Since 2007, The Backers Foundation and Arts Initiative Tokyo (AIT) have been collaborating on the Artist-in-Residence Programme (The BAR) and invited a total of 20 emerging artists from 15 countries across Americas, Europe, Africa and Southeast Asia to support their artistic research and production in Japan.
The key characteristic of The BAR is that it is collaboratively organized between members of The Backers Foundation, business experts, and AIT, a non-profit organization specialized in contemporary art. With support from art galleries in Tokyo, the programme created opportunities for each of the artists to present new works produced during their stay along with previous works. The works have been partially collected by The Backers Foundation.
In its 12th year, to commemorate the completion of the programme, the exhibition “Tokyo A La Carte” -The Backers Foundation and AIT Residence Programme (The Bar) Memories in 10 years- showcases various works by 20 artists in multiple venues and it is generously supported by TOMIO KOYAMA GALLERY, ShugoArts and Taka Ishii Gallery in the art complex building located in the heart of Roppongi.
Through their works and artistic viewpoints, The BAR has learned about the complex histories of the artists’ countries and the various trajectories that extend to the current state in today’s diverse landscapes where these artists live and work. Originally from Afghanistan, Khadim Ali came to Japan in 2007 from the Hazara ethnic group who are native to Central Asia. His home country remains in a state of tension and the landscape of Bamiyan Valley remains as testimony to the tragic destruction of the two standing Buddha statues. Duto Hardono and Syagini Ratnawulan came over from Indonesia in 2011, after the disastrous earthquakes and the aftermaths from the Fukushima Nuclear Power Plant, in response to the situation with their own memory from the earthquakes Indonesia previously suffered. A Guatemalan artist Alberto Rodriguez Coliia from 2013 and a Kenyan artist Gor Soudan from 2014, both have undergone oppression and struggles in their artistic expressions and they joined the programme to pursue a sense of freedom in order to expand their passion towards research activities back in their countries. In 2016, Krishnapriya Tharmakrishnar from Sri Lanka took her very first journey outside of her country. She has had an extraordinary life experience in which she lost her mother during the civil war that continued until 2009 in her hometown, Jaffna.
These artists all lived and witnessed history being made and their artistic interpretations through unique experiences in Japanese society and interactions here were interwoven into their art production. Exhibiting these artworks and their practices widely again today will uncover diverse realities that are globally shared today.
Utilizing the space of three galleries, the exhibition embodies and observes through three keywords: “Urban Space”, “Inhabitants” and “Imaginative Memory”, while each artwork from the different years come together in a space where cultural dialogues and its fruition in the current landscape of Tokyo through their eyes will be evoked.
We hope you enjoy a la carte of Tokyo served by 20 artists at the exhibition.
On this occasion, the exhibition is also offering a small and limitedly published catalogue, comprising installation views from the past residency exhibitions and comments expressed by the people involved.
TOMIO KOYAMA GALLERY (2F) – Urban Space
Thiago Rocha Pitta (b.1980 Brazil), Allegra Pacheco (b.1986 Costa Rica), Pradeep Mishra (b.1977 India), Rattana Vandy (b.1980 Cambodia), Kanitha Tith (b.1987 Cambodia), Miti Ruangkritya (b.1981 Thailand)
For more information, please see the following URL.
http://www.a-i-t.net/en/residency/2018/07/the-bar-2018.php