VARDA CAIVANO / SHOHEI FUJITA / DAISUKE FUKUNAGA / SATOSHI HIROSE / SHINTARO MIYAKE / Paulo Monteiro / TOMOKO NAGAI / MIKA NINAGAWA / TAM OCHIAI / YUKO OKAZAKI / YOKO ONO / KHVAY SAMNANG / KISHIO SUGA / HIROSHI SUGITO / SHOOSHIE SULAIMAN / RICHARD TUTTLE

“Fall for Art”

杉戸洋 Hiroshi Sugito twenty 2004 etching, drypoint image: 35.5 x 45.0 cm frame: 37.2 x 46.6 cm ed. 20 ©Hiroshi Sugito

Artist Information: Dan Asher, Varda Caivano, Jeanne Dunning, Shohei Fujita, Daisuke Fukunaga, Satoshi Hirose, Shintaro Miyake, Paulo Monteiro, Tomoko Nagai, Mika Ninagawa, Tam Ochiai, Yuko Okazaki, Yoko Ono, Jon Pylypchuk, Khvay Samnang, Kishio Suga, Hiroshi Sugito, Shooshie Sulaiman, Gert and Uwe Tobias, Richard Tuttle

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For press inquiries, please contact:
press@tomiokoyamagallery.com (Makiko Okado)
Director: Yuko Nagase
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Artist Profile

Varda Caivano

Born in Buenos Aires, Argentina in 1971, Varda Caivano graduated from her masters at the Royal College of Art (London) in 2004, having previously been educated to degree level in sciences (Biology), and humanities (Art History), the latter taken at the University of Buenos Aires in Argentina. On moving to the United Kingdom in the early 2000s to complete a graduate diploma at Goldsmiths University in Fine Art, she followed this with her RCA MA, where Caivano is now Faculty Lecturer in painting, alongside her commitment as artist ‘supervisor’ of the independent studio programme at De Ateliers in Amsterdam, Holland.

Residencies undertaken recently include a recent research period, courtesy of CCA Andratx, Mallorca, in Spain, a space and time which has informed key aspects of her material and investigative thinking for the exhibition at Tomio Koyama Gallery in Tokyo in 2019.

International solo exhibitions of note include ‘The DENSITY of the ACTIONS’ curated by Solveig Øvstebø at The Renaissance Society, University of Chicago i(2015), significant international Biennales include curator Massilliano Gioni’s, `The Encyclopedic Palace` at the 55th Venice Biennale in Italy (2013), and participation in the Gwangju Biennale in Korea in 2012.

In Japan her works have been placed in many notable public and private collections to date, including the public collection of the National Museum of Art in Osaka.

Shohei Fujita

Shohei Fujita was born in 1968 in Wakayama Prefecture. After he graduated from the Ceramics course of the Department of Crafts of Kyoto City University of Arts in 1995, he moved to the UK. He learned glass art at Edinburgh College of Arts, where he completed his studies in 1997. He also works in the unit “Suna Fujita” with ceramic artist Chisato Yamano. He has held numerous solo exhibitions in Japan including in Tokyo, Kyoto, Osaka, and Mie.

Daisuke Fukunaga

Objects depicted in Daisuke Fukunaga’s painting are something too ordinary for us to pay attention everyday – places or objects we have forgotten, such as a shabby vacant lot, a dark basement of the construction building without wiring, old cleaning tools like mops, tires, and wastes. With his “representationalism” approach, these objects seem to throw off its functional meanings attached to them and wriggle like animals, as if they had emotions and personalities.
Personified objects against the dramatic backgrounds in Fukunaga’s paintings evoke strongly and theatrically, emphasized by being depicted on large canvases. The senses of endless depth and presence as materials attract viewers.

Fukunaga Daisuke was born in Tokyo, in 1981. He graduated from the oil painting course of Tama Art University in 2004, lives and works in Tokyo, Japan. He has participated in group shows such as “AFTER THE REALITY 2” curated by Hiromi Yoshii (Daichi Projects, New York, 2008), “VOCA Exhibition 2009” (The Ueno Royal Museum), and “The Way of Painting” (Tokyo Opera City Art Gallery, 2014). Also as a member of the artist group MIHOKANNO, he participated in group exhibitions “Hello MIHOKANNO” (Tokyo Wonder Site Shibuya, Tokyo, 2009) and “GOOD NIGHT MIHOKANNO” (Akibatamabi 21, 3331 Arts Chiyoda, 2011). He won the first Kinutani Koji Award sponsored by the Mainichi Shimbun in 2009. At Tomio Koyama Gallery, Fukunaga has held solo exhibitions in 2006, 2008, 2011, 2013 and 2015.

Satoshi Hirose

Satoshi Hirose was born in 1963 in Tokyo. He graduated from Tama Art University in 1989 and two years later he received an Italian government scholarship and moved to Italy. In 1996-97, he stayed in Italy under POLA Art Foundation Grants Program. He then completed a degree at Milan’s Brera Academy of Fine Arts in 1997, and studied in New York under Japanese Government Overseas Study Program for Artists provided by the Agency for Cultural Affairs in 2008-09. He is currently based in Milan and Tokyo.
His major solo exhibitions include “Lemon Project 03” (The Ginza Art Space, Tokyo, 1997), “Paradiso- Criterium 34” (Contemporary Art Center, Art Tower Mito, Ibaraki, Japan, 1998), “2001” (Hiroshima City Museum of Contemporary Art, Hiroshima, 2000), and in more recent years “Heteronym” (Galleria Umberto Di Marino, Napoli, 2015), and “Vis à Vis Flâneur – SATOSHI HIROSE” (Fondazione Molise Cultura, Campobasso, Italy, 2016).

He has presented work in numerous group exhibitions including “Neo Tokyo” (Museum of Contemporary Art, Sydney, 2001), and “Beppu Contemporary Art Festival 2012: Mixed Bathing World” (Beppu City, Oita, Japan, 2012), as well as a commission “Your Sky, My Sky: sky project for Arts Maebashi” Arts Maebashi, Gunma, Japan (2013). He has held five solo exhibitions at Tomio Koyama Gallery in 2000, 2005, 2008, 2009, ad 2013. Hirose also has worked on commissions in collaboration with companies.This July, he is creating an artwork in the new building of PeptiDream, a pharmaceutical company that pursues drug development.

Shintaro Miyake

Born in 1970 in Tokyo. He completed his B.A. at Tama Art University in 1996, and currently lives and works in Tokyo.
From drawing, painting, sculpture, to “cut-outs” of characters drawn on cardboard or wood, live drawings created while wearing originally-designed costumes, as well as performance, and video, Miyake freely incorporates and combines a wide variety of expressions to create a unique artistic world that is permeated by a rich sense of wit. The diverse and pleasantly humorous nature of his oeuvre has continued to fascinate and attract the attention of viewers internationally. Miyake has held solo exhibitions in numerous locations throughout the world including Italy, Austria, Berlin, and Taiwan
His works are housed in the public collections of Astrup Fearnley Museum of Modern Art (Norway), Kistefos Museet (Norway), Haus der Künstler in Gugging (Austria), The JAPIGOZZI Collection, Rubell Family Collection (USA), and the Takahashi Collection (Japan).

Miyake’s major solo exhibitions include “I Found Myself in the Traveling Carnival” (Tomio Koyama Gallery, Tokyo, 2019), “VIKING AGE” (Gerhardsen Gerner, Berlin, 2013), “CALM CLAM” (GALERIE GABRIEL ROLT, Amsterdam, 2011), “There are TWO TRUTHS!” (Gerhardsen Gerner, Berlin, 2009), “Innocy’s House” (Museum Gugging, Art/ Brut Center Gugging, Klosterneuburg, Austria, 2007), “HATCHOBORI” (Galerie Krinzinger, Vienna, 2007), “Beaver no Seikatsu” (Sandra and David Bakalar Gallery, Massachusetts College of Art, Boston, MA, 2006), “Minotauro contro Mostro Marino”(Galleria Suzy Shammah, Milan, 2004), “Innocy’s House” (Krinzinger Projekte, Vienna, 2004), “The Fourth Planet Hour” (℅ Atle Gerhardsen, Berlin, 2004) and “SWEET SUMMER” (Tomio Koyama Gallery, Tokyo, 2003).

Major group exhibitions include “ROKKO MEETS ART 2014” (Rokko Internatonal Musical Box Museum, Hyogo, Japan, 2014), “neoteny japan: Contemporary Artists after 1990s from Takahashi Collection” (KIRISHIMA OPEN-AIR MUSEUM, Kagoshima, Japan [traveled to Sapporo Art Park, Hokkaido, 2008-09/ The Niigata Prefectural Museum of Modern Art, 2009/ Akita Museum of Modern Art, 2009/ Yonago City Museum of Art, Tottori, 2009-10/ The Museum of Art Ehime, Japan, 2010]), “Berlin-Tokyo/ Tokyo-Berlin” (Neue Nationalgalerie, Berlin, 2006), “NAOSHIMA STANDARD” (Former Barber, Naoshima, Kagawa, Japan, 2006), “Officina Asia” (Galleria d’Arte Moderna di Bologna, Italy [traveled to Galleria Comunale d’Arte, Cesena/ Palazzo del Ridotto e Galleria d’Arte Ex-Pescheria, Cesena/ Palazzo dell’Arengo, Rimini, Italy]), “The Japanese Experience -Inevitable” (Ursula Blickle Stiftung, Kraichtal, Germany [traveled to Museum der Moderne Salzburg, Austria, 2003], “Emotional Site” (Saga-cho Shokuryo Building, Tokyo, 2002).

Paulo Monteiro

Paulo Monteiro was born in Sao Paulo, Brazil in 1961. He graduated from the Department of Visual Art, College of Fine Arts in Sao Paulo, where he currently lives and works. He started working as an artist in 1977, publishing in magazines drawings influenced by Robert Crumb amongst others. Monteiro started painting after being impressed by the work of Philip Guston in 1981, and became one of the founding members of “Casa 7” that aimed for a renaissance of Brazilian painting. In 1985 he took part in the Sao Paulo Biennial, by which time the group’s Neo-Expressionism was becoming mainstream within the art scene in Brazil. In 1986 he started creating sculptures using pipes and wood. He participated in the Sao Paulo Biennial with the lead pieces in 1994, and received the Bolsa Vitae de Artes Visuais Award in 1999. In 2000 he started painting again, and held a large survey show at the Pinacoteca do Estado de Sao Paolo in 2008. In 2014 MoMA acquired 20 works by Monteiro.

He has shown extensively in Brazil and internationally. His work is included in numerous public collections including those of MoMa, the Museu de Arte Moderna de Sao Paulo, the Pinacoteca do Estado de Sao Paulo, and the Museu de Arte Comtemporania da Universidade de Sao Paulo.

Tomoko Nagai

In Tomoko Nagai’s artworks, various animals, children, colorful trees and mushrooms are depicted in a theatrical arrangement against the backdrop of forests and domestic rooms. Loaded with a multitude of motifs, each of Nagai’s paintings embraces a unique sense of spatiality, wherein a dynamism that encapsulates the worlds of fictional narratives intricately overlaps with layers of images. The colorful matière and brushstrokes form a fantastical rhythm as the artist exercises an expression akin to composing a musical piece. The viewer perceives this melody while standing face-to-face with each painting. This evokes a sense of being inside the painting, as the viewer’s own memories and experiences – nostalgic sensations, recollections and dreams from childhood – connect with the worldview represented in each artwork.

Tomoko Nagai was born in Aichi Prefecture in 1982. She graduated from Aichi Prefectural University of Fine Arts and Music in 2006, majoring in Oil Painting. Nagai currently lives and works in Tokyo. Nagai held a solo exhibition at Project N, Tokyo Opera City in 2008, followed by a number of solo presentations in Kyoto, Kagoshima, Hong Kong and Singapore. She exhibited at “VOCA 2010” (the Ueno Royal Museum, Tokyo, 2010) and “Future Pass – From Asia to the World”, part of the 54th Venice Biennale (Palazzo Mangilli-Valmarana, Venice, 2011), and has participated in international group exhibitions in Seoul (Gana Art Center, 2011), Grenoble (Le Magasin – Centre National d’Art Contemporain) and Berlin (me Collectors Room Berlin, 2010). She has also taken a part in a project funded by the Singapore Red Cross, in which she painted an entire swimming pool at Toyama nursery school, located in the tsunami-stricken area of Shichigahama town, Miyagi (designed by Takahashi Ippei Office, completed in 2013). Nagai has engaged with broad audiences outside of museums and art galleries, providing title designs and artworks for television programmes on NHK Educational, as well as creating book covers for a range of publications. In 2017, she published her first monograph “Thousands of Finches”. Nagai’s artworks have been included in public collections both in Japan and internationally, notably the Takahashi Collection (Japan), the Olbricht Collection (Germany), the Zabludowicz Collection (UK) and The JAPIGOZZI Collection (US / Switzerland).

Mika Ninagawa

Photographer, Director
Mika Ninagawa has been awarded numerous photography awards, such as Kimura Ihei Award. She has directed a number of video works including the films “Sakuran” (2007), “Helter Skelter” (2012), “Diner”(2019) and “No Longer Human”(2019). Currently her original drama for Netflix, “Followers” is released in 190 countries worldwide. In 2008, her solo exhibition “Mika Ninagawa: Earthly Flowers, Heavenly Colors” toured several museums throughout Japan, attracting a total of 180,000 visitors. In 2010, Ninagawa published a monograph by Rizzoli N.Y. In 2012, Ninagawa won the Silver Prize at the Shindo Kaneto Awards with “Helter Skelter”. She held extensive solo exhibitions mainly in Asian cities such as Taipei and Shanghai where they gathered the greatest number of visitors in their history. Her solo exhibition “Into Fiction/Reality Mika Ninagawa” started its tour from Contemporary Art Museum Kumamoto in 2018 and will travel until 2021 throughout museums in Japan.

For more information on the artist, please see the following URL.
https://mikaninagawa.com

Tam Ochiai

Tam Ochiai was born in Yokohama, Kanagawa in 1967. He moved to the United States in 1990 after graduating from Wako University, and completed his M.A in New York University in 1993. He currently lives and works in New York.

His major exhibitions include, “Criterium 16: Tam Ochiai ‘Shopping bags’” (Contemporary Art Gallery, Art Tower Mito, Ibaraki, Japan, 1995); “MOT Annual: Fiction? Painting in the Age of the Virtual” (Museum of Contemporary Art, Tokyo, Japan, 2002), “Flashback” (Kunstverein Freiburg, Freiburg, Germany, 2005); “The Door into Summer –The Age of Micropop” (Contemporary Art Gallery, Art Tower Mito, Ibaraki, Japan, 2006); “Winter Garden: The Exploration of the Micropop Imagination in Contemporary Japanese Art” (Hara Museum of Contemporary Art, Tokyo [touring Japanisches Kulturinstitut, Cologne, 2009, and numerous other venues]; “spies are only revealed when they get caught” (WATARIUM Museum, Tokyo, Japan, 2010); and “Yokohama Triennale 2011: Our Magic Hour” (Yokohama Museum of Art, NYK Waterfront Warehouse [BankART Studio NYK], Kanagawa, Japan). For the 2016 exhibition re wild(e) (ARATANIURANO, Tokyo), Ochiai engaged in new attempts such as his work with film director Hiroyuki Oki in which the two collaborate in the production of drawings, video, and onsite three-dimensional works. The “Ashtray Sculptures” presented at this exhibition were also featured in his 2017 solo show Tarragon, Like a Cat’s Belly at Team Gallery in New York, attracting much attention.

Ochiai’s works are housed in the collections of The National Museum of Art, Osaka, The Japan Foundation, Museum of Contemporary Art Tokyo, Deutsche Bank, and the Takahashi Collection.

Yuko Okazaki

Yuko Okazaki was born in 1976 in Tokyo. After working at the public relations department at Issey Miyake she started studying under Eiichi Morita in Kasama, Ibaraki, for five years before she opened her own studio. She currently lives and works in Yokosuka, surrounded by rich natural landscapes of sea and mountains.

Yoko Ono

Yoko Ono was born in Toyo in 1933 and after finishing her study in philosophy in Japan, she moved to New York in 1953 and became part of the city’s vibrant avant-garde activities. Since the 1960’s Ono has had many exhibitions and performances around the world, many of which are now historically well remembered for their contributions to the progress of art history. Ono’s artistic formats have varied from fine art, music, film, performance, and poetry and she has influenced key artistic movements including, Fluxus, Conceptual Art, Video Art and Feminism.

She has had numerous museum exhibitions. Recent large-scale museum shows include “Yoko Ono: One Woman Show, 1960–1971” at MOMA in 2015, and “YOKO ONO : FROM MY WINDOW” at Museum of Contemporary Art Tokyo in 2015. In the 2000’s, “Y E S YOKO ONO”, organized by the Japan Society in New York traveled to 6 cities in North America from 2000-2002 and also traveled in Asia from 2003 to 2004, including 5 cities in Japan (Tokyo Metropolitan Art Museum, the Hiroshima Contemporary Art Museum, Mito Art Center etc.) In 2009 Ono participated in the Venice Biennale where she received the prestigious Golden Lion award for Lifetime Achievement. She received the award “the 8th Hiroshima Art Prize” and held a solo exhibition The Road of Hope in 2010.

Khvay Samnang

Khvay Samnang is one of Cambodia’s most important artists amongst the new generation. Using many approaches such as photography, video, installation, sculpture and performance, he explores new perspectives and interpretations of history, culture and current affairs. He often deals with themes related to the Cambodian context, which, in his humanistic approach also reflects on universal themes. Fluidity, historical significance, and ongoing social and political issues around land have fascinated Khvay for many years. “If you want to learn, you must spend time, and really enjoy!” said Khvay, whose work is often filled with sense of humor. To offer signals, symbolism, and questions in many layers engaging seemingly absurd act of performance lies in the core of his artistic practice.

Khvay Samang was born in 1982 in Cambodia, and graduated from Royal Academy of Fine Arts in Phnom Penh in 2006. He has held solo exhibitions at Haus Der Kunst, Munich (2019), Museum of Contemporary Art, Santa Barbara, CA (2016), Jeu de Paume, Paris and CAPC, Bordeaux, Orange County Museum of Art, CA (2015), SA SA BASSAC, Phnom Penh (2011, 2012, 2014), and Tomio Koyama Gallery Singapore (2014). His group exhibitions include documenta 14 (2017), the Asia Pacific Triennial 8, Brisbane, Australia (2015), 4th Singapore Biennale (2013-2014), “Sights and Sounds: Global Video Art”, The Jewish Museum, NYC (2013) among many others. His residencies include TWS Creators in Residence program, Tokyo Wonder Site (2010, 2011), and Künstlerhaus Bethanien, Berlin (2014-2015).

http://www.khvaysamnang.com

Kishio Suga

Kishio Suga was born in Morioka city, Iwate Prefecture in 1944. In 1968 he graduated from the Department of Painting at Tama Art University, and served as a central member of the art movement Mono-ha that took place from the late 1960s to the 1970s. For over 50 years since, Suga has continued to pursue a consistent philosophy and actively develop his artistic practice, paving his own unique path as one of the leading figures of Postwar Japanese art in our times. Even in recent years when the reevaluation of Mono-ha has been gaining much international recognition, he persists in further deepening his contemplation, with his unfaltering passion and enthusiasm for his practice serving to define the presentness of his work.

Since his first solo exhibition in 1968, Suga has presented work on over 400 occasions in numerous exhibitions both within Japan and abroad. Recent years in particular have seen remarkable developments and achievements in his career. In 2016 he held solo exhibitions at Pirelli Foundation’s HangarBiocca in Milan and Dia: Chelsea New York, in addition to a two-person exhibition with Karla Black at The Scottish National Gallery of Modern Art in Edinburgh. He was selected for the 57th Venice Biennale, “VIVA ARTE VIVA” in 2017, receiving high acclaim for Law of Situation in which he recreated of one of his early representative works in the form of an installation floating on water. In that same year Suga participated in the group exhibition “Japanorama: New Vision of JAPAN from 1970,”curated by Yuko Hasegawa that was held at the Centre Pompidou-Metz in France.

Suga’s works are also housed in numerous prominent museums throughout the world including the Centre Pompidou, Dia: Chelsea, the Tate Modern, Dallas Museum of Art, M+, The Museum of Modern Art, New York, Guggenheim Abu Dhabi, The Scottish National Gallery of Modern Art, and the Museum of Contemporary Art, Tokyo.

https://www.kishiosuga.com/

Hiroshi Sugito

Hiroshi Sugito was born in 1970 in Aichi prefecture, Japan. He graduated from the Department of Japanese Painting, Faculty of Arts, Aichi Prefectural College of Arts in 1992. He is currently Associate Professor of the Department of Painting, Faculty of Fine Arts, Tokyo University of the Arts. He has exhibited extensively both in Japan and internationally since the 1990s. His major solo exhibitions include “FOCUS” (Modern Art Museum of Fort Worth, Texas, USA, 2006), “prime and foundation” (Miyagi Museum of Art, Miyagi, Japan, 2015), “frame and refrain” (Musée Bernard Buffet, Shizuoka, Japan, 2015), ”particles and release” (Toyota Municipal Museum of Art, Aichi, Japan, 2016), and “Hiroshi Sugito module or lacuna” (Tokyo Metropolitan Art Museum, 2017). He has also held eight solo exhibitions at Mark Foxx Gallery in Los Angeles.
His Significant group exhibitions include “Winter Garden:The Exploration of the Micropop Imagination in Contemporary Japanese Art” (curated by Midori Matsui, Hara Museum of Contemporary Art, Tokyo, Japan, 2009; traveled to Japanisches Kulturinstitut, Cologne, Germany, 2009 / The Japan Foundation, Tronto, Tronto, Canada, 2010 / Galeri’a Arnold Belkin, Museo Universitario del Chopo、Mexico City, Mexico, 2011), “Garden of painting – Japanese Art of the 00s” (The National Museum of Art, Osaka, Japan, 2010), and “Logical Emotion – Contemporary Art from Japan” (Museum Haus Konstruktiv, Zurich, Switzerland, 2014; traveled to Museum of Contemporary Art in Krakow MOCAK, Krakow, Poland, 2015 / Kunstmuseum Moritzburg Halle (Saale), Halle, Germany, 2015) among many others.

Shooshie Sulaiman

Born in Malaysia in 1973, Shooshie Sulaiman is currently recognized as one of the most important contemporary artists of Southeast Asia. Of both Malay and Chinese origin, the history of Southeast Asia, the culture of her homeland of Malaysia, as well as her personal memories and her own identity, serve as significant themes within her work. An almost mystical air permeates Sulaiman’s oeuvre, with works produced through diverse approaches such as drawings, collages, installations, and performances that at times appropriate natural elements from trees, soil, to water that are native to the land. Through them, the works inform viewers of the complex and inextricably connected relationship between human beings, nature, and art.

She has presented in many important international exhibitions including Documenta 12 (2007), Asia-Pacific Triennial (2009- 10), Singapore Biennale (2011), and Gwangju Biennale (2014). Following the Art Unlimited section at Art Basel in 2014, she has presented a large scale installation at the Encounter section at Art Basel Honk Kong curated by Alexie Glass-Kantor in 2015. The recent solo exhibitions include “Malay Mawar” at Kadist Art Foundation, Paris in 2016 and “Shooshie Sulaiman Drawings” at 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo in 2018. Her work is collected by Kadist Foundation, Paris, Singapore Art Museum and the National Museum of Modern Art, Tokyo.

Richard Tuttle

Richard Tuttle was born in Rahway, New Jersey, USA, in 1941. He currently lives and works in New York City, and New Mexico. In 1963 he completed his BA in philosophy and literature at Trinity College, Hartford, USA. He held his first solo exhibition at Betty Parsons Gallery, New York, in 1965 when he was 24 years old, and an exhibition at the Whitney Museum of American Art in 1975 when he was 34 years old. Such exhibitions attracted significant attention, and had given rise to various topics of public discussion. Tuttle has further participated in international exhibitions such as La Biennale di Venezia (1976, 1997, 2001), Documenta (1972, 1977, 1987), “Skulptur Projekte in Münster” (1987), and the Whitney Biennial (1977, 1987, 2000). Richard Tuttle is thus not only a leading figure in post minimalism, but can also be described as an artist who has constantly stimulated the art scene while transcending conventions of categorization, historical contexts, and genres.

His recent exhibitions include The Art of Richard Tuttle, a large-scale retrospective that was held at the San Francisco Museum of Modern Art and the Whitney Museum of American Art, and then traveled across various venues within the USA from 2005 to 2007. In 2014, Tuttle held a major exhibition I Don’t Know, Or The Weave of Textile Language at the Tate Modern and Whitechapel Gallery, garnering much interest for his monumental winged sculpture with textiles that was installed in the Turbine Hall. Tuttle’s works are housed in the collections of numerous museums throughout the world including the Museum of Modern Art, New York and the Metropolitan Museum among other prestigious museums in the USA, as well as the Tate Modern, Centre Pompidou, and Museum Ludwig. In Japan, his work is a part of the collection of the National Museum of Art, Osaka.

  • 杉戸洋 Hiroshi Sugito twenty 2004 etching, drypoint image: 35.5 x 45.0 cm frame: 37.2 x 46.6 cm ed. 20 ©Hiroshi Sugito
  • 落合多武 Tam Ochiai frisbee (orange pink) 2004 lithograph image: 70.0 x 81.0 cm frame: 77.0 x 88.0 cm ed.21 ©Tam Ochiai
  • 福永大介 Daisuke Fukunaga untitled 2010 soft pastel, color pencil on paper 36.9 x 25.9 cm ©Daisuke Fukunaga
  • Beans Cosmos 2017 Acrylic resin, artificial plant, beans, gold, diamond, plastic Φ22.0 cm ©Satoshi Hirose
  • ヴァルダ・カイヴァーノ Varda Caivano Untitled 2016 mixed media on paper image: 11.0 x 15.0 cm ©Varda Caivano
  • シュシ・スライマン Shooshie Sulaiman Pulau yang ke 9 / Island no.9 2017 matcha, watercolor on paper image: 26.0 x 36.0 cm frame: 41.5 x 42.5 cm ©Shooshie Sulaiman
  • クゥワイ・サムナン Khvay Samnang Untitled 2011 newspaper, tapioca glue 24.0 x 19.0 x 5.5 cm ©Khvay Samnang
  • 菅木志雄 Kishio Suga 内間 Inner space 2010 cement,pencil 9.0 x 5.5 x 5.5 cm ©︎Kishio Suga
  • 蜷川実花 Mika Ninagawa PLANT A TREE 2011 C-print, frame 36.4 x 24.2cm ©mika ninagawa
  • 長井朋子 Tomoko Nagai キッチン Kitchen 2012 water color,ink,pencil,color pencil,glitter,collage on paper 23.5 x 32.0 cm ©︎Tomoko Naga
  • Dan Asher ダン・アッシャー Liberty and Entertainment in l.v(Las Vegas) 2002 C-print mounted on aluminum 50.0 x 33.0 cm ©︎Dan Asher
  • Jeanne Dunning ジーン・ダニング The Blob 4 1999 ilfochrome mounted to plexiglass and frame 94.0 x 123.8 cm ©︎Jeanne Dunning
  • Jon Pylypchuk ジョン プラプチャック untitled the more i forgot you fucking over 2003 mixed media 23.8 x 22.8 cm ©︎Jon Pylypchuk
  • Gert & Uwe Tobias untitled 2008 typewriter drawing 29.7 x 21.0 cm ©︎Gert & Uwe Tobias
  • Gert & Uwe Tobias untitled 2008 typewriter drawing 29.7 x 21.0 cm ©︎Gert & Uwe Tobias
  • オノ・ヨーコ Yoko Ono 見えない花(スペシャル・ボックス・エディション) AN INVISIBLE FLOWER (special box edition) 2011 Solegraph on Japanese paper box size : 22.0 x 29.7 x 4.0 cm / 13.0 x 20.9 cm each (a set of 39 pieces, message x 1, Index x 1) ©︎Yoko Ono