Rieko Otake brings out the mystery in simple materials such as unpainted wood and makes wood sculpture with a unique and resilient strength and depth. Hideaki Kawashima paints portraits with an intense gaze. The figures and facial expressions are widely varied but always reflect what is in his own heart and mind. Naoki Koide makes original sculptures and paintings with ideas taken from his own life and the environment around him. In this exhibition, we introduce three very interesting artists represented by Tomio Koyama Gallery.
Rieko Otake’s woodcarvings express such motifs as young girls, birds and deer and even while her work looks somewhat delicate and unstable at times, one senses a unique strength in its universal presence replete with grace. Otake consistently uses the wood of camphor, cypress, and katsura trees, working within a method of adding finishing touches to a foundation of non-colored wood. Approaching closer the works, one becomes aware of an unexpected vigor to the chisel marks. She is affected by the importance of the rhythm of the repeated carving motions: a sincere process of exchange as if the tree and one’s breathing might become joined together, so that the artwork appears as story replete with lyricism.
Rieko Otake was born in 1978 in Kanagawa Prefecture. In 2004 she graduated from Tokyo University of the Arts’ Graduate School of Fine Arts, majoring in sculpture, and completed her PhD in 2007. Her works have been collected in the Takahashi and JAPIGOZZI Collections. As well as exhibiting in the show “As Long As Rainbow Lasts” (Soka Art Center, Taipei, 2011), she has also held four solo exhibitions at Tomio Koyama Gallery.
Hideaki Kawashima was born in Aichi, Japan in 1969. After graduating from Tokyo Zokei University in 1991, Kawashima undertook two years of training in Buddhism at the Hieizan Enryakuji Temple from 1995, thereafter commencing his career as an artist in 2001. Kawashima has presented his work in numerous exhibitions internationally and domestically. His major exhibitions include, “Japanese Experience Inevitable” (Museum der Moderne Salzburg, Austria, 2004), “LIFE” (Art Tower Mito, Ibaraki, Japan, 2006), “Idol!” (Yokohama Museum of Art, Kanagawa, Japan, 2006), and “Little Boy” (curated by Takashi Murakami, Japan Society, New York, 2006). In 2007 he took part in the “Pocheon Asia Biennale,” followed by a solo exhibition at the Kukje Gallery (Seoul, South Korea) in 2009, and two solo exhibitions at the Richard Heller Gallery (Santa Monica, USA) respectively in 2011 and 2014.
Naoki Koide was born in Aichi prefecture in 1968. He graduated from Tokyo Zokei University in 1992. He currently lives and works in Chiba. Since the group exhibition “Magic Room” (curated by Satoshi Okada) in 2003, the solo exhibitions “A Couple in the Bathroom” (2004), “Marriage” (2006), and “In These Days” (2008), “Maternity Leave” (2011), this marks the artist’s fifth solo exhibition with Tomio Koyama Gallery. His other major exhibitions include “Cafe in Mito” (2004, Art Tower Mito, Tochigi), “Magical Art Life” (2006, Tokyo Wonder Site, Shibuya), “Fiction@Love” (2006, MOCA Shanghai), “neoneo Part1[BOY]” (2009, Takahashi Collection Hibiya, Tokyo), “Echigo-Tumari Art Trienial” (2009, Nigata) and “Paul Clay” (2011, Salon 94 Bowery, New York).