman Gallery, New York, NY, USA “About Round, Round About: A Collection of Circles, Spheres, & Other Round Matter” Anders Tornberg Gallery, Lund, Sweden “Group Show” Blum Helman Gallery, New York, NY, USA “Concept Art, Minimal Art, Arte Povera, Land Art: Sammlung Marzona” Kunsthalle Bielefeld, Bielefeld, Germany “Accrochage” Galerie Schmela, Düsseldorf, Germany “Stendhal Syndrome: The Cure” Andrea Rosen Gallery, New York, NY, USA Christine Burgin Gallery, New York, NY, USA “The Garden” A/D, New York, NY, USA
1989–1990	“Immaterial Objects: Works from the Permanent Collection of the Whitney Museum of American Art, New York.” North Carolina Museum of Art, Raleigh, NC, USA; [Traveled to: Albany Museum of Art, GA, USA; San Jose Museum of Art, San Jose, CA, USA] “The Library” A/D, New York, NY, USA “The Eighties in Review: Selections from the Permanent Collection of the Whitney Museum of American Art” Whitney Museum of American Art, Fairfield County, Stamford, CT, USA
1989	“Object of Thought: A Collection of Objects and Small Sculptures” Anders Tornberg Gallery, Lund, Sweden Galerie Schmela, Düsseldorf, Germany, March–April. Holly Solomon Gallery, New York, NY, USA A/D, New York, NY, USA “Rain of Talent: Umbrella Art” Fabric Workshop and Museum, Philadelphia, PA, USA “Group Show” Blum Helman Gallery, New York, NY, USA Blum Helman Gallery, New York, NY, USA Sperone Westwater, New York, NY, USA
1988–1989	“Skulpturen Republik” Kunstraum Wien im Messepalast, Vienna, Austria; [Traveled to: John Hansard Gallery, Southampton University, Southampton, UK] “From the Collection of Dorothy and Herbert Vogel” Arnot Art Museum, Elmira, NY, USA [Traveled to: Grand Rapids Art Museum, Grand Rapids, MI, USA; Terra Museum of American Art, Chicago, IL, USA; Laumeier Sculpture Park, St. Louis, MO, USA; Art Museum at Florida International University, Miami, FL, USA] “Works on Paper” Blum Helman Gallery, New York, NY, USA “Three Decades: The Oliver-Hoffmann Collection” Museum of Contemporary Art, Chicago, IL, USA
1988	“Source and Inspiration: A Continuing Tradition” Hirschl & Adler Folk, New York, NY, USA “(C)Overt: A Series of Exhibitions, P.S. 1” Institute for Art and Urban Resources, New York, NY, USA “Group Show” Blum Helman Gallery, New York, NY, USA “Amerikkalaista nykytaidetta” Sara Hildén Art Museum, Tampere, Finland [Traveled to: Kunstnernes Hus, Oslo, Norway] “Richard Artschwager, Multiples; Dan Flavin, Sculptures; Donald Judd, Sculptures; Richard Tuttle, Objects” Galerie Tanit, Munich, Germany “Group Exhibition” Blum Helman Gallery, New York, NY, USA “Zeichenkunst der Gegenwart: Sammlung Prinz Franz von Bayern” Staatliche Graphische Sammlung München, Munich, Germany “Black and White” Fabric Workshop, Philadelphia, PA, USA “Köln sammelt: Zeitgenössiche Kunst aus Kölner Privatbesitz” Museum Ludwig, Cologne, Germany
1987–1989	“Sculptors on Paper: New Work” Madison Art Center, Madison, WI, USA [Traveled to: Pittsburgh Center for the Arts, Pittsburg, PA, USA; Kalamazoo Institute of Arts, Kalamazoo, MI, USA; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE, USA]
1987	“White” Blum Helman Gallery, New York, NY, USA “Selections from the Roger and Myra Davidson Collection of International Contemporary Art” Art Gallery of Ontario, Toronto, Canada “Rauschenberg, Schwitters, Tuttle” Blum Helman Gallery, New York, NY, USA “Metaphor” Kent Fine Art, New York, NY, USA “1967: At the Crossroads” Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, USA “Die Gleichzeitigkeit des Andern: Materialien zu einer Austellung” Kunstmuseum Bern, Bern, Switzerland “1987 Biennial Exhibition” Whitney Museum of American Art, New York, NY, USA “Jenseits des Bildes: Werke von Robert Barry, Sol LeWitt, Robert Mangold, Richard Tuttle aus der Sammlung Dorothy and Herbert Vogel, New York” Kunsthalle Bielefeld, Bielefeld, Germany “Summer Group Show” Blum Helman Gallery, New York, NY, USA “Skulptur Projekte in Münster 1987” Westfälische Landesmuseum, Münster, Germany “Early Concepts of the Last Decade” Holly Solomon Gallery, New York, NY, USA
1986–1987	“Drawings from the Collection of Dorothy and Herbert Vogel” Department of Art Galleries, University of Arkansas, Little Rock, AR, USA [Traveled to: Moody Gallery of Art, University of Alabama, Tuscaloosa, AL, USA; Museum of Art, Pennsylvania State University, State College, PA, USA “SkulpturSein” Städtische Kunsthalle Düsseldorf, Düsseldorf, Germany] “Beelden in Glas / Glass Sculpture” Fort Asperen, Leerdam, Netherlands
1986	“Wien Fluss, 1986” Wiener Secession am Steinhof-Thaterbau, Vienna, Austria “Entre la Geometría y el Gesto: Escultura Norteamericano, 1965–1975” Palacio de Velázquez, Parque del Retiro, Madrid, Spain “Prospect 86” Frankfurter Kunstverein, Frankfurt, Germany “Esculturas sobre la pared” Galería Juana de Aizpuru, Madrid, Spain
1985–1986	“Sculptures, première approach pour un parc” Fondation Cartier pour l'art contemporain, Jouy-en-Josas, France “American Eccentric Abstraction” Blum Helman Gallery, New York, NY, USA “Vom Zeichnen: Aspekte der Zeichnung 1960–1985” Frankfurter Kunstverein, Frankfurt, Germany [Traveled to: Kasseler Kunstverein, Kassel, Germany; Museum Moderner Kunst Wien, Vienna, Austria] “Spuren, Skulpturen und Monumente ihrer präzisen Reise” Kunsthaus Zurich, Zurich, Switzerland “Correspondences: New York Art Now” Laforet Museum Harajuku, Tokyo, Japan [Traveled to: Tochigi Prefectural Museum of Fine Arts, Japan]
1985	“Fortissimo: Thirty Years from the Richard Brown Baker Collection of Contemporary Art” Museum of Art, Rhode Island School of Design, Providence, RI, USA [Traveled to: San Diego Museum of Art, San Diego, CA; Portland Museum of Art, Portland, OR, USA] “Drawings by Sculptors” Brooke Alexander, New York, NY, USA “In offener Form” Museum Haus Esters, Krefeld, Germany “Drawings Acquisitions: 1981–1985” Whitney Museum of American Art, New York, NY, USA “Wasserfarbenblatter von Joseph Beuys, Nicola De Maria, Gerhard Richter, Richard Tuttle” Westfälischer Kunstverein, Muenster, Berlin, Germany “Neue Daierleihgaben aus der Sammlung Reinhard Onnach, Berlin” Städtisches Museum Abteiberg, Mönchengladbach, Germany “Affiliations: Recent Sculpture and Its Antecedents” Whitney Museum of American Art, Fairfield County, Stamford, CT, USA “American/European Part I: Painting Sculpture 1985” LA Louver, Venice, CA, USA Accrochage, Galerie Schmela, Düsseldorf, Germany “Dreissig Jahre durch die Kunst: Museum Haus Lange, 1950–1985” Museum Haus Lange and Museum Haus Esters, Krefeld, Germany “Three Sculptors: John Duff, Joel Shapiro, Richard Tuttle” Krannert Art Museum, University of Illinois, Urbana-Champaign, IL, USA
1984–1985	“Aquarelle” Kasseler Kunstverein, Kassel, Germany “In Existum Cuiusdam” Annemarie Verna Gallery, Zurich, Switzerland “Sculptors' Drawings 1910–1980: Selections from the Permanent Collection, Whitney Museum of American Art” Visual Arts Gallery, Florida International University, Miami, FL, USA [Traveled to: Aspen Art Museum, Aspen, CO, USA; Art Museum of South Texas, Corpus Christi, TX, USA; Philbrook Arts Center, Tulsa, OK, USA]
1984	“Forms That Function” Katonah Gallery, Katonah, NY, USA “The Tremaine Collection: Twentieth-Century Masters, The Spirit of Modernism” Wadsworth Atheneum, Hartford, CT, USA “Painting and Sculpture Today, 1984” Indianapolis Museum of Art, Indianapolis, IN USA “Drawing by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection” Montreal Museum of Fine Arts, Montreal, Canada [Traveled to: Vancouver Art Gallery, British Columbia, Canada; Nickle Arts Museum, Calgary, Alberta, Canada; Seagram Building, New York, NY, USA; London Regional Art Gallery, Ontario, CA, USA] “Zeichnungen für die dritte Dimension (eigene Bestände)” Basel Museum für Gegenwartskunst, Switzerland “American Sculpture” Margo Leavin Gallery, Los Angeles, CA, USA
1983–1985	“American Works on Paper: 100 Years of American Art History” organized by Smith Kramer Art Connections, Kansas City, MO, USA
1983–1984	“15 Jahre Sammlung Helga und Walther Lauffs im Kaiser Wilhelm Museum Krefeld” Kaiser Wilhelm Museum, Krefeld, Germany “The First Show: Painting and Sculpture from Eight Collections 1940–1980” Museum of Contemporary Art, Los Angeles, CA, USA
1983	“Abstract Painting: 1960–1969, P.S. 1” Institute for Art and Urban Resources, New York, NY, USA “Drawings—Disegni—Zeichnungen I” Annemarie Verna Gallery, Zurich, Switzerland “Small Is Beautiful” Freedman Gallery, Albright College, Reading, PA, USA [Traveled to: Center Gallery, Bucknell University, Lewisburg, PA, USA] “When Art Becomes Book, When Books Become Art” Annemarie Verna Gallery, Zurich, Switzerland “Objects, Structures, Artifice” SVC Fine Arts Gallery, University of South Florida, Tampa, FL, USA [Traveled to: Center Gallery, Bucknell University, Lewisburg, PA, USA] “Minimalism to Expressionism: Paintings and Sculpture Since 1965 from the Permanent Collection” Whitney Museum of American Art, New York, NY, USA 10 Jahre Kunstraum München, Jubiläumsausstellung, Kunstraum München, Munich, Germany Ars 83 Helsinki, Ateneumin taidemuseo, Helsinki, Finland “Werke auf Papier / Works on Paper” Annemarie Verna Gallery, Zurich, Switzerland
1982–1983	“20th Anniversary Exhibition of the Vogel Collection” Brainerd Art Gallery, State University College of Arts and Science, Potsdam, NY, USA [Traveled to: Gallery of Art, University of Northern Iowa, Cedar Rapids, IA, USA “Arbeiten auf Papier“ Galerie Schmela, Düsseldorf, Germany]
1982	“Artists' Photographs” Crown Point Gallery, Oakland, CA, USA “Du livre” Concurrent exhibition at: Musée des Beaux-Arts, Rouen, France; Bibliothèque Minicipale, Rouen, France; Galerie Déclinaisons, Rouen, France; École des Beaux-Arts, Rouen, France; C.R.D.P., Mont-Saint-Aignan, France “‘60–'80: Attitudes/Concepts/Images” Stedelijk Museum, Amsterdam, Netherlands “Prints by Contemporary Sculptors” Yale University Art Gallery, New Haven, CT, USA “25 Jahre Galerie Schmela: 1957–1982” Galerie Schmela, Düsseldorf, Germany “American Painting and Sculpture: 74th Annual” Art Institute of Chicago, IL, USA “Documenta 7” Museum Fridericianum, Kassel, Germany “Papyrus Abstractus: From Drawing to Sculpture” Town Hall Gallery, Westport, CT, USA “Ryman/Tuttle/Twombly: New Work” Blum Helman Gallery, New York, NY, USA “Marilena Bonomo: Invitation à un voyage à travers l'art contemporain” Centre d'art contemporain, Geneva, Switzerland
1981–1982	“Drawing Distinction: American Drawings of the Seventies” Louisiana Museum of Modern Art, Humlebæk, Denmark [Traveled to: Kunsthalle Basel, Basel, Switzerland; as Amerikanische Zeichnungen der Siebziger Jahre, Städtische Galerie im Lenbachhaus, Munich, Germany; Wihelm-Hack-Museum, Ludwigshafen, Germany] “Selections from the Chase Manhattan Bank Art Collection” University Gallery, University of Massachusetts, Amherst, MA, USA [Traveled to: Robert Hull Fleming Museum, University of Vermont, Burlington, VT, USA; David Winton Bell Gallery, Brown University, Providence, RI, USA] “Amerikanische Malerei: 1930–1980” Haus der Kunst, Munich, Germany “Art Materialized: Selections from the Fabric Workshop” organized by Independent Curators Incorporated, New York, NY, USA [Traveled to: New Gallery for Contemporary Art, Cleveland, OH, USA; Gibbes Art Gallery, Charleston, SC, USA; Hudson River Museum, Yonkers, NY, USA; University of South Florida Art Galleries, Tampa, FL, USA; Art Museum and Galleries, CA, USA; State University, Long Beach, CA, USA; Alberta College of Art Gallery, Calgary, Alberta, Canada; Pensacola Museum of Art, Pensacola, FL, USA] Galerie Schmela, Düsseldorf, Germany “Murs” Centre National d'art et de culture Georges Pompidou, Musée national d'art moderne, Paris, France
1981	“New Works of Contemporary Art and Music” Fruitmarket Gallery, Edinburgh, Scotland “Vonal” Pésci Galéria, Pécs, Hungary Bertha Urdang Gallery, New York, NY, USA “Westkunst: Zeitgenössische Kunst seit 1939” Museen der Stadt, Cologne, Germany “Il limite svelato: Artista, cornice, pubblico” Museo Civico di Torino, Mole Antonelliana, Turin, Italy “Drawing Acquisitions, 1978–1981” Whitney Museum of American Art, New York, NY, USA “Relief(s)” Institut Franco-Américain, Rennes, France “No Title: The Collection of Sol LeWitt” Wesleyan University Art Gallery and Davidson Art Center, Middleton, CT, USA
1980–1981	“Maximum Coverage: Wearables by Contemporary American Artists” John Michael Kohler Arts Center, Sheboygan, WI, USA [Traveled to: University of North Dakota, Grand Forks, ND, USA]
1980	“Art/Book/Art” organized by Detroit Institute of Arts, Detroit, MI, USA [Traveled to: Slusser Gallery, University of Michigan, Ann Arbor, MI, USA; Mid-Michigan Community College, Harrison, MI, USA; Urban Institute for Contemporary Art, Grand Rapids, MI, USA; Willard Library, Battle Creek, MI, USA; Ella Sharp Museum, Jackson, MI, USA] “Die Sammlung der Emanuel Hoffman-Stiftung” Museum für Gegenwartskunst, Öffentliche Kunstsammlung, Basel, Switzerland “Printed Art: A View of Two Decades” The Museum of Modern Art, New York, NY, USA “Explorations in the ‘70s” Pittsburgh Plan for Art, Pittsburg, PA, USA “Pier + Ocean: Construction in the Art of the Seventies” Hayward Gallery, London, England [Traveled to: Rijkmuseum Kröller-Müller, Otterlo, Netherlands] “Skulptur im 20. Jahrhundert” Wenkenpark, Riehen, Basel, Switzerland “Zeichnungen” Neuerwerbungen, 1976–80", Museum Haus Lange, Krefeld, Germany “Drawn in Space” Washington Project for the Arts, Washington, D.C., USA “Selected Works from the Betty Parsons Gallery” Heath Gallery, Atlanta, GA, USA
1979	“Drawings About Drawings Today” Ackland Memorial Museum, University of North Carolina, Chapel Hill, NC, USA “Drawing and Sculpture” Adler Gallery, Los Angeles, CA, USA “Pittura-Ambiente” Palazzo Reale, Milan, Italy “Material Pleasures: The Fabric Workshop at ICA” Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, USA “New York: A Selection from the Last Ten Years” Otis Art Institute, Los Angeles, CA, USA “American Abstract Artists: The Language of Abstraction” Betty Parsons Gallery and Marilyn Pearl Gallery, New York, NY, USA “Fabric Workshop” Marian Locks Gallery, Philadelphia, Pennsylvannia, PA, USA “Re: Figuration” Max Protetch Gallery, New York, NY, USA
1978	“Brooke Alexander: A Decade of Print Publishing” Boston University Art Gallery, Massachusetts, MA, USA “20th Century American Drawings: Five Years of Acquisitions” Whitney Museum of American Art, New York, NY, USA “New Editions” Brooke Alexander, New York, NY, USA Yale School of Art, New Haven, CT, USA “Door beeldhouwer gemaakt” Stedelijk Museum, Amsterdam, Netherlands
1977	“Marta & Maria” Galleria d'arte Spagnoli, Florence, Italy “Works from the Collection of Dorothy and Herbert Vogel” University of Michigan Museum of Art, Ann Arbor, USA “Small Objects” Whitney Museum of American Art, Downtown Branch, New York, NY, USA “A View of a Decade” Museum of Contemporary Art, Chicago, USA “American Drawing, 1927–1977” Minnesota Museum of Art, St. Paul, USA “20th-Century American Art from Friends' Collection” Whitney Museum of American Art, New York, USA “Documenta 6” Orangerie, Kassel, Germany “Ideas in Sculpture: 1965–1977” Renaissance Society at the University of Chicago, USA “1977 Biennial Exhibition” Whitney Museum of American Art, New York, USA “Selected Works on Paper Published by Brooke Alexander” Hansen-Cowles Gallery, Minneapolis, USA Brooke Alexander, New York, USA
1976	“Artists' Books” organized by the Arts Council of Great Britain, UK, 1976. “Soft Works of the Late Sixties” Buecker & Harpsichords, New York, NY, USA, 1976. “100 dessins de Musée de Grenoble, 1900–1976” Musée de Grenoble, France “Private Notations: Artists' Sketchbooks II” Philadelphia College of Art, Pennsylvania, USA “Torn, Folded, and Crumpled” Parsons-Dreyfuss Gallery, New York, NY, USA “New York in Europa” Nationalgalerie Berlin, Germany “American Artists: A New Decade” Detroit Institute of Arts, Michigan, USA [Traveled to: Fort Worth Art Museum, Texas, USA; Grand Rapids Art Museum, Michigan, USA] “Bis Heute: Zeichnungen für das Kunstmuseum Basel aus dem Karl A.”, Burckhardt-Kpechlin-Fonds, Kunsthalle Basel, Switzerland “Rooms, P.S. 1” Institute for Art and Urban Resources, Long Island City, New York, NY, USA “Ideas on Paper 1970–1976” Renaissance Society at the University of Chicago, Illinois, USA “Critical Perspectives in American Art” Fine Arts Center Gallery, University of Massachusetts, Amherst, USA [Traveled to: 37th La Biennale di Venezia, United States Pavilion, Italy] “Davidson National Print and Drawing Competition” Stowe Gallery, Davidson College, NC, USA “Two Hundred Years of American Sculpture” Whitney Museum of American Art, New York, NY, USA “Line” Visual Arts Museum, New York, NY, USA [Traveled to: Philadelphia College of Art, Pennsylvania, USA] “Drawing Now” The Museum of Modern Art, New York, NY, USA [Traveled to: Kunsthalle Basel, Switzerland; Kunsthaus Zurich, Switzerland; Staatliche Kunsthalle Baden-Baden; Graphische Sammlung Albertina, Vienna, Austria; Sonja Henie-Niels Onstad Museum, Oslo, Norway; Tel Aviv Museum, Israel] “The Book as Art” Fendrick Gallery, Washington, D.C., USA
1975	“Art on Paper 1975: The Weatherspoon Annual Exhibition” University of South Carolina, Greensboro, NC, USA “Painting, Drawing, and Sculpture of the ‘60s and ‘70s from the Dorothy and Herbert Vogel Collection” Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA [Traveled to: Contemporary Arts Center, Cincinnati, USA] “Tendances actuelles de la nouvelle peinture americaine” ARC 2, Musée d'art moderne de la ville de Paris, France “Recent Drawings” organized by the American Federation of the Arts, New York, NY, USA Galleria Marilena Bonimo, Bari, Italy “USA Zeichnungen 3” Städtisches Museum Schloss Morsbroich, Leverkusen, Germany “The Small Scale in Contemporary Art” Society for Contemporary Art and the Art Institute of Chicago, IL, USA “Richard Brown Baker Collects! A Selection of Contemporary Art from the Richard Brown Baker Collection” Yale University Art Gallery, New Haven, CT, USA “Selections from the Collection of Dorothy and Herbert Vogel” Clocktower Gallery, Institute for Art and Urban Resources, New York, USA “Fourteen Artists” Baltimore Museum of Art, Maryland, MD, USA “Abstract Watercolors: 1942–1975” Buecker & Harpsichords, New York, NY, USA “Color.” Organized by the International Council of The Museum of Modern Art, New York, NY, USA [Traveled to: Museo de Arte Moderno, Bogotá, Columbia; Museo de Arte de São Paulo, Brazil; Museu de Arte Moderna, Rio de Janeiro, Brazil; Museo de Bellas Artes, Caracas, Venezuela; Museo de Arte Moderno, Mexico City, Mexico] Contemporary Arts Center, Cincinnati, OH, USA
1974	“Recent Prints” Brooke Alexander, New York, NY, USA “The Bay Are Collects: Sandra and Breck Caldwell” University Art Museum, University of California, Berkeley, CA, USA “Painting and Sculpture Today, 1974” Contemporary Art Society of the Indianapolis Museum of Art, Indiana, USA [Traveled to: Contemporary Arts Center and Taft Museum, Cincinnati, USA] “Printed, Cut, Folded, Pasted and Torn” The Museum of Modern Art, New York, NY, USA “Works on Paper, Art Lending Service Exhibition” Penthouse Gallery, The Museum of Modern Art, New York, NY, USA “Line as Language: Six Artists Draw” Art Museum, Princeton University, NJ, USA
1973	“Hand Colored Prints” Brooke Alexander, New York, USA [Traveled to: Webb and Parsons, Bedford Village, New York, USA; Graphics I & II, Boston, MA, USA] “Drawings” Barbara Cusack Gallery, Houston, TX, USA “Contemporanea” Parcheggio di Villa Borghese, Rome, Italy “A Selection of American and European Paintings from the Richard Brown Baker Collection” San Francisco Museum of Art, California, CA, USA [Traveled to: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA] “New American Graphic Art” Fogg Art Museum, Harvard University, Cambridge, MA, USA “Of Paper” Newark Museum, New Jersey, USA “American Drawings 1963–1973” Whitney Museum of American Art, New York, NY, USA “Art in Evolution” Xerox Square Exhibition Center, New York, NY, USA “Arte come arte” Centro Comunitario de Brera, Milan, Italy “Options and Alternatives: Some Directions in Recent Art” Yale University Art Gallery, New Haven, CT, USA “Bilder, Objekte, Filme, Konzepte” Stadtische Galerie in Lenbachhaus, Munich, Germany “Yngre Amerikansk Kunst: Tenginger og grafik” Gentofte Rädhus, Charlottenlund, Norway [Traveled to: Århus Kunstmuseum, Denmark; Henie Onstad Kunstsenter Oslo, Norway; Hamburger Kunsthalle, Germany; Moderna Museet, Stockholm, Sweden]
1972	“Small Series” Paula Cooper Gallery, New York, NY, USA “Drawing” The Museum of Modern Art, Oxford, England “Actualite d'un Bilan” Galerie Yvon Lambert, Paris, France “Book as Artwork 1960/72” Nigel Greenwood, London, UK “Documenta 5: Befragung der Realitat” Bildwelten heute, Museum Fridericianum, Kassel, Germany “Drawing in Space: 19 American Sculptors” Katonah Gallery, Katonah, New York, NY, USA “Amerikanische Graphik seit 1960” Bünder Kunsthaus, Chur, Switzerland [Traveled to: Kunstverein Solothurn, Switzerland; Musée d'art et d'historie, Geneva. Switzerland; Kunsthaus Aarau, Switzerland; Kunsthalle, Basel, Switzerland] “Meisterwerke des 20. Jahrhunderts” Galerie Schmela, Düsseldorf, Germany “Recent Painting and Sculpture” Munson-Williams Proctor Institute, Utica, New York, NY, USA
1971	“Die Hanspeter Schulthess-Oeri-Siftung, 1961–1971” Kunstmuseum Basel, Switzerland “Funf Sammler: Kunst unserer Zeit” Von der Heydt-Museum, Wuppertal, Germany . “Paintings Without Supports” Bennington College, VT, USA
1970	“Paperworks” Art Lending Services, Penthouse Gallery, The Museum of Modern Art, New York, NY, USA “Die Sammlung der Emanuel Hoffman-Stiftung” Kunstmuseum Basel, Switzerland “American Drawings” Galerie Yvon Lambert, Paris, France “Zeichnungen Amerikanischer Künstler” Galerie Ricke, Cologne, Germany “Using Walls (Indoors)” Jewish Museum, New York, NY, USA “New Materials: Procedures in Sculpture” Austin Arts Center, Trinity College, Hartford, CT, USA
1969	“Art on Paper 1969: The Weatherspoon Annual Exhibition” University of North Carolina, Greensboro, NC, USA “Young Artists from the Collection of Charles Cowles” Aldrich Museum of Contemporary Art, Ridgefield, CT, USA “Other Ideas” Detroit Institute of the Arts, MI, USA “Anti-Illusion: Procedures/Materials” Whitney Museum of American Art, New York, NY, USA “Sammlung Helmet Klinker” Städtische Kunstgalerie Bochum, Germany “When Attitudes Become Form—Works—Concepts—Processes—Situations—Informations” Kunsthalle Bern, Germany; Museum Haus Lange, Krefeld, Germany; Institute of Contemporary Arts, London, UK “Soft Art” New Jersey State Museum Cultural Center, Trenton, NJ, USA “Thirty-First Biennial Exhibition of Contemporary American Painting” Corcoran Gallery of Art, Washington, D.C., USA “Here & Now” Washington University Gallery of Art, St. Louis, MO, USA
1968	“Some Younger American Painters and Sculptors” organized by the American Federation of the Arts, New York, NY, USA “Group Show” Bykert Gallery, New York, NY, USA “Anti-Form” John Gibson Gallery, New York, NY, USA “Betty Parsons' Private Collection” Finch College Museum of Art, New York, NY, USA [Traveled to: Cranbrook Academy of Art, Bloomfield, Michigan, USA; Brooks Memorial Art Gallery, Memphis, USA] “Painting: Out from the Wall” Des Moines Art Center, IA, USA “Preview 1968” Widener Gallery, Trinity College, Hartford, CT, USA
1966	“Contemporary American Painting: 12th Annual Exhibition” Ralph Wilson Gallery, Lehigh University, Bethlehem, PA, USA “Twentieth Anniversary, 1946–1966: Pattern Art” Betty Parsons Gallery, New York, NY, USA “A Selection of Contemporary American Paintings and Sculpture from the Atheneum's Permaneny Collection” Wadsworth Atheneum, Hartford, CT, USA “Twenty-Five Paintings '65” organized by Betty Parsons Gallery, New York, USA [Traveled to: Virginia Museum of Fine Arts, Richmond, USA Traveled to six additional venues in Virginia, USA] “2e Salon International de Galeries Pilates” Musée cantonal des Beaux-Arts, Palais de Rumine, Lausanne, Switzerland “Selections from the Art Lending Service” Penthouse Gallery, The Museum of Modern Art, New York, NY, USA
1965	“The Box Show” Byron Gallery, New York, NY, USA “Contemporary American Painting: 11th Annual Exhibition” Ralph Wilson Gallery, Lehigh University, Bethlehem, PA, USA “Drawings from the Collection of Betty Parsons” Virginia Museum of Fine Arts, Richmond, VA, USA “A New York Collector Selects, Mrs. B. Tremaine” San Francisco Museum of Art, California, CA, USA “The Seventh Selection of the Society for the Encouragement of Contemporary Art: A New York Collector Selects” San Francisco Museum of Art, California, CA, USA

Public Collection

Albright-Knox Art Gallery, Buffalo, New York, USA
Art Institute of Chicago, Illinois, USA
Baltimore Museum of Art, Maryland, USA
Birmingham Museum of Art, Alabama, USA
Brooklyn Museum, New York, USA
Carnegie Museum of Art, Pittsburgh, USA
Centre Pompidou, Musée national d'art moderne, Paris, France
Columbus Museum of Art, Ohio, USA
Contemporary Art Museum, Honolulu, USA
Des Moines Art Center, Iowa, USA
Dublin City Gallery, The Hugh Lane, Ireland
Fogg Art Museum, Harvard University Art Museums, Cambridge, Massachusetts, USA
Fondation Cartier pour l'art contemporain, Jouy-en-Josas, France
HighMuseum, Atlanta, USA
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., USA
Indianapolis Museum of Fine Art, Indiana, USA
The IsraelMuseum, Jerusalem, Israel
Institut Valencià d'Art Modern, Spain
Kaiser Wilhelm Museum, Krefeld, Germany
Kunsthaus Zug, Zug, Switzerland
Kunstmuseum Winterthur, Switzerland
Louisiana Museum of Modern Art, Humlebæk, Denmark
LudwigMuseum, Cologne, Germany
Metropolitan Museum of Art, New York, USA
Mies Van der Rohe Museum, Berlin, Germany
Moderna Museet, Stockholm, Sweden
Modern Art Museum of Fort Worth, Texas, USA
Musée Cantonal des Beaux-Arts de Lausanne, Switzerland
Musée nationale d'art moderne, Paris, France
Museum Brandhorst, Munich, Germany
Museum of Art, Rhode Island School of Design, Providence, USA
Museum of Contemporary Art, Chicago, USA
Museum of Contemporary Art, Los Angeles, USA
Museum of Fine Arts, Boston, USA
Museum of Fine Arts, Santa Fe, USA
The Museum of ModernArt, New York, USA
Museum Kolumba, Cologne, Germany
National Gallery of Art, Washington, D.C., USA
National Gallery of Canada, Ottawa, Canada
New York Public Library, USA
Norton Museum of Art, West Palm Beach, Florida, USA
San Francisco Museum of Modern Art, California, USA
Seattle Art Museum, Washington, USA
Sprengel Museum Hannover, Germany
Staatliche Kunstammlungen, Kassel, Germany
Städtisches Museum Abteiberg, Mönchengladbach, Germany
Stedelijk Museum, Amsterdam, The Netherlands
Tate, London, England
Victoria and Albert Museum, London, England
Wadworth Atheneum, Hartford, Connecticut, USA
Walker Art Center, Minneapolis, Minnesota, USA
Whitney Museum of American Art, New York, USA
Yale University Art Gallery, New Haven, Connecticut, USA

Awards

2006	California College of the Arts, Honorary Doctorate Degree of Fine Arts, CA, USA
2003	Academy Award in Art, American Academy of Arts and Letters, New York, NY, USA
1998	Skowhegan Medal for Sculpture, New York, NY, USA The Aachen Art Prize, Ludwig Forum fur Internationale Kunst, Germany
1982	74th American Exhibition, Art Institute of Chicago Biennial Prize, IL, USA
1968	National Endowment for the Arts, Washington, DC, USA
1965	C. Douglas Dillon Foundation, New York, NY, USA