Group Exhibition “The Myriad Forms of Visual Art: 196 Works with 19 Themes” The National Museum of Art, Osaka, Japan

「猫 彫刻 」”cat sculpture” 2007 polyurethane plastic, key board 84.5 x 28.0 x 12.5 cm ©Tam Ochiai

Stephan Balkenhol, Tam Ochiai, Richard Tuttle / Group Exhibition
“The Myriad Forms of Visual Art: 196 Works with 19 Themes”
The National Museum of Art, Osaka, Japan
May 26 – July 1, 2018

Place, one 2013 colored, cotton fiber and wire mesh 40 x 23 x 8 cm ©Richard Tuttle

Artist Profile

Stephan Balkenhol

Stephan Balkenhol was born in 1957 in Hesse, Germany. From 1976 he studied at the Hamburg School of Fine Arts where artists including Nam June Paik and Sigmar Polke had taught at the time, and received the tutorship of renowned minimalist sculptor Ulrich Rückriem.

Balkenhol has presented works in numerous exhibitions internationally, and his first solo exhibition in Japan, “Stephan Balkenhol: Skulpturen und Reliefs” held in 2005 at the National Museum of Contemporary Art, Osaka, and Tokyo Opera City Art Gallery, received significant recognition and acclaim.

His major solo exhibitions include Museé de Grenoble (France, 2010), Deichtorhallen Hamburg (Germany, 2008), Sprengel Museum (Hannover, Germany, 2003), Saatchi Gallery (London, UK, 1996), The Hirshhorn Museum (Washington DC, 1995) , Neue Nationalgalerie (Berlin, Germany, 1994).

His major group exhibitions include “1995 Carnegie International” (Carnegie Museum of Art, Pittsburgh, PA, 1995), “Doubletake” Hayward Gallery, London, UK, 1992 [toured to Kunsthalle Wien, Vienna, Austria]
”Post Human” FAE Musée d’Art Contemporain, [toured to Castello di Rivoli, Turin, Italy / Deste Foundation for Contemporary Art, Athens, Greece / Deichtorhallen, Hamburg, Germany] 
”Possible Worlds: Sculpture from Europe” (ICA and Serpentine Gallery, London, UK
, 1990), “Skulptur Projekt in Münster” (Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany, 1987).

Balkenhol’s works are housed in the collections of numerous museums throughout the world including Art Institute of Chicago (USA), Hirshhorn Museum and Sculpture Garden (USA), The Broad Art Foundation (USA), Los Angeles County Museum of Art (USA), Ludwig Forum für Internationale Kunst (Germany), Kunstmuseum Bonn (Germany), Museum für Moderne Kunst (Germany), The National Museum of Art, Osaka (Japan), The National Museum of Modern Art, Tokyo (Japan).

Tam Ochiai

Tam Ochiai was born in Yokohama, Kanagawa in 1967. He moved to the United States in 1990 after graduating from Wako University, and completed his M.A in New York University in 1993. He currently lives and works in New York.

His major exhibitions include, “Criterium 16: Tam Ochiai ‘Shopping bags’” (Contemporary Art Gallery, Art Tower Mito, Ibaraki, Japan, 1995); “MOT Annual: Fiction? Painting in the Age of the Virtual” (Museum of Contemporary Art, Tokyo, Japan, 2002), “Flashback” (Kunstverein Freiburg, Freiburg, Germany, 2005); “The Door into Summer –The Age of Micropop” (Contemporary Art Gallery, Art Tower Mito, Ibaraki, Japan, 2006); “Winter Garden: The Exploration of the Micropop Imagination in Contemporary Japanese Art” (Hara Museum of Contemporary Art, Tokyo [touring Japanisches Kulturinstitut, Cologne, 2009, and numerous other venues]; “spies are only revealed when they get caught” (WATARIUM Museum, Tokyo, Japan, 2010); and “Yokohama Triennale 2011: Our Magic Hour” (Yokohama Museum of Art, NYK Waterfront Warehouse [BankART Studio NYK], Kanagawa, Japan). For the 2016 exhibition re wild(e) (ARATANIURANO, Tokyo), Ochiai engaged in new attempts such as his work with film director Hiroyuki Oki in which the two collaborate in the production of drawings, video, and onsite three-dimensional works. The “Ashtray Sculptures” presented at this exhibition were also featured in his 2017 solo show Tarragon, Like a Cat’s Belly at Team Gallery in New York, attracting much attention.

Ochiai’s works are housed in the collections of The National Museum of Art, Osaka, The Japan Foundation, Museum of Contemporary Art Tokyo, Deutsche Bank, and the Takahashi Collection.

Richard Tuttle

Richard Tuttle was born in Rahway, New Jersey, USA, in 1941. He currently lives and works in New York City, and New Mexico. In 1963 he completed his BA in philosophy and literature at Trinity College, Hartford, USA. He held his first solo exhibition at Betty Parsons Gallery, New York, in 1965 when he was 24 years old, and an exhibition at the Whitney Museum of American Art in 1975 when he was 34 years old. Such exhibitions attracted significant attention, and had given rise to various topics of public discussion. Tuttle has further participated in international exhibitions such as La Biennale di Venezia (1976, 1997, 2001), Documenta (1972, 1977, 1987), “Skulptur Projekte in Münster” (1987), and the Whitney Biennial (1977, 1987, 2000). Richard Tuttle is thus not only a leading figure in post minimalism, but can also be described as an artist who has constantly stimulated the art scene while transcending conventions of categorization, historical contexts, and genres.

His recent exhibitions include The Art of Richard Tuttle, a large-scale retrospective that was held at the San Francisco Museum of Modern Art and the Whitney Museum of American Art, and then traveled across various venues within the USA from 2005 to 2007. In 2014, Tuttle held a major exhibition I Don’t Know, Or The Weave of Textile Language at the Tate Modern and Whitechapel Gallery, garnering much interest for his monumental winged sculpture with textiles that was installed in the Turbine Hall. Tuttle’s works are housed in the collections of numerous museums throughout the world including the Museum of Modern Art, New York and the Metropolitan Museum among other prestigious museums in the USA, as well as the Tate Modern, Centre Pompidou, and Museum Ludwig. In Japan, his work is a part of the collection of the National Museum of Art, Osaka.