Kishio Suga

  • Installation view from ”There Is Neither Such Thing as Being, Nor Such Thing as Not Being” at Tomio Koyama Gallery, Tokyo, 2024 @Kishio Suga photo by Kenji Takahashi
  • Installation view from ”There Is Neither Such Thing as Being, Nor Such Thing as Not Being” at Tomio Koyama Gallery, Tokyo, 2024 @Kishio Suga photo by Kenji Takahashi
  • Installation view from ”There Is Neither Such Thing as Being, Nor Such Thing as Not Being” at Tomio Koyama Gallery, Tokyo, 2024 @Kishio Suga photo by Kenji Takahashi
  • 素空 Elemental Space 2023 Wood, acrylic h.188.2 x w.139.0 x d.8.5 cm @Kishio Suga
  • 深縁 Depth of Edges 2023 Wood, acrylic h.180.0 x w.134.8 x d.13.0 cm @Kishio Suga
  • 遍無間 Extensive Non-Intervals 2023 Wood, acrylic h.180.0 x w.134.8 x d.8.3 cm @Kishio Suga
  • 散境間 Scattered Borders and Intervals 2023 Wood, acrylic h.119.6 x w.90.0 x d.9.4 cm @Kishio Suga
  • 空識 Space of Perception 2023 Wood, acrylic h.50.3 x w.38.0 x d.8.7 cm @Kishio Suga
  • 天間 Upper Space 2023 Wood, acrylic h.96.1 x w.92.3 x d.8.5 cm @Kishio Suga
  • 渡縁柱 Passage Among Edges and Pillars 2022 wood, acrylic h.181.0 x w.134.7 x d.19.7 cm ©Kishio Suga
  • 縁間 2023 wood h.69.9 x w.55.9 x d.7.9 cm ©Kishio Suga
  • 中結状 2022 wood, acrylic h.179.9 x w.134.7 x d.6.5 cm ©Kishio Suga
  • 裏張 2023 wood, acrylic h.89.9 x w.69.3 x d.12.1 cm ©Kishio Suga
  • 場理 2023 wood, acrylic, steel, rope h.89.8 x w.60.0 x d.18.0 cm ©Kishio Suga
  • 空越 2023 wood, acrylic, steel h.180.6 x w.135.2 x d.9.2 cm ©Kishio Suga
  • 景因差 2022 wood, acrylic, steel h.179.9 x w.135.2 x d.6.5 cm ©Kishio Suga
  • 斜在 Diagonal Existence 2023 wood, acrylic h.121.9 x w.90.9 x d.9.2 cm ©Kishio Suga
  • Installation view from “Neither Things nor Sites” at Tomio Koyama Gallery, Tokyo, 2023 ©Kishio Suga photo by Kenji Takahashi
  • Installation view from “Neither Things nor Sites” at Tomio Koyama Gallery, Tokyo, 2023 ©Kishio Suga photo by Kenji Takahashi
  • Installation view from “Neither Things nor Sites” at Tomio Koyama Gallery, Tokyo, 2023 ©Kishio Suga photo by Kenji Takahashi
  • Installation view from “Neither Things nor Sites” at Tomio Koyama Gallery, Tokyo, 2023 ©Kishio Suga photo by Kenji Takahashi
  • Installation view from “Neither Things nor Sites” at Tomio Koyama Gallery, Tokyo, 2023 ©Kishio Suga photo by Kenji Takahashi
  • Installation view from “Neither Things nor Sites” at Tomio Koyama Gallery, Tokyo, 2023 ©Kishio Suga photo by Kenji Takahashi
  • Installation view from “Neither Things nor Sites” at Tomio Koyama Gallery, Tokyo, 2023 ©Kishio Suga photo by Kenji Takahashi
  • Installation view from “Neither Things nor Sites” at Tomio Koyama Gallery, Tokyo, 2023 ©Kishio Suga photo by Kenji Takahashi
  • 方無位 Direction Without Units 2022 wood, acrylic, galvanized iron h.62.1 x w.40.3 x d.15.3 cm ©︎Kishio Suga
  • 間景 Interstitial Scenery 2021 h.180.2 x w.135.0 x d.16.0 cm wood, acrylic, galvanized iron ©︎Kishio Suga
  • 通因 Passing Cause 2022 wood, acrylic, zinc plate h.183.1 x w.141.1 x d.13.4 cm ©︎Kishio Suga
  • 中空積状 Internal Void and Accumulated Situation 2022 wood, acrylic h.119.8 x w.90.0 x d.23.0 cm ©︎Kishio Suga
  • 縁空 Edges of Void 2022 wood, acrylic h.119.6 x w.90.0 x d.9.7 cm ©︎Kishio Suga
  • 無離間 Nullification of Separate Spaces 2022 wood, acrylic h.92.9 x w.62.6 x d.10.7 cm ©︎Kishio Suga
  • 間中縁 Between Internal Edges 2022 wood, acrylic h.60.0 x w.44.7 x d.9.5 cm ©︎Kishio Suga
  • 状間縁 State Between Edges 2021 wood, acrylic h.127.5 x w.94.5 x d.11.3 cm ©︎Kishio Suga
  • Installation view from “Not Being Present, Not Being Absent” at Tomio Koyama Gallery, Tokyo, 2022 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from “Not Being Present, Not Being Absent” at Tomio Koyama Gallery, Tokyo, 2022 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from “Not Being Present, Not Being Absent” at Tomio Koyama Gallery, Tokyo, 2022 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from “Not Being Present, Not Being Absent” at Tomio Koyama Gallery, Tokyo, 2022 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from “Not Being Present, Not Being Absent” at Tomio Koyama Gallery, Tokyo, 2022 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from “Not Being Present, Not Being Absent” at Tomio Koyama Gallery, Tokyo, 2022 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from “Not Being Present, Not Being Absent” at Tomio Koyama Gallery, Tokyo, 2022 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from “Not Being Present, Not Being Absent” at Tomio Koyama Gallery, Tokyo, 2022 ©︎Kishio Suga photo by Kenji Takahashi
  • 空傾 Voids of Inclination 2021 wood, aluminum, ink h.121.9 x w. 91.1 x d.17.3 cm ©Kishio Suga
  • 景潜果 Scene of Latent Effects 2020 wood, acrylic h.182.0 x w.136.5 x d.28.5 cm ©Kishio Suga
  • 対領地 2020 wood, acrylic h.182.0 x w.147.6 x d.6.7 cm ©Kishio Suga
  • 結因果 Connected Causes and Effects 2020 wood, acrylic h.140.6 x w.122.8 x d.8.1 cm ©Kishio Suga
  • 景進 Scenic Progression 2021 wood, acrylic h.59.8 x w.45.0 x d.7.2 cm ©︎Kishio Suga
  • 依中 Dependent Interior 2021 wood, acrylic h.120.0 x w.91.1 x d.8.7 cm ©︎Kishio Suga
  • 景素 2020 wood, acrylic h.181.0 x w.135.0 x d.9.4 cm ©Kishio Suga
  • 場空 Site of Void 2020 wood, acrylic, stone h.120.0 x w.91.8 x d.18.1 cm ©Kishio Suga
  • Installation view from “Gathered < Intermediates > ” at Tomio Koyama Gallery, Tokyo, 2021 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from “Gathered < Intermediates > ” at Tomio Koyama Gallery, Tokyo, 2021 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from “Gathered < Intermediates > ” at Tomio Koyama Gallery, Tokyo, 2021 ©︎Kishio Suga photo by Kenji Takahashi
  • 集空果 Accumulation of Void and Effects 2021 stone, rope dimension variable Installation view from “Gathered < Intermediates > ” at Tomio Koyama Gallery, Tokyo, 2021 ©︎Kishio Suga photo by Kenji Takahashi
  • 通状化 Passing State in Formation 2019 wood, acrylic h.180.2 x w.135.3 x d.19.9 cm ©Kishio Suga
  • 空輪行 Empty Circles in Parallel 2020 wood, acrylic, ink h.90.0 x w.60.2 x d.13.1 cm ©Kishio Suga
  • 集点化 Gathering of Points in Formation 2020 wood, acrylic h.119.8 x w.98.1 x d.20.7 cm ©Kishio Suga
  • 原支 Supporting the Origin 2020 wood, acrylic, stone, rope h.206.8 x w.122.2 x d.24.4 cm ©Kishio Suga
  • Installation view from "Released Scenic Space" at Tomio Koyama Gallery, Tokyo, 2020 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from "Released Scenic Space" at Tomio Koyama Gallery, Tokyo, 2020 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from "Released Scenic Space" at Tomio Koyama Gallery, Tokyo, 2020 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from "Released Scenic Space" at Tomio Koyama Gallery, Tokyo, 2020 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from "Released Scenic Space" at Tomio Koyama Gallery, Tokyo, 2020 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from "Released Scenic Space" at Spiral Garden, Tokyo, 2020 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from "Released Scenic Space" at Spiral Garden, Tokyo, 2020 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from "Released Scenic Space" at Spiral Garden, Tokyo, 2020 ©︎Kishio Suga photo by Kenji Takahashi
  • Installation view from “Timeless Conversations 2020: Voices from Japanese Art of the Past and Present” at The National Art Center, Tokyo, Japan ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view from “Timeless Conversations 2020: Voices from Japanese Art of the Past and Present” at The National Art Center, Tokyo, Japan ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view from “Timeless Conversations 2020: Voices from Japanese Art of the Past and Present” at The National Art Center, Tokyo, Japan ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view from “Timeless Conversations 2020: Voices from Japanese Art of the Past and Present” at The National Art Center, Tokyo, Japan ©Kishio Suga photo by Tsuyoshi Satoh
  • 空積 Stacked Voids 2019 wood, acrylic h.180.5 x w.135.0 x d.24.2 cm ©Kishio Suga
  • 潜通 Latent Passage 2019 wood, acrylic h.182.5 x w.138.0 x d.17.4 cm ©Kishio Suga
  • 景間律 Law of Interstitial Scenery 2019 wood, acrylic h.180.7 x w.135.0 x d.37.3 cm ©Kishio Suga
  • 自続因 Cause of Self-Continuation 2018 wood, acrylic h.89.9 x w.125.0 x d.10.7 cm ©Kishio Suga
  • Installation view from “Measured Divisional Entities” at Tomio Koyama Gallery, Tokyo, 2019 ©Kishio Suga photo by Kenji Takahashi
  • Installation view from “Measured Divisional Entities” at Tomio Koyama Gallery, Tokyo, 2019 ©Kishio Suga photo by Kenji Takahashi
  • Installation view from “Measured Divisional Entities” at Tomio Koyama Gallery, Tokyo, 2019 ©Kishio Suga photo by Kenji Takahashi
  • Installation view from “Measured Divisional Entities” at Tomio Koyama Gallery, Tokyo, 2019 ©Kishio Suga photo by Kenji Takahashi
  • 所成性 Location of Composition 2017 plywood, wood, acrylic h.190.5 x w.158.5 x d.14.0 cm ©Kishio Suga
  • 合周　Merged Surrounding　 2018　 wood, acrylic　 h.182.0 x w.133.2 x d.12.7 cm ©Kishio Suga
  • 潜深　Latent Depths　 2018　 wood, acrylic, stone　 h.255.1 x w.95.7 x d.82.3 cm ©Kishio Suga
  • 超間　Beyond Space　 2018　 wood, acrylic　 h.187.3 x w.141.0 x d.19.0 cm ©Kishio Suga
  • Installation view from "Expanded Self-Space" at Tomio Koyama Gallery, Tokyo, 2018 ©Kishio Suga photo by Kenji Takahashi
  • Installation view from "Expanded Self-Space" at Tomio Koyama Gallery, Tokyo, 2018 ©Kishio Suga photo by Kenji Takahashi
  • Installation view from "Expanded Self-Space" at Tomio Koyama Gallery, Tokyo, 2018 ©Kishio Suga photo by Kenji Takahashi
  • Installation view from "Expanded Self-Space" at Tomio Koyama Gallery, Tokyo, 2018 ©Kishio Suga photo by Kenji Takahashi
  • Vue de l’installation de Kishio Suga au Centre Pompidou-Metz Kishio Suga, Law of Peripheral Units, 1997/2017 © Kishio Suga © Centre Pompidou-Metz / Photo Jacqueline Trichard / 2017
  • Installation view from the 57th Venice Biennale "VIVA ARTE VIVA" Italy, 2017 ©Kishio Suga photo by Tsuyoshi Sato
  • Installation view from the 57th Venice Biennale "VIVA ARTE VIVA" Italy, 2017 ©Kishio Suga photo by Tsuyoshi Sato
  • Installation view from the 57th Venice Biennale "VIVA ARTE VIVA" Italy, 2017 ©Kishio Suga photo by Tsuyoshi Sato
  • 止潜 Halted Latency 2017 wood, acrylic h.188.5 × w.150.0 × d.10.5 cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 景内性 Situational Interiority 2017 wood, acrylic h.187.0 x w.149.0 x d.10.5 cm © Kishio Suga
  • 素景位　　Units of Elemental Scenery 2017 wood, acrylic h.180.0 x w.214.0 x d.9.0 cm ©︎Kishio Suga
  • 有潜図　　Diagram of Latent Presence 2017 wood, acrylic h.180.0 x w.135.0 x d.10.0 cm ©︎Kishio Suga
  • Installation view from "Divided Orientation of Space" at Tomio Koyama Gallery, Tokyo, 2017　©Kishio Suga photo by Kenji Takahashi
  • Installation view from "Divided Orientation of Space" at Tomio Koyama Gallery, Tokyo, 2017　©Kishio Suga photo by Kenji Takahashi
  • Installation view from "Divided Orientation of Space" at Tomio Koyama Gallery, Tokyo, 2017　©Kishio Suga photo by Kenji Takahashi
  • Installation view from "Divided Orientation of Space" at Tomio Koyama Gallery, Tokyo, 2017　©Kishio Suga photo by Kenji Takahashi
  • Installation view from "Divided Orientation of Space" at Tomio Koyama Gallery, Tokyo, 2017　©Kishio Suga photo by Kenji Takahashi
  • Installation view from "Divided Orientation of Space" at Tomio Koyama Gallery, Tokyo, 2017　©Kishio Suga photo by Kenji Takahashi
  • Installation view from "Divided Orientation of Space" at Tomio Koyama Gallery, Tokyo, 2017　©Kishio Suga photo by Kenji Takahashi
  • 縁因化　Cause of Boundary, 2017 wood h.182.5 x w.144.0 x d.41.5 cm ©Kishio Suga
  • Installation view at Dia:Chelsea, New York, 2016 ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view at Dia:Chelsea, New York, 2016 ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view at Dia:Chelsea, New York, 2016 ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view at Dia:Chelsea, New York, 2016 ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view at Dia:Chelsea, New York, 2016 ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view at Dia:Chelsea, New York, 2016 ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view at Dia:Chelsea, New York, 2016 ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view at Dia:Chelsea, NY, 2016 ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view from "Situations" Hangar Bicocca, Milano, 2016 ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view from "Situations" Hangar Bicocca, Milano, 2016 ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view from "Situations" Hangar Bicocca, Milano, 2016 ©Kishio Suga
  • Installation view from "Situations" Hangar Bicocca, Milano, 2016 ©Kishio Suga
  • Installation view from "Situations" Hangar Bicocca, Milano, 2016 ©Kishio Suga
  • Installation view from "Situations" Hangar Bicocca, Milano, 2016 ©Kishio Suga
  • Installation view from "Situations" Hangar Bicocca, Milano, 2016 ©Kishio Suga
  • Installation view at Pirelli HangarBicocca, 2016 ©Kishio Suga photo by Tsuyoshi Satoh
  • Installation view from "Karla Black and Kishio Suga: A New Order" Scottish National Gallery of Modern Art, Edinburgh, 2016 ©Kishio Suga
  • Installation view from "Karla Black and Kishio Suga: A New Order" Scottish National Gallery of Modern Art, Edinburgh, 2016 ©Kishio Suga
  • Installation view from "Karla Black and Kishio Suga: A New Order" Scottish National Gallery of Modern Art, Edinburgh, 2016 ©Kishio Suga
  • Installation view from "Karla Black and Kishio Suga: A New Order" Scottish National Gallery of Modern Art, Edinburgh, 2016 ©Kishio Suga
  • Installation view from "Karla Black and Kishio Suga: A New Order" Scottish National Gallery of Modern Art, Edinburgh, 2016 ©Kishio Suga
  • Installation view from "Karla Black and Kishio Suga: A New Order" Scottish National Gallery of Modern Art, Edinburgh, 2016 ©Kishio Suga
  • 景測化 Measure of Scenery 2015, wood, acrylic, stone h.211.5 x w.90.0 x d.95.0 cm © Kishio Suga
  • 菅木志雄　Kishio Suga 通空　Passing Space 2015 wood, acrylic h.82.0 x w.72.0 x d.13.0 cm © Kishio Suga
  • 菅木志雄　Kishio Suga 横切るもの 　Crossing 2015 wood, acrylic h.132.0 x w.92.5 x d.29.0 cm © Kishio Suga
  • 菅木志雄 Kishio Suga 開潜止 Halted Latent Space 2015 wood, acrylic, stone h.55.5 x w.42.0 x d.8.5 cm
  • 場回路 Circuit in Space 2014 wood, stone, acrylic h.48.0 x 35.0 x 9.5 cm ©Kishio Suga
  • 開流 2015 wood, acrylic h.41.5 x w.41.0 x d.10.0 cm © Kishio Suga
  • Installation view from “Intentional Scenic Space” at Tomio Koyama Gallery, Tokyo, 2015 © Kishio Suga photo by Kenji Takahashi
  • Installation view from “Intentional Scenic Space” at Tomio Koyama Gallery, Tokyo, 2015 © Kishio Suga photo by Kenji Takahashi
  • Installation view from “Intentional Scenic Space” at Tomio Koyama Gallery, Tokyo, 2015 © Kishio Suga photo by Kenji Takahashi
  • Installation view from “Intentional Scenic Space” at Tomio Koyama Gallery, Tokyo, 2015 © Kishio Suga photo by Kenji Takahashi
  • 菅木志雄 Kishio Suga 複存性 Multiple Existence 2014 cement block, stone dimension variable
  • 端場 Edges of Site 2013 wood, acrylic h.161.5 x 123.5 x 9.5 cm
  • 菅木志雄 Kishio Suga 潜在空囲 Enclosures of Latent Space 2014 wood, acrylic h.160.0 x 135.0 x 17.0 cm
  • 菅木志雄 Kishio Suga 場立無限 Formed in Unlimited Space 2012 stone,wire mesh (3pieces) h.245.5 x w131.0 x d.125.0 cm
  • 菅木志雄 Kishio Suga 風土場 Climate of Site 2012 stone,wood,wire mesh h.92.5 x w.53.5 x d.8.5 cm
  • 菅木志雄 Kishio Suga 連景化 Connected Scenery 2011-2012 stone,wood,wire mesh h.92.7 x w.183.5 x d.10.0 cm
  • 菅木志雄 Kishio Suga 潜在空 Space of the Hidden Currents 2011 stone,wood h.45.5 x w.39.8 x d.34.5 cm
  • 菅木志雄 Kishio Suga 風曲 Curving breeze 2011 aluminum,wood,acrylic 29.0 x 18.0 x 7.0 cm
  • 菅木志雄 Kishio Suga 連空 connected space 2010 acrylic, wood, metal,rope,acrylic h.165.0xw.123.0xd.6.0cm
  • 菅木志雄 Kishio Suga 潜構性 underwater level 2010 wood,acrylic h.160 x w.122 x d.5 cm
  • 菅木志雄 Kishio Suga 潜空性 buried in space 2010 wood,acrylic h.160.5 x w.122.5 xd.6 cm
  • 菅木志雄 Kishio Suga 5つの中心 five centers 2010 wood,acrylic h.160.5 x w.122.5 x d.13 cm
  • 菅木志雄 Kishio Suga 点景構 Framed Dotting Scenery 2010 wood.cement,acrylic h.121.5 x w.45.5 x d.23 cm
  • 菅木志雄 Kishio Suga 連空土 Connected Space - Earth 2010 wire,cement h.138 x w.70 x d.70 cm
  • 菅木志雄 Kishio Suga 周光化 surround-light 2009 wood,acrylic 200 x 186 x 25 cm
  • 菅木志雄 Kishio Suga 潜原素 latent original particle 2008 wood,acrylic 
  • 菅木志雄 Kishio Suga 離化 separate 2007-08 wood, stone,acrylic 
  • 菅木志雄 Kishio Suga 散存 2007 wood,stone,steel h.62.0 x w.43.0 x d.45.0 cm
  • 菅木志雄 Kishio Suga 潜現化 buried appearance 2007 wood,acrylic 122.0 x 243.0 x 6.8 cm
  • 菅木志雄 Kishio Suga 潜化 buried 2007 wood,acrylic 122.0 x 243.0 x 6.8 cm
  • 菅木志雄 Kishio Suga 不律項 Unordered Section 2006 wood,iron,acrylic 56.0 x 62.3 x 15.0 cm
  • 菅木志雄 Kishio Suga 間を縮める cutting down the space 2006 stone, wood, iron and rope 
  • 菅木志雄 Kishio Suga 対応 Correspondence 2006 wood, stone, vinyl rope 318 x 400 x 31 cm
  • 菅木志雄 Kishio Suga 双間外区 even exteriors 2005 wood, water base paint 41.0 x 29.5 x 16.5 cm
  • 菅木志雄 Kishio Suga 環合 circle-union 2001-2002 wood, glue, water base paint 35.5 x 36.0 x 8.5 cm
  • 菅木志雄 Kishio Suga 結間木中 wooden unity 2001-2002 wood, water base paint 40.0 x 40.0 x 11.0 cm
  • 菅木志雄 Kishio Suga 周位律 Law of Peripheral Units 1997/ 2014 steel pipe, stone, rope h.300.0 x 1720.0 x 1110.0 cm
  • 菅木志雄 Kishio Suga 全体の中の一側面 An Aspect as a Whole 1978/ 2014 wood h.630.0 x 1025.0 x 1400.0 cm
  • 菅木志雄 Kishio Suga 構空 composition in space 2000 wood,iron,water base paint 28 x 18.5 x 6.5 cm
  • 菅木志雄 Kishio Suga 周集系 System of Surroundings 1998 wood, iron pipe, iron rod h.212 x w.410 x d.600 cm
  • 菅木志雄 Kishio Suga 景合周束 Surrounding and Connected Scenery 1998 acrylic,wood,aluminum h.307.0 x w.4.468 cm
  • KS-S-97-04 菅木志雄 Kishio Suga 潜行程 1997 stone,mesh,hemp code h.31.5 x w.20.0 x d.15.0 cm
  • 菅木志雄 Kishio Suga 置片 Situated Fragments 1994 wood,water base paint 34.8 x 24.5 x 10.0 cm
  • 菅木志雄 Kishio Suga 端の識景 Scenery of Edge 1993 acrylic,wood,wire,screw h.64.0 x w.44.0 x d.5.0 cm
  • 菅木志雄 Kishio Suga 木景律 1993 wood,stone, water base paint 30.0 x 26.0 x 12.5 cm
  • 菅木志雄 Kishio Suga 集界性 Gathered Circumference 1993 wood h.29.8 x w.65.5 x d.25 cm
  • 菅木志雄 Kishio Suga 岬へ——(5) 1992 wood,water base paint ©Kishio Suga 
  • 菅木志雄 Kishio Suga 多境空 multiple bordered space 1992 wood, water base paint 49.0 x 26.5 x 6.0 cm ©Kishio Suga
  • 菅木志雄 Kishio Suga スクエアポンド Square Pond 1986 painted galvanized iron h.130.0 x w.283.0 x d.7.0 cm ©Kishio Suga
  • Installation View from "Situated Latency" at Museum of Contemporary Art Tokyo, 2015 ©Kishio Suga, Photo by Keizo Kioku
  • 菅木志雄 Kishio Suga 縁帯 Perimeter (Entai) 1985 stone,wood h.97.5 x w.494.5 x d.532.0 cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 留景 1981 wood, acrylic h.93.5 x w.91.0 x d.14.5 cm ©Kishio Suga
  • 菅木志雄 Kishio Suga prostrusion 080 1980? acrylic on canvas mounted on wood h.44.5 x w.29.0 x d.7 cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 木状域 Emerging Space Amidst Branches 1978/ 2013 wood, colored galvanized iron plate ©Kishio Suga 
  • 菅木志雄 Kishio Suga 中律 − 地に沿って Neutral Order - In Alignment the 1978/2005 cotton cloth,rope,stone h.42.0 x w.480.0 x d.470.0 cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 状為論 Theory of Emerging Situation 1977/ 2014 vinyl board, paper h.180.0 x 735.0 x 430.0 cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 離空 Divergent Space 1975 wood, cement block h. 184.0 x 216.0 x 456.0 cm ©Kishio Suga
  • Installation View from "Situated Latency" at Museum of Contemporary Art Tokyo, 2015 ©Kishio Suga, Photo by Keizo Kioku
  • Installation View from "Situated Latency" at Museum of Contemporary Art Tokyo, 2015 ©Kishio Suga, Photo by Keizo Kioku
  • Installation View from "Situated Latency" at Museum of Contemporary Art Tokyo, 2015 ©Kishio Suga, Photo by Keizo Kioku
  • 菅木志雄 Kishio Suga 斜位相 Topology of leaning 1969 wood, stone h.273.0 x w.281.0 x d.71.0 cm ©Kishio Suga
  • Installation View from "Situated Latency" at Museum of Contemporary Art Tokyo, 2015 ©Kishio Suga, Photo by Keizo Kioku
  • 菅木志雄 Kishio Suga 石粒風土 2008 acrylic on paper 109 x76.8 cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 閉じないもの-50 that doesn't close-50 2007 acrylic on paper 77.0 x 54.5 cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 通りすぎるもの-51 that passes-51 2007 acrylic on paper 55.0 x 39.6 cm ©Kishio Suga
  • 跡境 Trace of Border 1980 card board 54.3 x 70.0 cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 状沿 Surrounding Circumstance 1980 pencil on paper 58.0x41.5cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 域場 Area of Site 1979 pencil,collage on paper 37.7 x 59.8 cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 依相175 1975 tape, ink on paper 70.7 x 53.3 cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 空場 Empty Site 1973 pastel, ink, and vinyl tape on paper 79.0x54.0cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 依帯域 Area of Dependency 1973 vinyl tape, pencil on paper 73.0 x 54.0cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 臨界地 Earth of Boundary 1972 sand paper,chalk p:88.5 x 81.0cm f:100.0 x 92.5cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 囲空律 Rhythm of Enclosed Space 1972 vnyl tape and ink on paper 78.8x54.0cm ©Kishio Suga
  • 菅木志雄 Kishio Suga 自然律 Natural Order 1975/ 2012 C-print image size: 20.0 x 28.0 cm/sheet size: 26.0
  • 菅木志雄 Kishio Suga 間留 Remaining Space 1975/ 2012 C-print image size: 20.0x 28.5 cm
  • 依存素 Elements of Dependency 1974/ 2015 C-print image size: 20.0 x 28.0 cm/
  • 菅木志雄 Kishio Suga 界律 Space-Order 1974/ 2006 gelatin silver print image 90.0 x 60.0 cm
  • 菅木志雄 Kishio Suga 界律 Space-Order 1974/ 2006 gelatin silver print 90.0 x 64.0cm
  • 菅木志雄 Kishio Suga 界律 Space-Order 1974/ 2006 gelatin silver print 90.0 x 60.0cm
  • 菅木志雄 Kishio Suga 間素 Elements in Space 1973/ 2015 C-print image size: 28.2 x 20.0 cm
  • 菅木志雄 Kishio Suga 間素 Elements in Space 1973/ 2015 C-print image size: 28.2 x 20.0 cm
  • 菅木志雄 Kishio Suga 水上標体 Target at Aquatic Water 1973/ 2012 C-print image size: 20.0 x 28.3cm
  • 菅木志雄 Kishio Suga 枝況 Branches of Environment 1973/ 2012 C-print image size: 20.0 x 28.3cm
  • 菅木志雄 Kishio Suga 等間体 In the State of Equal Dimension 1973/ 2006 geletin silver print 90.0 x 64.0 cm
  • 菅木志雄 Kishio Suga 状況律 Law of Situation 1971/ 2015 c-print image size: 43.0 x 65.5 cm
  • 菅木志雄 Kishio Suga 無為状況 Inactive Environment 1970/ 2012 C-print image size: 20.0 x 27.8cm
  • 菅木志雄 Kishio Suga 識況 Knowledge-Situation 1970/ 2006 gelatin silver print 90.0 x 64.0cm

Kishio Suga was born in Morioka city, Iwate Prefecture in 1944. In 1968 he graduated from the Department of Painting at Tama Art University, and served as a central member of the art movement Mono-ha that took place from the late 1960s to the 1970s. For over 50 years since, Suga has continued to pursue a consistent philosophy and actively develop his artistic practice, paving his own unique path as one of the leading figures of Postwar Japanese art in our times. Even in recent years when the reevaluation of Mono-ha has been gaining much international recognition, he persists in further deepening his contemplation, with his unfaltering passion and enthusiasm for his practice serving to define the presentness of his work.

Since his first solo exhibition in 1968, Suga has presented work on over 400 occasions in numerous exhibitions both within Japan and abroad. Recent years in particular have seen remarkable developments and achievements in his career. In 2016 he held solo exhibitions at Pirelli Foundation’s HangarBiocca in Milan and Dia: Chelsea New York, in addition to a two-person exhibition with Karla Black at The Scottish National Gallery of Modern Art in Edinburgh. He was selected for the 57th Venice Biennale, “VIVA ARTE VIVA” in 2017, receiving high acclaim for Law of Situation in which he recreated of one of his early representative works in the form of an installation floating on water. In that same year Suga participated in the group exhibition “Japanorama: New Vision of JAPAN from 1970,”curated by Yuko Hasegawa that was held at the Centre Pompidou-Metz in France.

Suga’s works are also housed in numerous prominent museums throughout the world including the Centre Pompidou, Dia: Chelsea, the Tate Modern, Dallas Museum of Art, M+, The Museum of Modern Art, New York, Guggenheim Abu Dhabi, The Scottish National Gallery of Modern Art, and the Museum of Contemporary Art, Tokyo.

https://www.kishiosuga.com/

Solo Exhibitions

2024 “Uncertain Void” Iwate Museum of Art, Morioka, Japan
“Kishio Suga” Mendes Wood DM São Paulo, Brazil
“There Is Neither Such Thing as Being, Nor Such Thing as Not Being” Tomio Koyama Gallery, Tokyo, Japan
“Kishio Suga：Corresponding Space” HE Art Museum, Guangdong, China
2023 Johyun Gallery, Busan, Korea
GALLERY SHILLA, Seoul, Korea
“Neither Things nor Sites” Tomio Koyama Gallery, Tokyo, Japan
2022 “Not Being Present, Not Being Absent“ Tomio Koyama Gallery, Tokyo, Japan
Mendes Wood DM, Brussels, Belgium
“Paper” Blum & Poe, Los Angeles, CA
2021 “20th Anniversary of the Iwate Museum of Art: The Existence of ‘Things’ and the Eternity of ‘Site’” Iwate Museum of Art, Morioka, Japan
GALLERY SHILLA, Seoul, Korea
“Gathered <Intermediates>” Tomio Koyama Gallery, Tokyo, Japan / Spiral Garden, Tokyo, Japan
2020 Gallery Cocon, Tokyo, Japan
“KISHIO SUGA, SPACE” Gallery Shilla, Daegu, Korea
“Released Scenic Space” Tomio Koyama Gallery, Tokyo, Japan / Spiral Garden, Tokyo, Japan
2019 Gallery Saiensu l･ll, Morioka, Iwate, Japan
Each Modern, Taipei, Taiwan
Tokyo Gallery + BTAP, Tokyo
“Measured Divisional Entities” Tomio Koyama Gallery, Tokyo, Japan
Gallery Shilla, Daegu, South Korea
“'Kishio Suga' presented by The eN arts collection in collaboration with Tomio Koyama Gallery” eN arts, Kyoto, Japan
2018 yu-un, Tokyo, Japan
Mendes Wood DM São Paulo, Brazil
Gallery Saiensu l･ll, Morioka, Iwate, Japan
“Expanded Self-Space” Tomio Koyama Gallery, Tokyo, Japan
“Kishio Suga - Photographs and Videos” 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, Japan
“Released Existence on Edges” THE CLUB, Tokyo, Japan
“KISHIO SUGA” Blum & Poe, New York, NY
2017 Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
Mendes Wood DM, Brussels, Belgium
“Divided Orientation of Space” Tomio Koyama Gallery, Tokyo, Japan
“Work from the 1970s and 1980s” Shibuya Hikarie 8/ CUBE, Tokyo, Japan
Tokyo Gallery +BTAP, Beijing, China
Blum & Poe, Los Angeles, CA
2016 Dia: Chelsea, New York, NY
“Situations” Pirelli HangarBicocca, Milan, Italy
Gallery Shilla, Daegu, Korea
2015 “Intentional Scenic Space” Tomio Koyama Gallery, Tokyo, Japan
Blain|Southern, London, UK
Shane Campbell Gallery, Lincoln Park, Chicago, IL
8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, Japan
Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
“Kishio Suga_Situated Latency” Museum of Contemporary Art Tokyo, Tokyo, Japan
Blum & Poe, New York, NY
“Kishio Suga 1980's” Gallery Cocon, Tokyo, Japan
2014 “Kishio Suga” Vangi Sculpture Garden Museum, Nagaizumi, Shizuoka, Japan
“1970s/ 80s” Gallery Cocon, Tokyo, Japan
“Kishio Suga: Situated Underlying Existence” Corps de Garde de Colmar, France
2013 Roppongi Hills A/D GALLERY, Tokyo, Japan
2012 
Blum ＆ Poe, Los Angeles, CA
“Placement of the Hidden Currents” Tomio Koyama Gallery, Tokyo, Japan
Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
2011 “Kishio Suga” Raiosha Gallery, Keio University Hiyoshi Campus, Yokohama, Kanagawa, Japan
“New Works: Cultivation of Space and Site” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
Soh Gallery, Tokyo, Japan
2010 “Kishio Suga” Space Hongjee, Seoul/ Gallery 604 J&H, Busan, Korea
“New Works” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
“What One Perceives in the Depth of One's Line of Sight” Gallery Cocon, Tokyo, Japan
“Existence” The Art Gallery, Kanazawa Collage of Art, Ishikawa, Japan
2009 “New Works” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
“Le Cose Esistono” MarginiI Arte Contemporanea, Massa, Italy
2008 “Kishio Suga” Daiwa Foundation Japan House, London, UK
“New Works” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
Gallery Saiensu l･ll, Morioka, Iwate, Japan
Tomio Koyama Gallery / TKG Editions Ginza / TKG Daikanyama, Tokyo, Japan
2007 “New Works” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
2006 “Two Dimension and Three Dimension 2006” Kaneko Art Gallery, Tokyo, Japan
“New Works” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
Tomio Koyama Gallery, Tokyo, Japan
Tokyo Gallery+BTAP, Tokyo, Japan
2005 “Uncertain Void: Installation by Kishio Suga” Iwate Museum of Art, Morioka, Japan
Gallery Saiensu l･ll, Morioka, Iwate, Japan
Gallery Shilla, Daegu, Korea
“New Works” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
2004 “Dispersed Combination” Tokyo Gallery+BTAP, Tokyo, Japan
“1986-1995 Relief/ Two Dimension” Soh Gallery, Tokyo, Japan
“New Works” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
2003 Gallery Saiensu Ⅰ, Morioka, Iwate, Japan
Tokyo Gallery+BTAP, Tokyo, Japan
“Gate” Kaneko Art Gallery, Tokyo, Japan
“New Works” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
2002 “Distant-Hollow-Construction” Tokyo Gallery+BTAP, Tokyo, Japan
“New Works” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
Kaneko Art Gallery, Tokyo, Japan
2001 Gallery Saiensu l, Morioka, Iwate, Japan
Kaneko Art Gallery, Tokyo, Japan
2000 Kaneko Art Gallery, Tokyo, Japan
Tokyo Gallery, Tokyo, Japan
1999 Kaneko Art Gallery, Tokyo, Japan
“SUGA KISHIO: STANCE” Yokohama Museum of Art, Kanagawa, Japan
1998 Kaneko Art Gallery, Tokyo, Japan
“The 20th Anniversary of Gallery Saisensu” Gallery Saiensu l･ll, Morioka, Iwate, Japan
“Relayed Boundaries” Tokyo Gallery, Tokyo, Japan
Masuda Studio, Tokyo, Japan
“Kishio Suga” Chiba City Museum of Art, Chiba, Japan
“Kishio Suga” Kanagawa Kenmin Hall, Yokohama, Japan
“Dialogue -Kishio Suga” Yamaguchi Prefectural Museum of Art, Yamaguchi, Japan
Soh Gallery, Tokyo, Japan
1997 “Kishio Suga” Hiroshima City Museum of Contemporary Art, Hiroshima, Japan [traveled to Itami City Museum of Art, Hyogo, Japan/ Kanagawa Prefecture Gallery, Yokohama, Japan/ Chiba City Museum of Art, Chiba, Japan]
“Laterally Enclosed Scenery” Kaneko Art Gallery, Tokyo, Japan
Masuda Studio, Tokyo, Japan
1996 “Disseminating Territory” Tokyo Gallery, Tokyo, Japan
“Along Gathered Edge and a Centered Boundary” Kaneko Art Gallery, Tokyo, Japan
1995 “Elemental Status with Elemental Base” Gallery Saiensu Ⅰ･Ⅱ, Morioka, Iwate, Japan
“On Primitivism of Objects and Inevitabillity of Construction” Kaneko Art Gallery, Tokyo, Japan
“A Question for Foundation -Art in 70's- The 7th Exhibition” Muramatsu Gallery, Tokyo, Japan
“Framed State, Multiple Realms” M Gallery, Ashikaga, Tochigi, Japan
“Expression of Kishio Suga” Kaneko Art Gallery, Tokyo, Japan
“RESTRIZIONE: Sostenere le cose” Tokyo Gallery, Tokyo, Japan
1994 “New Works” Kaneko Art Gallery, Tokyo, Japan
“Gathred Scenery, Surrounded Edges” Soh Gallery, Tokyo, Japan
1993 “Thing, Site, Dependency” Piga Harajuku Gallery, Tokyo, Japan
“Scenic Intervals 1993” Kaneko Art Gallery, Tokyo, Japan
“Scenic Intervals -1993-” Contemporary Art Space, Takashimaya Nihonbashi Store, Tokyo, Japan
“Edges of a Peripheral Realm” Ushibuchi Museum, Toon, Ehime, Japan
“Gathered Dimensions” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
1992 “Edges of a Peripheral Realm” Plaza Gallery, Chofu, Tokyo, Japan
“Differentiated and Extended Voids” Kaneko Art Gallery/ Kaneko Art G2, Tokyo, Japan
“Installation” Gallery Saiensu, Morioka, Iwate, Japan
“PROTRUSION” Tokyo Gallery, Japan
“Surrounded Space-Supported Dimention, Relief Works” Soh Gallery, Tokyo, Japan
“New Works '92” Kaneko Art G2, Tokyo, Japan
“Surrounded Space-Supported Dimention” Soh Gallery, Tokyo, Japan
1991 “Inauguration of the Permanent Installation 'Point-scape of the Sky'” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
“Intervals of Scenery” Kaneko Art G1, Tokyo, Japan
“Along the Elemental Scenary” Gallery Art Soko, Tokyo, Japan
“Along the Elemental Scenary” Soh Gallery, Tokyo, Japan
“A Piece of Paper Reveals Scenary” Kaneko Art Gallery, Tokyo, Japan
1990 “Peripheral Field” Touko Museum of Contemporary Art, Tokyo, Japan
Permanent Installation “Fragments of Space” Fujino Art Village, Sagamihara, Kanagawa, Japan
“New Works: Paintings, Sculptures” Kaneko Art Gallery, Tokyo, Japan
“Waxing-Space-Waning” Gallery Saiensu, Morioka, Iwate, Japan
“Edges of Body” Hino Gallery, Tokyo, Japan
“Both Edges of an Enclosed Realm” Tokyo Gallery, Tokyo, Japan
“Around Circumstance” Soh Gallery, Tokyo, Japan
Concept Space, Shibukawa, Gunma, Japan
1989 Heineken Village Gallery, Tokyo, Japan
Permanent Installation “Space of Surrounding Light” Nihon Bisoh Co. Ltd., Nagasaki, Japan
“Two Dimensions and Three Dimensions” Kaneko Art Gallery/ Kaneko Art G1, Tokyo, Japan
“A Contact Point of Action and Objects” Kintetsu Department Store Abeno, Osaka, Japan
“Scenery of Defiant Stature” Kamakura Gallery, Tokyo, Japan
1988 “Gathered Surroundings” Gallery Saiensu, Morioka, Iwate, Japan
“Out of Multipule Surroundings” Kaneko Art G1, Tokyo, Japan
“Circumference of Body” Kaneko Art Gallery, Tokyo, Japan
“Surroundings of Thought” Off Gallery, Berlin, Germany
“Surroundings” Soh Gallery, Tokyo, Japan
1987 “Supportive Peripheries” Kaneko Art G1, Tokyo, Japan
“PROTRUSION” Tokyo Gallery, Tokyo, Japan
1986 “Supplemented Material '86” Kaneko Art Gallery, Tokyo, Japan
“Square Pond” Kamakura Gallery, Tokyo, Japan
1985 “Conjoined Bodies” Kaneko Art G1, Tokyo, Japan
“Border of Interior and Exterior” Kaneko Art Gallery, Tokyo, Japan
“Metalic Pond” Gallery Saiensu, Morioka, Iwate, Japan
“Supporting a Void” Soo Gallery, Deagu, Korea
1984 “Supplemented Material” Kaneko Art Gallery, Tokyo, Japan
“A Belt of Waves in Progression” Komai Gallery, Tokyo, Japan
1983 “Support of Accumulation” Kaneko Art Gallery, Tokyo, Japan
“Conjoined Realms” Tokyo Gallery, Tokyo, Japan
1982 “Supported Wood” Gallery Saiensu, Morioka, Iwate, Japan
“Effect” Kaneko Art Gallery, Tokyo, Japan
“Partitioned Spaces” Kaneko Art G1, Tokyo, Japan
“Installation” Galerie Baudoin Lebon, Paris, France
1981 “Towards Order” Kaneko Art Gallery, Tokyo, Japan
“PROTRUSION” Tokyo Gallery, Tokyo, Japan
Satou Gallery, Tokyo, Japan
“Dependent Placements” Gallery Hinoki, Tokyo, Japan
1980 “Realm of Matter” Gallery Lumiere, Yamagata, Japan
“Flatted Phase -In Terms of Phenomena-” Kaneko Art Gallery, Tokyo, Japan
“Periphery of Space” Gallery Kitano Circus, Kobe, Hyogo, Japan
“Matter and Location” Gallery Saiensu, Morioka, Iwate, Japan
“Order of Entities” Shirakaba Gallery, Tokyo, Japan
“Paper Works 3: As Fact” Kaneko Art Gallery, Tokyo, Japan
1979 “'79” Kaneko Art Gallery, Tokyo, Japan
“Gap of the Entrance to the Space” Tokyo Gallery, Tokyo, Japan
“Differentiated Order” Box Gallery, Nagoya, Aichi, Japan
“Law of Gathered Space” Shinanobashi Gallery, Osaka, Japan
1978 “Wooden Works” Kaneko Art Gallery, Tokyo, Japan
“Parameters of Space” Gallery Saiensu, Morioka, Iwate, Japan
“Neutral Order” Muramatsu Gallery, Tokyo, Japan
1977 Field work “Order of Sky” Inokashira Park, Tokyo, Japan
“Continuous Existence” Shin Tamura Gallery, Tokyo, Japan
“Theory of Emerging Situation” Tokiwa Gallery, Tokyo, Japan
“Space” Galeria Akumulatory ll, Poznan, Poland
1976 “Interstitial State” Kaneko Art Gallery, Tokyo, Japan
“Spatial Discrepancy” Maki Gallery, Tokyo, Japan
“Continuous Process” Tokyo Gallery, Japan
1975 “Paper Works 2” Kaneko Art Gallery, Tokyo, Japan
“Phase of Acquisition” Maki Gallery, Tokyo, Japan
“Law of Multitude” Maki Gallery, Tokyo, Japan
“Paper Works” Kaneko Art Gallery, Tokyo, Japan
“Condition of Situated Units” Tokiwa Gallery, Tokyo, Japan
1974 Field work “Floating Units of Existence, Law of Immutability, Surrounding Units, Space-Order, Spatial Units, Elements of Dependency, Components of Space, Units of Spatial Dependency, Spatial Existence, Surrounding Dependency” Yomiuri Land/ Tama River, Kawasaki, Kanagawa, Japan
“Units of Dependency” Tamura Gallery, Tokyo, Japan
“ - show and even - Fieldology” galerie 16, Kyoto, Japan
1973 “Separating Dependence” Satou Gallery, Tokyo, Japan
“Cause of Situation” Morioka City Hall, Iwate, Japan
Field work “In the State of Equal Dimension” Inokashira Park, Tokyo, Japan
“Law of Dependence” Tamura Gallery, Tokyo, Japan
Field work “Spatial Body” Inokashira Park, Tokyo, Japan
1972 “Unfolding Field” Rooftop of Joshuya Building, Tokyo, Japan
“Left-Behind Situation” Kinokuniya Gallery, Tokyo, Japan
Field work “Situated Condition” Studio of the artist, Tokyo, Japan
“Condition of a Critical Boundary” Tamura Gallery, Tokyo, Japan
1971 “Abandoned Order” Satou Gallery, Tokyo, Japan
Field work “Situation in Space” Inokashira Park, Tokyo, Japan
1970 “Soft-Concrete” Tamura Gallery, Tokyo, Japan
1969 “Parallel Strata” Tamura Gallery, Tokyo, Japan
Field work “Rise of Vanishing Point” Wakabayashi, Tokyo, Japan
Field work “Diagonal Phase” Fujimicho Studio, Yokohama, Kanagawa, Japan
Field work “Surface Phase” Wakabayashi, Tokyo, Japan
1968 “Space Transformation” Tsubaki Kindai Gallery, Tokyo, Japan
Field work “Layered Space” Studio of the artist, Kawasaki, Kanagawa, Japan

Group Exhibitions

2025 “Landscape” Gateau Festa Harada, Head Office Gallery, Gunma, japan
“Tono Yoshiaki and Postwar Art” Toyama Prefectural Museum of Art and Design, Toyama, Japan
2024 “A Personal View of Japanese Contemporary Art: Takahashi Ryutaro Collection” Museum of Contemporary Art Tokyo, Japan
“path-connected“ Maebashi Galleria Gallery2, Gunma, Japan
“Revealed – 3 Private Collection” Yokohama Civic Gallery Azamino, Yokohama, Kanagawa, Japan
2023 “Red Accent: Dark Impressions” Hotel Shilla, Seoul, Korea
“WORLDS IN BALANCE: ART IN JAPAN FROM THE POSTWAR TO THE PRESENT” Okura Museum of Art, Tokyo, Japan
"Linhas Tortas" Mendes Wood DM São Paulo, Brazil
"Re: Startline 1963−1970/2023 Sympathetic Relations between the Museum and Artists as Seen in the Trends in Contemporary Japanese Art Exhibition" The National Museum of Modern Art, Kyoto, Japan
"Collection 1940s-1970s: Touching the Void" Museum of Modern Art, New York, NY
2022 “JAPAN. BODY_PERFORM_LIVE: Resistance and Resilience in Japanese Contemporary Art” PAC Padiglione d’Arte Contemporanea, Milan, Italy
"MOT Collection: Rewinding the Collection 2nd" Museum of Contemporary Art Tokyo, Japan
"Do It! Everyday Life Becomes Art: Art of the 1970s as Seen in Documents from the National Art Center, Tokyo Archives" The National Art Center, Special Exhibition Gallery 2E, Tokyo, Japan
2021 “The Still Point” kudan house, Tokyo, Japan
“Days of Inertia” Mendes Wood DM, d'Ouwe Kerke, Retranchement, The Netherlands
“At The Luss House: Blum & Poe, Mendes Wood DM and Object & Thing” The Gerald Luss House, Ossining, New York, NY
“Mountains Carrying Suns” Blum & Poe, Tokyo, Japan
“Fifty Years of Printmaking at Tama Art University” Tama Art University, Tokyo, Japan
2020 “Artists for New York” Hauser & Wirth, NY
”5,471 miles“ Blum & Poe, Tokyo, Japan
“Timeless Conversations 2020: Voices from Japanese Art of the Past and Present” The National Art Center, Tokyo, Japan
“Small Works” Tokyo Gallery+BTAP, Tokyo, Japan
“EnormousBalls” Mendes Woods DM, Brussels, Belgium
“Toriawase: A Special Installation of Modern Japanese Art and Ceramics” Ackland Art Museum, The University of North Carolina at Chapel Hill, NC
“Alan Charlton, Robert Barry, Kishio Suga, Richard Long” Gallery Shilla, Seoul, Korea
“181 Gallery presents work from Blum & Poe” 181 Gallery, San Francisco, CA
“Collection: The Aesthetics of Contemporary Japan” National Museum of Art, Osaka, Japan
“Impermanence” Tate Modern (The Tanks), London, UK
2019 “DECODE: Events & Records – Post-Industrial Art” The Museum of Modern Art, Saitama, Japan
“LUMINE meets ART AWARD 2018-2019 EXHIBITION” LUMINE Shinjuku, Tokyo, Japan
“30th Anniversary of the Yokohama Museum of Art: Meet the Collection” Yokohama Museum of Art, Kanagawa, Japan
“Weavers of Worlds - A Century of Flux in Japanese Modern / Contemporary Art” Museum of Contemporary Art Tokyo, Japan
“TRIBUTE to MONO-HA” Cardi Gallery, London, UK
“Contemporary Art in the Late Showa 1964-1989” Yokohama Civic Art Gallery, Kanagawa, Japan
“Tomio Koyama Gallery: Works from the Gallery Artists and the Collection 4”
8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, Japan
2018 “Bubblewrap: After Mono-ha, the next established art movement is Superflat, but that means the interim period overlapping the years of Japan's economic bubble has yet to be named, and I think calling it “Bubblewrap” suits it well. It especially makes sense if you incorporate the realm of ceramics. This show will contemplate this period through works including those from Takashi Murakami's collection.” Contemporary Art Museum, Kumamoto, Kumamoto, Japan
“Treasure box of Contemporary Art” Oita Prefectural Art Museum, Oita, Japan
“Minimalism: Space. Light. Object” National Gallery Singapore, Singapore
“BEYOND THE WALL XI’AN CONTEMPORARY ART EXHIBITION 2018” Xi’an Art Museum, China
“1968: Art of Turbulent Times” Chiba City Museum of Art, Chiba [traveled to Kitakyushu Municipal Museum of Art, Riverwalk Gallery, Fukuoka / Shizuoka Prefectural Museum of Art, Shizuoka]
“Surface of Things” Kamakura Gallery, Tokyo, Japan
“Natura Naturans” Mendes Wood DM, Brussels, Belgium
2017 “Japanese Art of the 1970s through the Photography of Anzaï Shigeo” The National Museum of Art, Osaka, Japan
“Japanorama: New Vision of JAPAN from 1970” Centre Pompidou- Metz, France
“What Is the Relationship Between Ceramics and Contemporary Art? (Considering the Context of Ceramics in the Lineage of Contemporary Art)” Kaikai Kiki Gallery, Tokyo, Japan
“Who Can Be Strangers? The Art of Mono-ha and Dansaekhwa” Blum & Poe at Adrian Rosenfeld Gallery, San Francisco, CA
“Viva Arte Viva” Curated by Christine Macel, the 57th Venice Biennale, Venice, Italy
“Japan House at SP-Arte” Ciccillo Matarazzo Pavillion, São Paulo, Brazil
Sougetsu 90th Anniversary “Collaboration between Akane Teshigawara and Modern Art” Sogetsu Kaikan, Tokyo, Japan
“The Exhibition of the Yokohama Museum of Art: Collection 2017 Part 1” Yokohama Museum of Art, Kanagawa, Japan
Tomio Koyama Gallery, Tokyo, Japan
2016 “Karla Black and Kishio Suga” Scottish National Gallery of Modern Art, Edinburgh, UK
“In Between” BERGAMIN&GOMIDE, São Paulo, Brazil
“New 'Artists Today' Exhibition 2016 Spaces of Creation Mono-ha to the Art of Today” Yokohama Civic Art Gallery, Kanagawa, Japan
“The Emergence of the Contemporary: Avant-Garde Art in Japan 1950-1970” Imperial Palace, Rio de Janeiro, Brazil
“Utopias/Heterotopias: The Wuzhen International Contemporary Art Invitational Exhibition” North Silk Factory / West Scenic Zone, Wuzhen, China
“Robert Morris and Kishio Suga” Blum & Poe, Tokyo, Japan
2015 “Breaking through to the actual via the imagination ーLong museum collection show concept by Yuko Hasegawa” Long Museum, Shanghai, China
“MONO-HA” Fondazione Mudima, Milano, Italy
“Construction/ Destruction” Almine Rech Gallery, Paris, France
“TAKAHASHI COLLECTION: Mirror Neuron” Tokyo Opera City Art Gallery, Tokyo, Japan
2014 “The Hara Museum Collection at 35” Hara Museum of Contemporary Art, Tokyo, Japan
“Opening Special Exhibition: Chronicle 1964-2014” Yokohama Civic Art Gallery, Kanagawa, Japan
“1974, Turning Point of Postwar Japanese Art” The Museum of Modern Art, Takasaki, Gunma, Japan
“Geometric Perspective on Japanese Abstraction” Tokyo Gallery+BTAP, Tokyo, Japan
“Other Primary Structures” The Jewish Museum, New York, NY
“Erasure: From Conceptualism to Abstraction” Osage Gallery Hong Kong / City University of Hong Kong, Hong Kong
“Japon” Centre d’art contemporain, Meymac, France
“TAKAHASHI COLLECTION 2014 Mindfulness!” Nagoya City Art Museum, Aichi, Japan
“2014-1 Imaginative Geometry” Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
“Mono-ha in Atami” Gallery SOOKO, Atami, Shizuoka, Japan “Abstract Drawing” Drawing Room, London, UK
“Kioku Konseki Bunki“ 21st Century Museum of Contemporary Art, Kanazawa, People’s Gallery A, Ishikawa, Japan
2013 “Connecting _Unfolding” National Museum of Modern and Contemporary Art, Seoul, Korea
“Roppongi Crossing 2013: Out of Doubt” Mori Art Museum, Tokyo, Japan
“TAKAHASHI COLLECTION Mindfulness!” Kirishima Open-Air Museum, Kagoshima, Japan [traveled to Sapporo Art Museum, Hokkaido, Japan]
“Prima Materia” Punta della Dogana, Venice, Italy
“2013-l: Layers of Artistic Expression” Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
“Tricks and Vision to Mono-ha” Tokyo Gallery+BTAP, Tokyo, Japan
“Re: Quest Japanese Contemporary Art since the 1970’s” Museum of Art, Seoul National University, Seoul, Korea
“Parallel Views: Italian and Japanese Art from the 1950s, 60s and 70s” The Warehouse, Dallas, TX
2012 “Tokyo 1955-1970: A New Avant-Garde” Museum of Modern Art, New York, NY
“The 70s in Japan: 1968-1982” The Museum of Modern Art, Saitama, Japan [traveled to Hiroshima City Museum of Contemporary Art, Hiroshima, Japan]
“Paper Space: Drawings by Sculptors” Inman Gallery, Huston, TX
“Double Vision: Contemporary Art from Japan” Moscow Museum of Modern Art, Moscow, Russia [traveled to Tikotin Museum of Japanese Art / Haifa Museum of Art, Haifa, Israel]
“Requiem for the Sun: The Art of Mono-ha” Blum & Poe, Los Angeles, CA [traveled to Gladstone Gallery, New York, NY]
2011 “Villa Tokyo” Various Locations in Kyobashi, Tokyo, Japan
2010 “MOT Collection Enter here -what do you see?” Museum of Contemporary Art Tokyo, Japan
“Currents in Japanese Contemporary Wood Sculpture” Hokkaido Museum of Modern Art, Japan
“Contemporary Art of China and Japan” Busan Museum of Modern Art, Busan, Korea
2009 “No Man's Land” Embassy of France in Tokyo, Japan
2008 “Mediations Biennale” The National Museum in Poznan, Poland
2007 “What is Mono-ha?” Tokyo Gallery+BTAP, Beijing, China
“Livingin in the Material World 'Things' in Art of the 20th Century and Beyond” The National Art Center, Tokyo, Japan
2006 “Homage to Yoshiaki Tono” Gallery TOM, Tokyo, Japan
“Art and Object: Affinity of the Jomon and the Contemporary” Aomori Museum of Art, Aomori, Japan
“Echigo-Tsumari Art Triennale 2006” Tokamachi, Niigata, Japan
2005 “Reconsidering Mono-ha” The National Museum of Art, Osaka, Japan
2004 “Remaking Modernism in Japan 1900-2000” Museum of Contemporary Art Tokyo, Japan
2002 “The Unfinished Century: Legacies of 20th Century Art” The National Museum of Modern Art, Tokyo, Japan
2001 “Mono-ha: School of Things” Kettle’s Yard, University of Cambridge, UK / Newlyn Art Gallery, Newlyn, UK
“Global Visions: Art after 1980” Museum of Contemporary Art Tokyo, Japan
2000 “The 3rd Gwangju Biennale” Biennale Hall, Jungoei Park, Gwangju, Korea
1999 “Mono-ha, Kishio Suga / Lee Ufan” M Gallery, Ashikaga, Tochigi, Japan
1998 “Art/ Ecosystem: The Contemporary Japanese Art Scene” Utsunomiya Museum of Art, Tochigi, Japan
1997 “Gravity: Axis of Contemporary Art” The National Museum of Art, Osaka, Japan
“Beyond the Form” Chiba City Museum of Art, Chiba, Japan
1996 “Inside of Works, Outside of Works” Itabashi Art Museum, Tokyo, Japan
“Japon 1970: Materiere et perception: Le Mono-ha et la recherche des fondements de l'art” Museum of Modern Art, St Etienne, France
“Prints of 1970's” The Shoto Museum of Modern Art, Tokyo, Japan
“Collection in Focus: 12 Installation Pieces” Museum of Contemporary Art Tokyo, Japan
1995 “Kishio Suga + Mika Yoshizawa” Soh Gallery, Tokyo, Japan
“ASIANA contemporary Art from The Far East” Palazzo Vendramin Calergi, Venice, Italy
“Japanese Culture: The Fifty Postwar Years” Meguro Museum of Art, Tokyo, Japan [traveled to Hiroshima City Museum of Contemporary Art, Hiroshima/ Hyogo Prefectural Museum of Art, Hyogo/ Fukuoka Prefectural Museum of Art, Fukuoka, Japan]
“Matter and Perception 1970: Mono-ha and the Search for Fondamentals” Museum of Fine Arts Gifu, Japan
[traveled to Hiroshima City Museum of Contemporary Art, Hiroshima/ Kitakyushu Municipal Museum of Art, Fukuoka/ The Museum of Modern Art, Saitama, Japan/ The Museum of Modern Art, St Etienne, France]
1994 “Mono-ha 1994 PART lll” Kamakura Gallery, Tokyo, Japan
“The Domain of the Medium: New Approaches to the Medium in Art, Craft, Design” Crafts Gallery, The National Museum of Modern Art, Tokyo, Japan
“The 8th Triennale India” Lalit Kala Academy, New-Delhi, India
“Japanese Art after 1945: Scream against the Sky” Yokohama Museum of Art, Kanagawa, Japan [traveled to Guggenheim Museum SoHo, New York, NY/ San Francisco Museum of Modern Art, CA/ Yerba Buena Center for the Arts, San Francisco, CA]
"Cross and Square: Grids” The Museum of Modern Art, Saitama, Japan
1992 “Avanguardie Giapponesi degli anni 70” Galleria Comunale d’Arte Moderna di Bologna, Italy [traveled to The Setagaya Art Museum, Tokyo, Japan]
1991 “Movement of Contemporary Art in Japan: Three-Dimentional Works, A Current of Contemporary Art in Japan” The Museum of Modern Art, Toyama, Japan
“The World of Box: do it yourself” Contemporary Art Gallery, Mito, Ibaraki, Japan
“70s-80s Contemporary Art: Mono-ha” Kamakura Gallery, Tokyo, Japan
1989 “The 20th Biennale Middleheim: Japan, Europala ’89” Middelheim Open-Air Museum for Sculpture, Antwerp
“Art Exciting ’89: beyond the today’s being” Museum of Modern Art, Saitama, Japan [“Japanese Ways, Western Means” traveled to Queensland Museum, Brisbane, Australia]
“Wounded Surfaces: Lee Ufan, Kishio Suga, Koichi Ebitsuka, Mika Yoshizawa” Soh Gallery, Tokyo, Japan
“The Space: Material, Tension, Vacancy in Japanese Contemporary Art” The Museum of Modern Art, Saitama, Japan
1988 “Contemporary Art 1988 by Eleven Artists” Kahitsukan, Kyoto Museum of Contemporary Art, Kyoto, Japan
“A Three weeks of symposium of color, shape and sound” Soh Gallery, Tokyo, Japan
“Monoha: La scuola delle cose” The laboratory of contemporary art, Sapienza University of Rome, Italy
“Introduction to Art History” Meguro Museum of Art, Tokyo, Japan
1987 “The 4th Biennale Japan Ushimado International Art Festival”
Ushimado Olive Garden, Okayama
“State of Contemporary Art from North Eastern Japan 2” Fukushima Prefectural Museum of Art, Fukushima, Japan
“TAMA VIVANT ’87: From Thingness to Narrative” Seed Hall, Tokyo, Japan
“Art in Japan since 1969: Mono-ha and Post-Mono-ha” Seibu Museum of Art, Tokyo, Japan
1986 “Japon des Avant-Gardes: 1910-1970” Centre Georges Pompidou, Paris, France
“The 22nd Artists to-day ’86: Apocalypse in Contemporary Art l from the depth of soul” Yokohama Civic Art Gallery, Kanagawa, Japan
“Lee Ufan, Nobuo Sekine, Kishio Suga: Methods of the 1970s” Soh Gallery, Tokyo, Japan
“Black and White in Art Today” Museum of Modern Art, Saitama, Japan
“Mono- ha Part ll” Kamakura Gallery, Tokyo, Japan
“Seoul Contemporary Asian Art Show” National Museum of Modern Art, Seoul, Korea
“monologue/ dialogue Kishio Suga & Kenji Inumaki” Nabis Gallery, Tokyo, Japan
“Contemporary Japanese Art” Taipei Fine Arts Museum, Taiwan
“The 2nd Tokyo Open-Air Contemporary Sculpture Exhibition 1986” Kinuta Park, Tokyo, Japan
“Seeing New Developments in Space and Materials” Institut Franco- Japonaise de Tokyo, Japan
1985 “Opening Exhibition” Soh Gallery, Tokyo, Japan
“The 21st Artists Today ’85: When Installations Become From?” Yokohama Civic Art Gallery, Kanagawa, Japan
“The 2nd Asian Art Show” Fukuoka Art Museum, Fukuoka, Japan
“Beauty of Wood: Between Painting and Sculpture” Hokkaido Asahikawa Museum of Art, Hokkaido, Japan
“40 years of Japanese Contemporary Art, Tokyo” Tokyo Metropolitan Art Museum, Tokyo, Japan
“Construction in Japanese Paper” Halle Sud, Geneva, Switzerland
“Artists’ Books” Franklin Furnace Gallery, New York, NY
“Contemporary Sculpture in Japan: Wood” Kanagawa Prefectural Gallery, Yokohama, Japan
1984 “Trends of Contemporary Japanese Art 1970-1984: Universality/ Indivisuality, Tokyo” Tokyo Metropolitan Art Museum, Tokyo, Japan
“State of Contemporary Art from North Eastern Japan” Fukushima Prefectural Museum of Art, Fukushima, Japan
“The 2nd TOYAMA NOW ’84” Museum of Modern Art, Toyama, Japan
“Human Documents ’84/ ’85” Tokyo Gallery, Tokyo, Japan
“Japanese Contemporary Paintings 1960-1980” Gunma Prefectural Museum of Modern Art, Takasaki, Japan
“Sculpture in Modern Japan, 1968-1980s” Yamaguchi Prefectural Museum of Art, Yamaguchi, Japan
1983 “A Panorama of Contemporary Art in Japanese Sculpture” The Museum of Modern Art, Toyama, Japan
“The Front of Contemporary Japanese Art” Isetan Museum of Art, Tokyo, Japan
“A Sence of Contemporary Japanese Art 2: An Encounter with the Sights around Us” Miyagi Museum of Art, Sendai, Japan
“Permanent Collection 2 Art of Today: Japan-England” Tokyo Metropolitan Art Museum, Tokyo, Japan
“Shape and Spirit in Wood Works” The Museum of Modern Art, Saitama, Japan
1982 “Tama Art University Art Festival Exhibition” Tama Art University Gallery, Tokyo, Japan
“Carnegie International” Carnegie Museum of Art, Pittsburgh, PE
“The 4th Biennale of Sydney, Video/ Performance Section” Art Gallery of New South Wales, Sydney, Australia
“ARTEDER '82” Bilbao Art Center, Spain
1981 “Contemporary Art Exhibition of Japan: Trends of Japanese Art in the 1970's” Korean Culture and Arts Foundation, Art Center, Seoul, Korea
“A Sence of Contemporary Japanese Art 1: An Encounter with the Sights around Us” Miyagi Museum of Art, Sendai, Japan
“The 16th São Paulo Biennale” Parque Ibirapuera, São Paulo, Brazil
“Kishio Suga, Susumu Koshimazu” Muramatsu Gallery, Tokyo, Japan
“Performance in Video” Fukuoka Art Museum, Fukuoka, Japan
“The 1st Parallel Art Exhibition” Ohara Center of Tokyo, Tokyo, Japan
“Yoin: Ideas from Japan made in Australia” Gryphon Gallery, Victorian Collage of the Art, Melbourne, Australia
1980 “Variations on Planar Paintings” Fukuoka Art Museum, Fukuoka, Japan
“1980 Japanese Prints” Tochigi Prefectural Museum, Utsunomiya, Japan
“Shell Art Exhibition” Tokyo Central Museum, Tokyo, Japan
1979 “15th Artists Today” Yokohama City Gallery, Kanagawa, Japan
“Lisbon International Show '79” Galeria de Belem-Lisbon, Portugal/ Centro de Arte Contemporanea (Museum Nacional Soares dos Reis), Lisbon, Portugal
“Kishio Suga, Masayuki Takahashi, Lee Ufan” Komai Gallery, Tokyo, Japan
1978 “The14th Artists Today” Yokohama Civic Art Gallery, Kanagawa, Japan
“The 38th Venice Biennale” Japan Pavilion, Venice, Italy
1977 “The 13th Artists Today: The Richness of Painting” Yokohama Civic Art Gallery, Kanagawa, Japan
“Japan and America: Contemporary Art Exhibition” 80 Ranton Street Gallery, San Francisco,CA [traveled to Kanagawa Prefectural Gallery, Kanagawa, Japan]
“03・23・03 -Projects/ Performances/ Conferences” Institut d’art Contemporain, Montreal, Canada
“Space” Galeria Akumulatory 2, Poznan, Poland
1976 “The 2nd Biennale of Sydney: Recent international Forms in Art” Art Gallery of New South Wales, Sydney, Australia
“Seven Italian Artists and Seven Japanese Artists: Procedures Based on New Consciousness” Instituto Italiano di Cultura, Tokyo, Japan
“Ima: Now Exhibition” Ewing Gallery, University of Melbourne, Australia
“Kyoto Biennale: Contemporary Art by Seven Art Critics” Kyoto Municipal Museum of Art, Kyoto, Japan
“Pan-Conceptuals” Maki Gallery, Tokyo, Japan
1975 “Tokyo Gallery '76” Tokyo Gallery, Tokyo, Japan
“Japanese Contemporary Sculpture” Cranbrook Academy of Art, Bloomfield Hills, MI
1974 “7th Contemporary Form: Image Expression '74” Art Core Hall, Kyoto, Japan
“Materials” Van Abbe Museum, Eindhoven, Netherlands
“Japan Art Exhibition” Louisiana Museum of Modern Art, Humlebak, Denmark [traveled to Goteborgs Konstmuseum, Goteborgs, Sweden/ Henie Onstad Art Centre, Oslo, Norway]
“Universe (Cosmos): Image Experiments in Serigraphy by Contemporary Japanese Artists” São Paulo Museum of Art, Brazil
“Japan: Tradition und Gegenwart” Stadtische Kunsthalle, Düsseldorf, Germany
“Katsuro Yoshida + Kishio Suga・Prints” Kaneko Art Gallery, Tokyo, Japan
1973 “The 8th Paris Biennale” Musée d’Art Moderne de la Ville de Paris/ Musée National d’Art Moderne, Paris, France
“The 8th Japan Art Festival” Tokyo Central Museum, Tokyo, Japan [traveled to National Museum of Slovenia, Ljubljana / Stadtische Kunsthalle, Düsseldorf, Germany]
1972 “The 1st Contemporary Japanese Graphics Exhibition” Institute of Contemporary Art, London, UK
“Project for Mount Vesuvius Operation” Minami Gallery, Tokyo, Japan
“International Art Exhibition” Il Centro Gallery, Naples, Italy
1971 “Print 1972” Shirota Gallery, Tokyo, Japan
“The 4th Contemporary Japanese Sculpture Exhibition” Ube Open-Air Museum, Yamaguchi, Japan
“The 10th Contemporary Art Exhibition of Japan” Tokyo Metropolitan Art Museum, Tokyo, Japan
1970 “The 5th Japan Art Festival Exhibition” The National Museum of Modern Art, Tokyo, Japan [traveled to Guggenheim Museum, New York, NY]
“The 7th Artists Today” Yokohama Civic Art Gallery, Kanagawa, Japan
“August 1970: Aspects of New Japanese Art” The National Museum of Modern Art, Tokyo, Japan
“The 9th Trends in Contemporary Art” The National Museum of Modern Art, Kyoto, Japan
1968 “The 9th Visional Points” Muramatsu Gallery, Tokyo, Japan
“'OOX Exhibition' TAMA FINE ART COLLEGE OOX CLASS” Muramatsu Gallery, Tokyo, Japan
1967 “OOOPLAN” Muramatsu Gallery, Tokyo, Japan
“Universiade Exhibition” Isetan, Tokyo, Japan
“The 11th Shell Art Award” Shirokiya, Tokyo, Japan [traveled to Kyoto Municipal Museum of Art, Kyoto, Japan]
“N・S・S” Tsubaki Kindai Gallery, Tokyo, Japan
“OOOPLAN 8 Events for Midnight” Shinjuku Pit Inn, Tokyo, Japan
“The 4th Internationnal Young Artists Exhibition” Seibu Department Store, Tokyo, Japan

Activations (Performance) *March6, 2004 All the "Event" were renamed to "Activation".

2017 “Determined Presence, Predisposed Absence” Yokohama Museum of Art, Kanagawa
2016 “Separating Spaces” Yokohama Civic Art Gallery, Kanagawa, Japan
“Centered Condition, Circulated Space” Pirelli HangarBicocca, Milan, Italy
2015 “Multiple Latent Sceneries” Museum of Contemporary Art Tokyo, Tokyo, Japan
2014 “Scattering and Gathering” Vangi Sculpture Garden Museum, Nagaizumi, Shizuoka, Japan
2009 “Cultivated Path of Wind” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
2008 “Edges of Space (Enkaisei)” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
“Appearance of Multiple Latencies” Art Basel 39, Basel, Switzerland
2006 “System of Plurality” Echigo Tsumari Art Triennial, Tokamachi, Niigata, Japan
“Appearance of Multiple Conflicted Causes” Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan
“Concurrent Correspondence” Tomio Koyama Gallery, Tokyo, Japan
2005 “Divided Rhythm” Iwate Museum of Art, Morioka, Iwate, Japan
2004 “Edge of the Space” Yokohama Museum of Art, Kanagawa, Japan
1998 “Points of Complexity” Chiba City Museum of Art, Chiba, Japan
“Towards Stability and Instability” Kanagawa Kenmin Hall, Yokohama, Japan
“Unfolding Field“ The Yamaguchi Prefectural Museum of Art, Yamaguchi, Japan
“Stability of Separation and Conjunction: Visual Interstices” Itami City Museum of Art, Hyogo,Japan
1997 “Gathered Release -Restriction” Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
1995 Kitakyushu Municipal Museum of Art, Fukuoka, Japan
“Distribution of Polysemy” Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
1990 “Along Intervals” Touko Museum of Contemporary Art, Tokyo, Japan
“Surrounding Construction” Concept Space R2, Takasaki, Gunma, Japan
1987 “'EXTEND': 50th Anniversary of Tama Art University: TAMABIVENTS” Studio 200, Tokyo, Japan
1986 “Exposed Way to the Sky” Yokohama Civic Art Gallery, Kanagawa, Japan
1984 “Edges in Motion” The Museum of Modern Art, Toyama, Japan
1981 Fukuoka Art Museum, Fukuoka, Japan
1980 “Entirety of Transferred Units” Gallery Lumiere, Yamagata, Japan
“Progression of Space” Kaneko Art Gallery, Tokyo, Japan
“Matter and Location” Gallery Saiensu, Morioka, Iwate, Japan
“Matter and Dimension” Kaneko Art Gallery, Tokyo, Japan
1979 Yokohama Civic Art Gallery, Kanagawa, Japan
1978 “Adaptation-Circumstances-Transition-Substance” Tama Art University, Hachiouji ground, Tokyo, Japan
“The 38th Venice Biennale” Japan Pavilion, Venice, Italy
1977 Inokashira Park, Tokyo, Japan
“Theory of Emerging Situation” Tokiwa Park, Tokyo, Japan
“Theory for Creating Sites” Maki Gallery, Tokyo, Japan
1976 “Differentiated Movement: Continuous Exsistence” Instituto Italiano di Cultura, Tokyo, Japan
“Site and Wisdom－Gathering of Distance” International Christian University, Tokyo, Japan
“There: at Each Location” Maki Gallery, Tokyo, Japan
“For the Side Corners” Kyoto Biennale, Kyoto Municipal Museum of Art, Kyoto, Japan
“Phase Getting Fulfilled” Maki Gallery, Tokyo, Japan
1975 “Phase of Acquisition” Maki Gallery, Tokyo, Japan
“Gathered Space” Maki Gallery, Tokyo, Japan
“Natural Order” Tokiwa Park, Tokyo, Japan
1974 “Location of Dependency” Tamura Gallery, Tokyo, Japan
“Fieldology” galerie 16, Kyoto, Japan
1973 “Law of Dependence” Tamura Gallery, Tokyo, Japan
“Parallel Perception: Independent Existence” Studio of the artist, Suginami-ku, Shimizu, Tokyo, Japan

Public Collections

Akita Museum of Modern Art, Akita, Japan
Busan Museum of Art, Korea
Chiba City Museum of Art, Chiba, Japan
The CELINE ART PROJECT
Dallas Museum of Art, Dallas, TX
Daegu Art Museum, Korea
Dia Art Foundation, New York, NY
Fuchu city, Hiroshima, Japan
Glenstone Foundation, Potomac, MD
Guggenheim Abu Dhabi, UAE
Hara Museum of Contemporary Art, Tokyo, Japan
He Art Museum, China
Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
Hirshhorn Museum and Sculpture Garden, Washington, DC
Hokkaido Asahikawa Museum of Art, Hokkaido, Japan
Iwaki City Art Musum, Fukushima, Japan
Iwate Museum of Art, Morioka, Japan
Kahitsukan, Kyoto Museum of Contemporary Art, Kyoto, Japan
Kitakyusyu Municipal Museum of Art, Fukuoka, Japan
Kishio Suga Souko Museum, Nasushiobara, Tochigi, Japan
The Laboratory of Contemporary Art at Sapienza University of Rome, Italy
Long Museum, Shanghai, China
Meguro Museum of Art, Tokyo, Japan
Margulies Collection at the Warehouse, USA
The Montreal Museum of Fine Arts, Canada
The Miyagi Museum of Art, Sendai, Japan
M+, Hong Kong, HK
Museum Voorlinden, The Netherlands
Museum of Contemporary Art, Tokyo, Japan
The Museum of Modern Art, New York, USA
The Museum of Modern Art, Saitama, Japan
The Museum of Modern Art, Toyama, Japan
The National Museum of Art, Osaka, Japan
The National Museum of Modern Art (The Centre Pompidou), Paris, France
The National Museum of Modern Art, Tokyo, Japan
Pinault Collection
Rakusui-tei Museum of Art, Toyama, Japan
Smart Museum of Art, The University of Chicago, IL
Scottish National Gallery of Modern Art, Edinburgh, UK
Takahashi Ryutaro Collection, Tokyo, Japan
Takamatsu Art Museum, Kagawa, Japan
Tate Modern, London, UK
UBS Art Collection
Utsunomiya Museum of Art, Tochigi, Japan
Vangi Sculpture Garden Museum, Nagaizumi, Shizuoka, Japan
Yalu River Art Museum, China
Yamaguchi Prefectural Art Museum, Yamaguchi, Japan
Yokohama Civic Art Gallery, Kanagawa, Japan
Yokohama Museum of Art, Kanagawa, Japan

Awards

2016 the 57th Mainichi Art Award
1970 Grand Prix, The 5th Japan Art Festival
1969 Received award for the essay “Space Transfomation: From Notebooks in the Future”, magazine Bijutsu Techo
1967 First Prize, The 11th Shell Award

Others

2015 Novel “Goliath of Twin Skies” published by Vangi Sculpture Garden Museum, Shizuoka, Japan
2008 Novel “Jyuka Souen” published by TOYO KEIZAI INC., Japan
2000 Novel “Across the Sea, Birds Cry” /published by Kodansha, Japan
1999 Movie “Existence and Homicide”（direction/script）/ screen production: Yokohama Museum of Art, Kanagawa, Japan

Group Exhibition “Bubblewrap: After Mono-ha, the next established art movement is Superflat, but that means the interim period overlapping the years of Japan’s economic bubble has yet to be named, and I think calling it “Bubblewrap” suits it well. It especially makes sense if you incorporate the realm of ceramics. This show will contemplate this period through works including those from Takashi Murakami’s collection.” Contemporary Art Museum, Kumamoto, Japan

December 15, 2018 - March 3, 2019

KS-16-10,11-Mousse

“ Way to investigate an unknown thing: Kishio Suga and the enduring nature of MONO-HA” Mousse, October-November 2016

KS-16-SPRING-美術手帖

“ KISHIO SUGA From ‘Presence’ to ‘Existence’ ” Bijutu-Techo, SPRING 2016 SPECIAL ISSUE