Satoshi Ohno

Beautiful Dreaming.

Satoshi Ohno “Beautiful Dreaming.” at 8/ ART GALLERY/ Tomio Koyama Gallery
installation view from Satoshi Ohno "Beautiful Dreaming." 8/ ART GALLERY/ Tomio Koyama Gallery/ Tomio Koyama Gallery, Tokyo, Japan, 2015
installation view from Satoshi Ohno “Beautiful Dreaming.” 8/ ART GALLERY/ Tomio Koyama Gallery/ Tomio Koyama Gallery, Tokyo, Japan, 2015

 

installation view from Satoshi Ohno "Beautiful Dreaming." 8/ ART GALLERY/ Tomio Koyama Gallery/ Tomio Koyama Gallery, Tokyo, Japan, 2015
installation view from Satoshi Ohno “Beautiful Dreaming.” 8/ ART GALLERY/ Tomio Koyama Gallery/ Tomio Koyama Gallery, Tokyo, Japan, 2015

 

installation view from Satoshi Ohno "Beautiful Dreaming." 8/ ART GALLERY/ Tomio Koyama Gallery/ Tomio Koyama Gallery, Tokyo, Japan, 2015
installation view from Satoshi Ohno “Beautiful Dreaming.” 8/ ART GALLERY/ Tomio Koyama Gallery/ Tomio Koyama Gallery, Tokyo, Japan, 2015

 

Satoshi Ohno paints images of speakers, figures, prisms, and spirals against backgrounds of primeval forests. With a studio at the foot of Mt.Fuji, Ohno considers primeval forests as places where life begins and ends. Viewers are strongly attracted to his vivid colored prisms, symbols of charm, beauty, and allure. Ohno received a grant from Dimlar Foundation in 2013 which gave him the opportunity to stay in Berlin. During the residency he had the opportunity to observe German Expressionism intensively, which greatly influenced him. On the other hand, he recognized the different pictorial aesthetics that arose from differences of climate between Japan and Europe. His experience of this awareness appeared in paintings shown at “Art Scope 2012-2014: Remains of Their Journeys” at the Hara Museum of Contemporary Art in Tokyo (2014).
This exhibition forms part Ohno’s previous exhibitions as a series, featuring paintings of prisms, and motifs of subtropical forests. His understanding of Eastern and Western art history, and his explorations of pictorial representation are painted onto flat colored compositions, as if to symbolize the era of digitalization. At the same time, his pictorial representation antagonizes the flat color composition on a canvas surface, layering the senses and ever pursuing the possibilities of painting.

Exhibition information / Movie

http://www.hikarie8.com/artgallery/2015/08/satoshiohno.shtml

  • 熱海のバナナ。 Bananas of Atami. 2014 oil on canvas 146.0 × 122.0 cm ©Satoshi Ohno
  • 大野智史「Passion、初恋。」"Passion, First love." 2015、oil, acrylic and spray on canvas、270.5 x 220.0 cm ©Satoshi Ohno
  • Prism, Happy birthday love. 2015 oil and acrylic on canvas mounted on panel 270.0 × 180.0 cm ©Satoshi Ohno
  • Prism, Hospice. 2015 oil, acrylic on canvas mounted on panel 270 × 180 cm ©Satoshi Ohno
  • Prism, Happiness. 2015 oil, acrylic on canvas mounted on panel 240.0 × 180.0 cm ©Satoshi Ohno
  • 大野智史「Prism, Cherenkov.」2015, oil, acrylic on canvas mounted on panel, 240.0 x 180.0 cm ©Satoshi Ohno
  • ハネムーン熱海。 Honeymoon Atami. 2015 oil, acrylic on canvas mounted on panel 145.5 x 291.0 cm (2 pieces) ©Satoshi Ohno
  • Misty Kilimanjaro, Beautiful dreaming. 2015 oil, spray on canvas mounted on panel 213 × 182 cm ©Satoshi Ohno
  • 大野智史 「Self-Portrait、ファニースマイル。」"Self-Portrait, Funny smile." 2015, acrylics, fluorescent paint, fluorescent pigment, fluorescent spray paint and silicone on canvas, 122.0 x 97.5 cm ©Satoshi Ohno
  • 大野智史「Chemical breath」2015, oil and spray on canvas mounted on panel, 120.0 x 91.5 cm ©Satoshi Ohno
  • 大野智史「Chemical breath」2015, oil and spray on canvas mounted on panel, 120.0 x 91.5 cm ©Satoshi Ohno